On Saturday while representing Zoe and Living Sea Sculpture at a Marine Science Fair all about corals in Playa Del Carmen’s SAYAB Planetarium, I caught this Sergeant Major whizzing by with my iphone.
I love the shot, yet not the calcium deposits on the protective globe around the webcam, or the blurring. I just arrived in Cozumel today by ferry. Some rolling currents and “cold” grey weather for the next few days, but as soon as it clears, I’ll be diving and working with fabulous volunteer, Lemuel Vega, to get rid of the remaining build ups, collect homeless corals to plant, and take videos and photos with my GoPro.
The camera may be trying to focus on the distance and the calcium on the glass at the same time, causing the miragey appearance. (it’s a new word). It has been 6 months since I was here, and we’re going to work on advancing our system of monitoring and maintenance. There are things that need regular attention, like changing the cleansweep wiper and keeping the glass free of biofouling, testing all the cable anchors and changing out any corroded bolts, and capturing video and images to see the growth close-up, that we need to have committed team members signed on for as we go.
Please stay tuned. If you want to make a visit, check in with me!!!
And if in Playa Del Carmen this month, check out the SAYAB Planetarium. Their theme of the month is the Coral Reef.
As one of the 1st of 60 artists-in-residence with Google’s Tilt Brush, a portal of awesome opened up for me! Immersed in a dark space, magical colorful dream world comes to life before your headset-wearing eyes with your movements. The “brushes” are a mix of markers, paint brushes, physical-feeling extruded light, audio-activated pulsating colors…it was such a great residency.
Playing with materials without any outcome in mind is so important to my well-being. Even with an idea in mind, letting the tools illuminate the way is a candy-colored high of inspiration.
Since the residency, I’ve been invited to create work as an impromptu, live performer for various events. Most of the time I’m in the flow of making something that is projected onto a large monitor in real time so the audience can see what I see. It’s a fabulous job and I hope to do more soon! One event was Virtual Tomorrow in landlocked Columbus, Ohio. How great to be able to create reefy scenes and talk with attendees and local tech team about corals and Living Sea Sculptures while so far from the ocean.
On the other side of the discussion, some people express anxiety about Virtual Reality. Clearly, VR has its distressing arenas, as with all tech innovation that leads to roads unknown. So, use it as a tool to highlight what matters to you. For me, that’s the coral reefs, marine world, surreal nature, and healing the environment that we all share through imagination, collaboration, and action. Being able to move in space and wave wands to create 3D worlds is magic.
Happy New Year! Politics aside, 2017 is off to a good start.
The last days of 2016 and the first week of 2017 were filled with special endings and beginnings, just the way solstice likes it as we consider longer days. I know, I’m in Mexico with more sun than most, but I still love to take this time of year to be grateful, let go and make space for what’s to grow in spring. We had a beautiful intimate ceremony to honor Zoe Anderson with corals at the sculpture. Happened to be the BUSIEST day of the year at the dive shop, but the guests of honor were true grace and acceptance de la vida loca. We created a circle of memory holding hands in the sea and placing some new corals with great intentions for life. Beautiful meaningful moments together.
Here you can see a few of the corals added, burgundy algae, and some sponges taking residence.
On New Year’s Eve some more magic happened. My Air BnB guest invited me to join her with a few friends who just so happen to work with National Geographic and were heading to Cozumel to celebrate birthdays and vacation. Nice. We had a super time diving at Zoe and another reef thanks to Sand Dollar Sports Dive Shop. They’re excited to see how they can help support more coral restoration efforts and the Zoe project through explorer programs, so stay tuned! From eating chips and guacamole to talking about Emerging Explorers made for a fortuitous New Year’s Eve.
To add more to the mix, Shaan Hurley of Autodesk came down with his drone and joined our diving adventure, too. Can’t wait to see his underwater and aerial shots. He was here in 2014 training university students (UNAM) and government scientists in photogrammetry.
And here you have a little cockpit view from January 2nd when our #OpenROV, Patito, made its maiden voyage into the sea. Fun! Our Expedition is here.
Thanks again for being on this adventure and making it happen! With love and hope into the new year.
This post was the latest update for our current razoo campaign. Please check it out to learn more about our goals and how you can join in.
Also, if you are a scientist and want to work on some of our Zoe research, including lab tests, in the field, equipment, longterm and short term,…reach out to email@example.com. From water quality to biodiversity counts to coral skeleton porosity, electromagnetic fields, photo documentation, there are lots of things to discover!
