On Saturday while representing Zoe and Living Sea Sculpture at a Marine Science Fair all about corals in Playa Del Carmen’s SAYAB Planetarium, I caught this Sergeant Major whizzing by with my iphone.
I love the shot, yet not the calcium deposits on the protective globe around the webcam, or the blurring. I just arrived in Cozumel today by ferry. Some rolling currents and “cold” grey weather for the next few days, but as soon as it clears, I’ll be diving and working with fabulous volunteer, Lemuel Vega, to get rid of the remaining build ups, collect homeless corals to plant, and take videos and photos with my GoPro.
The camera may be trying to focus on the distance and the calcium on the glass at the same time, causing the miragey appearance. (it’s a new word). It has been 6 months since I was here, and we’re going to work on advancing our system of monitoring and maintenance. There are things that need regular attention, like changing the cleansweep wiper and keeping the glass free of biofouling, testing all the cable anchors and changing out any corroded bolts, and capturing video and images to see the growth close-up, that we need to have committed team members signed on for as we go.
Please stay tuned. If you want to make a visit, check in with me!!!
And if in Playa Del Carmen this month, check out the SAYAB Planetarium. Their theme of the month is the Coral Reef.
Happy New Year! Politics aside, 2017 is off to a good start.
The last days of 2016 and the first week of 2017 were filled with special endings and beginnings, just the way solstice likes it as we consider longer days. I know, I’m in Mexico with more sun than most, but I still love to take this time of year to be grateful, let go and make space for what’s to grow in spring. We had a beautiful intimate ceremony to honor Zoe Anderson with corals at the sculpture. Happened to be the BUSIEST day of the year at the dive shop, but the guests of honor were true grace and acceptance de la vida loca. We created a circle of memory holding hands in the sea and placing some new corals with great intentions for life. Beautiful meaningful moments together.
Here you can see a few of the corals added, burgundy algae, and some sponges taking residence.
On New Year’s Eve some more magic happened. My Air BnB guest invited me to join her with a few friends who just so happen to work with National Geographic and were heading to Cozumel to celebrate birthdays and vacation. Nice. We had a super time diving at Zoe and another reef thanks to Sand Dollar Sports Dive Shop. They’re excited to see how they can help support more coral restoration efforts and the Zoe project through explorer programs, so stay tuned! From eating chips and guacamole to talking about Emerging Explorers made for a fortuitous New Year’s Eve.
To add more to the mix, Shaan Hurley of Autodesk came down with his drone and joined our diving adventure, too. Can’t wait to see his underwater and aerial shots. He was here in 2014 training university students (UNAM) and government scientists in photogrammetry.
And here you have a little cockpit view from January 2nd when our #OpenROV, Patito, made its maiden voyage into the sea. Fun! Our Expedition is here.
Thanks again for being on this adventure and making it happen! With love and hope into the new year.
This post was the latest update for our current razoo campaign. Please check it out to learn more about our goals and how you can join in.
Also, if you are a scientist and want to work on some of our Zoe research, including lab tests, in the field, equipment, longterm and short term,…reach out to firstname.lastname@example.org. From water quality to biodiversity counts to coral skeleton porosity, electromagnetic fields, photo documentation, there are lots of things to discover!
On Sept 8, 2016, we received our final signature from the government to install Zoe in an incredible home. Zoe touched the seafloor in Cozumel, Mexico on September 23, 2016.
Plans to be part of MUSA in Cancún were blocked due to challenges with our electrical and internet needs. Unlike the cement sculptures, Zoe requires more infrastructure.
Huge thanks to Ingmar Gonzalez Krotzsch for introducing me to Cozumel and uniting an incredible team! He envisioned exactly where it would go and – voilá! Isabel Caamaño Ricken, our brilliant coral biologist, applied for the final permit, along with her inventor brother, Pancho (Francisco) who together have a manifestation to place sculptures into this unique coral restoration lab and underwater art museum, Musubo. This Underwater Golden Diver Museum is a featured attraction of the annual Scuba Fest, organized by Gilda Sigie, who warmly invited Zoe to come to life in this special place.
Zoe is now in good company with bronze busts of Sylvia Earle, Jacques Cousteau, Ramón Bravo, and numerous Fractal Artificial Reefs and Reef Balls. Since 2006, the site aims to increase biodiversity and investigate coral regeneration after devastation from hurricanes and pollution. Sand Dollar Sports Dive Shop owner and project internet+electricity sponsor, John Flynn, and his dive guides want to reduce negative tourism impact on the natural reefs through rehabilitation and ecological recreation programs. You’ll see corals colonizing Zoe soon!
Qualti Innovaciones Marinas did a fabulous job installing with their hurricane-proof patented anchors. It was an underwater performance watching Laura and Pancho work skillfully in silent tandem. Thomas Sarkisian, electrical engineer from Global Coral Reef Alliance, has been awaiting over 5 years to turn on the electricity. Right after the switch was flipped on September 29th, the minerals began to deposit and fish started to arrive to eat the algae. YEA!!!
The marinero and capitán were key with the placement of Zoe and the camera into the sea. Here you see Pancho and Thomas preparing the Tilt Pan Zoom View into the Blue Camera to begin livestreaming. Trevor Mendelow has been configuring remotely with Danirel Alvarez Junco of Sand Dollar and the dedicated crew of Soluciones Xtreme Net who laid and wired our cables…a big production!
My great great thanks to ALL OF YOU, my dear backers for being with me since the very beginning in 2011, and to the hundreds, thousands of others I’ve met along the journey that made this possible! Your contributions kept us going and the sheer number of you was constant motivation!!!!
You must come to the island to snorkel or dive. Only a 40 minute ferry ride from Playa Del Carmen (close to Cancún). Zoe is about 4m deep and open to the public. Very calm water and an ideal place to get certified in diving if thinking about it? Snorkeling is fine!
The water is crystal clear and fabulous for viewing our livestream. Content is underway for Zoecoral.com site built by amazing TED Fellow, longtime tech consultant and Zoe collaborator, Jen Indovina!
Many special thanks to my loving family, Luis Bourillón, Marisol Rueda Flores, José Luis Funes, Pedro Joaquin Coldwell, Serguei Rico, María Antonia Gonzalez, Lorenzo Rosenzweig Pasquel (FMCN), Lyn Ohala, TEDxCancún, Soluciones Xtreme Net, Staff of Sand Dollar Sports Dive Shop and Sunset Restaurant, Andrés Uscanga, Yibrán Aragón, Marenter, Todo Inoxidable, Infectango, SupporTED, Autodesk, Shaan Hurley, INapesca, UNAM, Cable Cozumel, the black bunny that just hopped by, and every friend, collaborator, acquaintance, coach not listed here who offered help, kindness, direction, mentoring, introductions, dancing, food, fun!!!
ALL of YOU are the reason. Logramos! Next phase, monitoring and colonizing ~~~
With love and fishes, Colleen and Living Sea Sculpture
It’s happening! I’m sitting outside using some wifi in Puerto Morelos while all the puzzle pieces are Tetrising (verb) into place to install Zoe in Cozumel sea by month’s end. So exciting to be working with such an incredible crew. Here are just a few from Qualti Innovaciones Marinas who worked on the authorization with the government and will be responsible for installation with the rest of the US and Swedish team coming in on Wednesday.
Last Wednesday was a quiet moment of joy relief happy peace to watch Zoe be moved for the first time since 2011 from her waiting place in Punta Sam, Cancún back to Todo Inoxidable (steel factory) where we built her in 2011.
Tomorrow we’ll make some quick fixes and changes so we can ferry her over to Cozumel end of week. Yea!