I published my first Instructable!! I was wanting to, meaning to, and finally, DID IT! I enjoyed it, and even more, I feel so happy to finally be finding my way to share more through the one-to-many approach. One-to-one is slow going when you are dealing with process, such as art, science, and tech to rehabilitate corals and experiment with new transformational innovation. Online tutorials and communities are obviously an organic, inspiring way to build the movement and momentum, to reach people ready and open to join in from wherever they may be.
Are you familiar with Adafruit? When I heard Limor Fried speak on a panel at an entrepreneur conference in NY 2013, she touched a harmonic cord. At first she may have tried to focus on “her projects,” but she had to go with the flow and let go of trying to control the river, the ocean. Ladyada is contributing so much to culture, innovation, art, technology and creativity. Her specific goal is not welfare of wildlife and the environment, but with her products and open source, we can make leaps.
When people ask me to help them with mineral accretion projects, I hesitate about the voltage and set up because in my experiments, I don’t yet feel like I have a “kit” or component, open source element that will be the needed baseline for people to run with seawater electrolysis. This year with Zoe finally in the sea, I can devote more time towards building the global community and constructing new unique reefs that unite aesthetics and function customized for their location.
It would be a dream to work with the likes of Healthy Reefs and Coral Reef Alliance in Honduras to regenerate devastated coral reefs using state of the art design and generative tools, equipment, coral science, and bright impulses of imagination. We need MORE CREATIVITY FLOWING through ingenious teams who like to play and share their wide knowledge to impact the next generation of coral cultivators and ocean healers.
I just applied for my dream art residency to push these goals forward. I really want to tell you who offers this amazing residency, yet I don’t want to jinks it! I’ll let you know what happens.
With the US presidential election making rough and freaky waves through the world of environmental and human rights, and everything else, I had to do something to lighten my heart and mind NOW. Usually that means I have to throw myself into work and focus. The sinking feeling and clawing at my eyeballs through the tears gets tiring.
I started this campaign today! Zoe – A Living Sea Sculpture is part of the #givingtuesday annual event which builds momentum and funds for causes at the end of the year.
It feels wonderful to share the completion of our installation phase and the vision for monitoring, maintaining, and developing this project for the region and beyond.
Through this international collaboration, we want to help transform the destructive tourism practices locally in Cozumel and bring new creative energy for regeneration and biodiversity cultivation. Already the Sand Dollar Sports Dive Shop and others are moving that forward. Please check out our progress and plans here.
On Sept 8, 2016, we received our final signature from the government to install Zoe in an incredible home. Zoe touched the seafloor in Cozumel, Mexico on September 23, 2016.
Plans to be part of MUSA in Cancún were blocked due to challenges with our electrical and internet needs. Unlike the cement sculptures, Zoe requires more infrastructure.
Huge thanks to Ingmar Gonzalez Krotzsch for introducing me to Cozumel and uniting an incredible team! He envisioned exactly where it would go and – voilá! Isabel Caamaño Ricken, our brilliant coral biologist, applied for the final permit, along with her inventor brother, Pancho (Francisco) who together have a manifestation to place sculptures into this unique coral restoration lab and underwater art museum, Musubo. This Underwater Golden Diver Museum is a featured attraction of the annual Scuba Fest, organized by Gilda Sigie, who warmly invited Zoe to come to life in this special place.
Zoe is now in good company with bronze busts of Sylvia Earle, Jacques Cousteau, Ramón Bravo, and numerous Fractal Artificial Reefs and Reef Balls. Since 2006, the site aims to increase biodiversity and investigate coral regeneration after devastation from hurricanes and pollution. Sand Dollar Sports Dive Shop owner and project internet+electricity sponsor, John Flynn, and his dive guides want to reduce negative tourism impact on the natural reefs through rehabilitation and ecological recreation programs. You’ll see corals colonizing Zoe soon!
Qualti Innovaciones Marinas did a fabulous job installing with their hurricane-proof patented anchors. It was an underwater performance watching Laura and Pancho work skillfully in silent tandem. Thomas Sarkisian, electrical engineer from Global Coral Reef Alliance, has been awaiting over 5 years to turn on the electricity. Right after the switch was flipped on September 29th, the minerals began to deposit and fish started to arrive to eat the algae. YEA!!!
The marinero and capitán were key with the placement of Zoe and the camera into the sea. Here you see Pancho and Thomas preparing the Tilt Pan Zoom View into the Blue Camera to begin livestreaming. Trevor Mendelow has been configuring remotely with Danirel Alvarez Junco of Sand Dollar and the dedicated crew of Soluciones Xtreme Net who laid and wired our cables…a big production!
My great great thanks to ALL OF YOU, my dear backers for being with me since the very beginning in 2011, and to the hundreds, thousands of others I’ve met along the journey that made this possible! Your contributions kept us going and the sheer number of you was constant motivation!!!!
You must come to the island to snorkel or dive. Only a 40 minute ferry ride from Playa Del Carmen (close to Cancún). Zoe is about 4m deep and open to the public. Very calm water and an ideal place to get certified in diving if thinking about it? Snorkeling is fine!
The water is crystal clear and fabulous for viewing our livestream. Content is underway for Zoecoral.com site built by amazing TED Fellow, longtime tech consultant and Zoe collaborator, Jen Indovina!
Many special thanks to my loving family, Luis Bourillón, Marisol Rueda Flores, José Luis Funes, Pedro Joaquin Coldwell, Serguei Rico, María Antonia Gonzalez, Lorenzo Rosenzweig Pasquel (FMCN), Lyn Ohala, TEDxCancún, Soluciones Xtreme Net, Staff of Sand Dollar Sports Dive Shop and Sunset Restaurant, Andrés Uscanga, Yibrán Aragón, Marenter, Todo Inoxidable, Infectango, SupporTED, Autodesk, Shaan Hurley, INapesca, UNAM, Cable Cozumel, the black bunny that just hopped by, and every friend, collaborator, acquaintance, coach not listed here who offered help, kindness, direction, mentoring, introductions, dancing, food, fun!!!
ALL of YOU are the reason. Logramos! Next phase, monitoring and colonizing ~~~
With love and fishes, Colleen and Living Sea Sculpture
It’s happening! I’m sitting outside using some wifi in Puerto Morelos while all the puzzle pieces are Tetrising (verb) into place to install Zoe in Cozumel sea by month’s end. So exciting to be working with such an incredible crew. Here are just a few from Qualti Innovaciones Marinas who worked on the authorization with the government and will be responsible for installation with the rest of the US and Swedish team coming in on Wednesday.
Last Wednesday was a quiet moment of joy relief happy peace to watch Zoe be moved for the first time since 2011 from her waiting place in Punta Sam, Cancún back to Todo Inoxidable (steel factory) where we built her in 2011.
Tomorrow we’ll make some quick fixes and changes so we can ferry her over to Cozumel end of week. Yea!
I’m being eaten by mosquitoes, so will be brief! (A couple friends have Zika, not good). It has taken an incredible amount of people to get this far, and my gratitude is running over.
Very happy that after more than 5 years, we have a super location and home for this Living Sea Sculpture. And you will be able to view it and interact from the livestreaming webcam!
We’ll be ROVing in the state of Quintana Roo, Mexico, starting in June. Very excited about this new Caribbean adventure with so many incredibly fun, caring, and brilliant people. Lots of complex ecosystems and biodiversity at stake, so we want to build momentum to protect and nurture our interdependence and learn from the past, present, and daily future.
I was just asked, so here you go~ ROV means remotely operated vehicle. Part of the Robotics glossary: An underwater remotely operated vehicle (ROV) is a mobile robot designed for aquatic work environments. Remote control is usually carried out through copper or fiber optic cables.
We should be receiving our ROV kit by end of month with hope to go out on first run to celebrate a birthday. Building an ROV and observing underwater life with loving friends – super way to begin a new year!!!
For this day, March 8th, I posted this update to kickstarter about ZOE and some other life events. It’s a day to celebrate and honor the creativity and powerful motivations that well up within the women all over the world. May great things may be born.
Before I arrived in Mexico late December 2014, I was already anticipating COP21. I had marched with the Climate March in New York in September, and am in the wave of humanity doing something to address and reduce our carbon crisis.
My initial aim was to work with interactive technologists to projection mapZOE, our Living Sea Sculpture in Cancun, onto a unique building in Paris during this important Climate Change event. With a live-streaming webcam from View Into the Blue, not only would people online be able to tilt, pan, and zoom to observe and interact with our underwater project, we would interpret the visuals and the data, incorporate animation and effects, bringing this DNA-inspired coral reef ecosystem into the conference to reflect our dynamic ocean-human interface in dire need of attention and direct action.
When the Monterey Bay Aquarium invited me to be part of their Art and Climate Change campaign leading up to the conference, I was thinking it would be great if our plans to install ZOE in the sea the week of December 7th-11th would go through, synchronizing our coral regeneration work here with the mass global intention rippling across the planet. Working with Karla Munguia, a documentary filmmaker with years on Animal Planet, gave us some comraderie around conservation as we made this short video.