I’m being eaten by mosquitoes, so will be brief! (A couple friends have Zika, not good). It has taken an incredible amount of people to get this far, and my gratitude is running over.
Very happy that after more than 5 years, we have a super location and home for this Living Sea Sculpture. And you will be able to view it and interact from the livestreaming webcam!
For this day, March 8th, I posted this update to kickstarter about ZOE and some other life events. It’s a day to celebrate and honor the creativity and powerful motivations that well up within the women all over the world. May great things may be born.
Scouting installation site in Punta Nizuc. photo courtesy of Ray Santisteban
I arrived here in Quintana Roo on December 28th. I wanted to experience my first Mexican New Year’s Eve, an advance celebration of ZOE installation into el mar. Date still to be determined, but as director, manager, producer, artist, my job is to find eternal internal resources to keep saying, “We aim to install __________ .” (put upcoming month in the blank.)
It’s a huge country, so I won’t generalize my New Year’s Eve on the beach and roaming through streets of Playa Del Carmen with new local friends as representative of Mexico, but it was a special moment to release the floating fire-lit balloon into the sky with Grecia Goretty, Ricardo Rubio, and Gerar Orozko Astigarraga envisioning what I hope the new year holds. Looking up to the stars into the past present future with wonder and soft sand between my toes, I watched my wishes dissolve into the dark sky. About six hours later, I welcomed the first red rays glazing the sea.
Yesterday I went with Raymundo Santisteban of The Stills to measure distances for the underwater installation of ZOE and to take photos and video of the area for our team and supporters. The location for the sculpture will be about 100 meters from the dock at Nizuc Resort and Spa.
The water was really clear for us to see the natural reef close to the installation site. This is part of the Mesoamerican Barrier Reef, the 2nd largest barrier reef after the Great Barrier Reef in Australia.
These native corals represent species we’ll be transplanting onto the coral refuge. It’s a pretty subdued palette, think conservative, fashionable interior decor, including some porites porites, gorgonians, staghorn and elkhorn, among others. The fish spending their time here will come swim by our habitat, too. Not only is ZOE for coral, it will attract many species of marine life looking for new homes where coral reefs have been disappearing. Reefs provide habitat for 25%-30% of marine species, so providing life support for them and reducing deadly environmental stressors, like pollution, is essential to the health of the entire ocean.
I opened my window just as we were flying over Punta Nizuc where we plan to install ZOE. There is a lot of ocean in the photo, but I was so focused on Punta Nizuc, it was a great surprise to see the reefs and aqua clear waters where we plan to put our coral refuge. Without Google-Earthing, I could get an idea of the broader seascape of the area. We plan to locate ZOE near the resort in shallow waters. There are species of corals that like being very close to the surface. Actually, while snorkeling in the area, the healthiest coral reefs seemed to be in the shallows.
Not far out from the dock is the site where we will anchor the sculpture. The rest of my August visit entailed meetings with the Director of the Marine Park and the MUSA directors, as well as scientists at Universidad Nacional Autonoma de México (UNAM) in Puerto Morelos to develop our proposal for a scientific research collaboration between Comisión Nacional de Áreas Naturales Protegidas (CONANP) and UNAM. Growth monitoring is our main focus, as well as observing differences between neighboring natural corals and those on the Biorock® mineral accretion reef.
Autodesk has generously offered to come to Mexico to train us in their latest photogrammetry process, the cutting edge in 3D digital modelling. They’ll train me, my team, including a group of university students, in how to capture the photos of our coral transplants and neighboring corals.
Coral scientist, Serguei Rico of UNAM, is working with me on our proposal to ensure ZOE is a conservation experimental project of the National Marine Park as well as a tourism attraction for MUSA. He was telling me that another PhD student wants to start experimenting with taking photos to digitally model corals for monitoring coral growth as his thesis. As he was describing it, I couldn’t help but jump in and tell him that part of the project was to offer free training for just that! Perfecto.
Serguei has been following how corals have been effected by nitrogen run-off and other pollutants since the emergence of mega-tourism. Sewage from all those hotels along the Hotel Zone in Cancun and down the Riviera Maya is deep injected. It seeps into the aquifers and ocean causing corals to suffer new diseases. There were only 3 inhabitants on Isla Cancún in 1970. Now there are over 722,000. With no treatment plants, you can see how this is an epic problem with all that untreated shit running into the sea. Corals are much more sensitive to the bacteria in sewage than humans, and the parts per million are well-beyond their standards.
While I was in Mexico this trip, I witnessed baby turtles being released on a full moon. (next post.) I wish I could’ve joined the small group of scientists watching corals spawn at night, but they want to protect the animals while they are making babies from too many intrusive people. I understand needing more privacy, and wanting to avoid the potential for humans to get crowded and bump into the reefs.
The dream to plant some corals onto ZOE is getting closer to being realized. Working with the scientists, meeting the resort manager, connecting with other artists who want to be part of the local team to install and create future works…It was a wonderful process and we took many steps forward.
Look closely and you can see where we plan to install as soon as we do.
Heading to Cancun Thursday. Time to mark the spot for ZOE’s ocean home at Nizuc Resort and Spa. Here’s one visitor’s view.
From DNA-Dividing at Club Med to ZOE at Nizuc Resort and Spa, transformation is on. To get you up to speed – see the Living Sea Sculpture cover photo above? That is ZOE awaiting installation in Punta Nizuc from 2011. We were going to install off the beach of Club Med. Since Nizuc Resort and Spa only opened in 2013, they were not an option back in 2011. Timing!!
Roberto Diaz of both MUSA and Aquaworld (he’s a major doer) has been making things happen, and the government is being towed along with approving grace. Cheers to Roberto!
And big thanks to María Antonia Gonzáles Valeria who I met here in NY at a Genspace event. She went back to Mexico City to see how she could help through her university, Universidad Nacional Autónoma de México (UNAM). She introduced me to a recent marine biology graduate focusing on corals in Pueto Morelos, Serguei Rico, who is ready to meet and see how we can work to appropriately appropriate enough coral transplants for installation with his department. This is a big deal in Mexico – making sure we have the approvals since it is in a National Park protected area; corals are only available for projects after hurricanes, damage by boats, and through lab propagation. I look forward to working with Serguei and Jaime, Director of the Marine Park, to ensure ZOE becomes a Living Sea Sculpture with endangered corals colonizing.
I wanted to make an art installation on 6th street here in New York’s East Village. Using the Gossamer community crocheted and needle-felted reef, I would attach the textile corals and fish to the white undulating fire escapes, like Biorock sculptures, and project video of underwater coral reefs onto the building. Live music would play. Perhaps the instrumentalists would be on different levels of the fire escapes immersed in their steel boats adrift like such unusual organisms populating the sea.
So many ideas and projects run through me all the time related to corals and how to convey their beauty and their endangerment, their need for life support and healthy habitat, and of course, OUR need for them. When my dog walks me down a new street, it often seems as if he’s guiding me to a place or a thing to spark my imagination that unites urban life with nature’s presence, such as the idea I just described for Fire! Fire! Corals are Feeling the Heat!
What about an app that responds to your geolocations, where it appears that fire escapes, bridges, and other inspiring architectural forms are accreting with minerals, colonizing with corals or oysters, and marine life? I really want to put my energy into creating the living sculptural reefs and nurseries in the ocean, but while I’m in the city, I can’t turn off my inner vision of all this aquatic fluid atmosphere that permeates my mind. And once we get the webcams onto the sculpture, ZOE, in Cancun, the resulting projections and live feeds will tie in positively to this evolving land and sea revival experience that will hopefully lead us away from this grim end as described by scientist, Charlie Veron, in Iain McCalman’s new book – The Reef: A Passionate History (reviewed by Rob Nixon in the NY Sunday Times)
Without an abrupt decline in greenhouse gas emissions, “there is no hope of reefs surviving to even midcentury in any form that we now recognize. If, and when, they go, they will take with them about one-third of the world’s marine biodiversity.” Bearing witness to this gradual annihilation, Veron concludes, is “like seeing a house on fire in slow motion.”
A consuming conflagration metaphor. I can’t have Veron’s prediction take hold in my mind or it throws me off center and off my positive focused trajectory, but perhaps politicians, businesses, big corporations, and anyone unaware of the true bottom line, will start to listen and begin cleaning up dirty industry if a renowned scientist points this gun, already smoking, to their heads, threatening their homes with this horrifying image.
If the message stating that all is already lost gets louder than the message inviting you to think of how to get involved, what effect does that have on you? What combination of lightness with darkness motivates shifts in behavior and values? I can’t tell you how many times I meet someone who assumes corals are doomed based on hearing snips about bleaching and acidification. They smile and share personal stories or offer strategy when I tell them that from pollution to restoration, there are things that CAN be done. It isn’t time to pretend the house is already burnt to the ground and just stand there drinking beer on the sidelines like you might be doing this month watching the World Cup. (What a finish for Portugal last night tying in the last seconds!)
Seriously, Veron does say “slow motion,” and that’s an opening for optimism in the midst of despair. If that somehow gives the endangered animals more time to adapt and people more time to develop new energy, rescue activities, and to stop injecting sewage, fertilizer, and carbon into the sea, it remains to be seen what 2050 holds. My concept of the fire escapes with the corals growing over was to symbolize both the urgency and the potential to escape the heating oceans caused by climate change. To find a way out of the burning building into the air to survive the disaster.
Additional note for perspective, I recently read the book, Reef Madness: Charles Darwin, Alexander Agassiz, and the Meaning of Coral. The “coral reef problem” illuminated how recently we had no idea about how coral reefs are formed, and it intimately illustrates just how controversial and political scientific theories and quests can be, then and now. How egos take the stage and discoveries are intertwined with layered cultural and societal beliefs and systems. Some philosophies and styles are in the process of dying off; it’s like new species of understanding, expressing, and technology emerge with evolution and that directly impacts our ability to see and discern our reality. Even though corals create bone-like stone, our ideas and assertions about them are much less solid. There’s space in the world to explore working together to escape the “fires of hell” and create cooler, collaborative coral conservatories that will teach us much more than we know now.
I was invited to Genspace the other night to listen to a lecture by Ingeborg Reichle, Art Historian, and Pinar Yoldas, Artist-Researcher, although at one point she said, “I am just an artist,” during the Q&A when the focus had turned to activism to end plastic pollution and policy discussions. I felt her frustration, or it was my frustration, about someone saying that her work was “whimsical,” and therefore a less impacting or meaningful way to address our current situation in the toxic plastisphere nurdle soup that Captain Charles Moore and others have been revealing since the late 90’s.
With so much plastic in the ocean that “there is more plastic than plankton,” Pinar has been designing an Ecosystem of Excess complete with all kinds of imaginary organisms that feed on plastics. I asked if she intends to work with geneticists to realize her creatures, and she said she’s interested…it’s a complicated reality and I don’t think she or any of us take the plastic situation lightly . There are researchers and actual microorganisms already evolving along with the progression of enormous masses of synthetic waste in the ocean. With so many shapes and sizes of plastic host bodies everywhere, how can life not take advantage of this opportunity to mutate and migrate?
My take away is that so many of us creative beings are being asked to get stuck telling people to change, as if activism has only one face: telling people a problem and what to do about it. But what is static about life and innovation? We need to allow for paradigms to shift and hope that fearful feelings of insecurity about the future lead to breakthroughs. There are many ways to shift perspective and expand the conversation while maintaining grounded in the confusing possibilities of every day. Listening to your own visions and inner voice in this time of rapid climate change is crucial. How else can we bust out of traps of collective blindness and work through the denial and guilt to get to new discoveries? Pinar was not highly positive about the situation; she is an activist shining light on a serious issue, but she is doing it in a way that brings beauty and horror together through artistic, visionary skill. Making the work is therapeutic for Pinar. Watching our oceans become wastelands is too tragic to handle without an outlet.
Recently I asked for more water in my plastic cup on an airline. The flight attendant took my cup and said, “I’ll get you a new one,” as if she was doing me a favor when I wanted to use my perfectly good plastic cup. Since airlines are such huge carbon polluters, it seems like such an easy thing to have people reuse their cups. At coffee shops, why not bring in your own cup and get rewarded with a discount? All of this policy rule stuff has no appeal for me, though, as a career. It drives me nuts, so I need to do something else with my fantasy for a healthy world.
I don’t like getting stuck in feeling guilty and overwhelmed. It’s too righteous and blocks the flow of imagination to keep learning and bringing new ideas and solutions into form so that more and more people can choose how to build the now that will become the future.
A man in the audience asked if Pinar could build a huge plastic reef with 3D printed corals that could survive climate change. I couldn’t help it, I plunked my sample chunk of Biorock from a project in the ocean onto the chair by him.
Later we talked a bit about how there is already one process with electrified steel reefs that intentionally addresses the environmental stresses threatening corals. While talking to Ingeborg about plastic pollution and oceans, she introduced me to two professors from the National University of Mexico, Mexico City. They offered to look into locations and partners for art and science coral restoration projects in Mexico. The evening had many layers of organisms interacting, from science fiction microbes to modern day humans doing what all life does, connect and spread ourselves into the world through thoughts, words, and actions.
Today I’m in the middle of my second day as a co-create resident artist at IMC Lab + Gallery. I’ll be working on alter ego TrashTara – Compassionate Deity of the Dregs culminating in a photo/video show resulting from interacting with the public on the streets thanks to a grant from LMCC, and Respire: The Coral Corollary, a multi-sensory interactive installation correlating human health with coral health through the context of artificial respiration and life support. Genspace will be helping me with some fluorescing dead bacteria for TrashTara’s headdress to avoid using plastic resin as a translucent material in exchange for the latest in bio-arts. Plastics, with their consumer model of planned obsolescence, were once considered the best thing ever, and people got out of control with that. I really have mixed feelings about genetic engineering, but for this small-scale project, I will see what I learn and keep sifting through all the difficult choices.
“I’m grading student work and who do I see? @misssnailpail looking at me.” That was a welcome surprise tweet from @JessicaLeeGreen- University of Oregon professor, TED Senior Fellow, friend and colleague.
Restoring our Reefscape was posted by Shelby Adkisson. The Full Spectrum Biology blog is being created by students in the courses Population Ecology and Biological Diversity at the University of Oregon. It is one component of their work, and for each course will unfold throughout the term. +Jessica Green
Crafthaus curator, Greg Corman, created an online exhibit, Sculpture for Wildlife Habitat. It will be up from June 8 – July 8, and then the images will be in their archive. For the love of bees, birds, seas…very earthy. 1970’s meets the 2000’s.
From May 2nd – May 8th, I was invited to transform a shop in DUMBO, New York, into a pop-up gallery. Preview of the Arts and the THE CREATORS COLLECTIVE initiated a preview parlor for passers-by to experience the creative process through the premier of new works and revisited projects in a non-traditional gallery space. Numerous artists creating dance, showing installations, and hanging wall art made site-specific projects for the glassed-in shop at 145 Front St. in Brooklyn.
The video scenes of growing Biorock coral sculptures and underwater propagation projected on the wall in the background lured divers and ocean lovers, as well as those just curious people who found themselves meandering through a labyrinthine shopping mall.
The crocheted and needle-felted community reef was donated by Gossamer Fiber Arts in Portland, OR, back in 2008. I’ve used it on multiple occasions for awareness and restoration re-enactments. Thanks to Al Atarra, who runs the The Metropolitan Exchange, “a cooperative of creative professionals in Downtown Brooklyn”, I received metal from architect, Marc Fornes’ discarded designs. That, plus some thick, flexible insulated cable was fun to reassemble into a rocky reef formation with Nick from A New Seed NYC. (somehow his last name was never spoken. He is “Nick from a New Seed”)
The octopus gets a lot of high praise. She almost missed this show; luckily for all, it worked out. Also, Downtown Yarns in Manhattan granted us a few additions to the reef, including a chambered nautilus.
My goal to do work in the ocean and share it on land keeps evolving. For the past 3 years, I’ve been developing a concept and collecting who, how, where for an interactive, multimedia installation that correlates human health with coral health in a unique, artistic way. I see it in my mind’s eye, and will soon show you some of the visuals and technologies that are helping me get closer.
There are incredible, interdisciplinary artists using robotics and sensory programs to reveal natural movement and data with kinetic sculptures. They’re able to create intricate poetry and awe with movement and form. The depth of intimacy they have with their process, from conceiving to making, is an expression of mastery, curiosity, love and dedication to bringing life-animated to technology. Somehow it seems like this investigation will have a positive feedback loop: inviting people to fall in love again with wild and mysterious beautiful plants and animals. One could argue that it might make people fall in love with robots, but I leave that open to never-ending discussion and reflection.
This blog will be a curvilinear stream of consciousness. A stream between both hemispheres of my brain, and yours. Living Sea Sculpture is more than an object, it is an intricate web of life, philosophy, and process. Dot-to-dot drawings are predetermined,
but as we build our lives, we are lucky to have the freedom to connect whatever “dots” we choose or notice. I am happy to be starting this conversation, what I hope will become an ongoing international conversation, about all aspects of human interaction with our coastal cousins.
Over the years, I realize there’s not a place for people to talk freely about coral restoration and marine ecosystem solutions in a personal and informal way. Why? All the details and ins and outs of processes, people, organisms are tied together intimately.
Lots of blogs and articles (and me) have repeatedly relayed the information about Biorock reefs (…low volt direct current precipitates limestone minerals to deposit…alkaline buffer zone..grow faster, survive warming…). Other man-made reefs and coral nurseries have some glowing moments on green sites and in nature magazines also, yet the conclusion is the same: through a portrait of this man (fill in the blank) we can make the point that corals and other animals are endangered due to human activities and here is a sort of lone hero bucking the odds. The odds may be stacked, but that is the call to ACT.
Wherever you are with whatever you know, you know enough to enter this conversation and have incredible impact. We can build new projects and coral conservatories together if we find each other.
I just read an article that said waiting for government or big corporations to take the lead on this is not the way. Agreed. They will get involved, they are involved, and individuals from all backgrounds need inlets to get involved too. Being nimble is an asset. Coral restoration is not rocket science (although you can be a rocket scientist and do it); it is a practice and technology that grows out of a desire to cultivate healthier relationships with ourselves and our planet, to heal what is not well and find fun and adventure along the way.
Maybe you just have a fascination with playing with organic matter. Whether you approach it as a gardener who longs for beautiful form and colorful vitality, an engineer who “knows” there is a better way to electrify an artificial reef (talk to me), a fisherman who needs fish, a scientist who wants to study the effects of low volt current on Zooxanthellae within coral polyps, a homeowner who doesn’t want to be washed to sea, a resort owner who woos tourists, an artist that makes sculpture, a diver that breathes underwater…
I’m not sure why I took so long to start this. I have a lot to say and want to hear from you. If you are part of the Living Sea Sculpture diaspora waiting to find your homeland, Welcome!