Corals here in Mexico have been feeling the heat this year. Bleaching is happening all through the region. I had a good talk with one of my collaborators at INAPESCA about what they are discovering recently. With so many variables, including an intense influx of sargassum seaweed since May, the usual onslaught of improperly treated sewage, and other contaminants from development, and the added heat this year, they see rises in algae and bacteria that severely affect the immunity and health of the corals, large and small. It is a big mix of damaging ingredients, and yet, resilient corals stay strong and are dominating communities where less hardy strains are deteriorating.
I’ve been designing the layout for planting 10 native coral species we would like to populate onto ZOE once it’s installed in the ocean. It’s exciting to envision how they might grow, and how other organisms and fish will come to animate the habitat. Just as I was getting ready to make a photoshop depiction, Somyaku found me through Instagram. He’s a kindred spirit, passionate to create beautiful and functional coral habitats with a reverence for closeness with nature and a desire to express our creativity in harmony with living beings. Here’s one of his renderings of ZOE with corals . ZOE was made in 2011. This is an actual photo of the completed sculpture (on land) taken by Mike Gerzevitz and now being immersed digitally for us to imagine.
Somyaku’s background in Ikebana ties with lots of concepts I’m having lately about my Bauhaus Design training at UCLA – this layering of schools of thought and practice that are our heritage and how they all intersect in the field of Art as Ecology. I’ll share more about that fusion in another post. Back to COP21…!
We joined #ArtCOP21 through their online events all the way from Mexico. People everywhere are making art and statements, fueling the tide for renewable energy and a healthier world based on awareness of finite resources, cycles, and our dependence on Earth. Our ZOE Reef reFORMed project (you can see us if you zoom in over Cuba on their map) came together really quickly with the most amazing people. Truly grateful to Miranda Oriz at Centro Bek for spearheading the “coalition” to help us create art and educate kids about the science in time for COP2. Our inaugural workshop on December 10th was successful. Kids and their parents were invited through this collaborative project into longterm solutions for healing coral reefs, to participate in protecting and rebuilding our vital connection with them and all Life.
September 18th, 2015 was the first ever TEDxCancún. It took Mónica Alba and her team 4 years to get the license because there was some doubt at the top that Cancun is a “real city,” not just a Spring Break party destination. It definitely is a developing place deserving of critical thinking and ideas worth spreading. From the cenotes to the sea, to birth, communities, entrepeneurs, tech, there is a lot of growth and desire for intelligent change.
I was honored to be among the speakers (my talk is live now). It gave me such a warm sense of belonging, especially since I had a flicker of a thought about having a TEDxCancún back in 2011 when I was here making the Living Sea Sculpture, now titled, ZOE. How sweet to participate in this amazing event while still awaiting permits to install ZOE into MUSA, the underwater museum (ok, we did get permits on August 21st, yea! but are now awaiting copies of permits..like fractals it goes on). It is nice to be seen for what you are working on even while in process of the process towards the perceived goal – coral refuge in the water with live-stream webcams. This specific project has taught me that growth is not a straight line, and I have had to forgive myself and others for missing deadlines that evaporate like steam.
TEDxCancún was Incredibly well organized, so many super volunteers, workshops for us speakers, celebrations…I was moved to tears at the end by how hearty it all was because of the passion, generosity and commitment of the leaders and dreamers who made it happen. Initially, I went to the first planning meeting with Mélina Soto, Elisa Lopez Garcia, and Mónica Alba. I was excited to gather information from other organizers so they could prepare their speakers and volunteers. Lots of good energy builds up around these events, and you want to dive in. What a happy surprise when they asked me to speak! Grateful to be acknowledged and have the opportunity to tell my story about the “Symbiosis of Corals and Tango.” I tangoed in with Mario Oswaldo of InfecTANGO. Tango dancing was my metaphor for coral restoration, partnerships, and the journey of ZOE as an art and science collaboration. Over the top nervous this time, I wanted to practice and be truly present on stage so that I could enjoy, improvise a bit, and connect with the audience if possible. I had all the support in the world writing my words, rehearsing, and when I got on stage, there was calm and spaciousness inside. I could see all my words coming from the script while still able to think and react without losing track or being blinded by some adrenaline shock of white light. What a dream to feel solid and ease after so much inner struggle.
I am still in Mexico, here in quiet Puerto Morelos. Have been here with some trips away since late December. We have mineral accretion tank experiments going on since May to bring more of the coral scientists into the process. I love learning about the corals and how the electrolysis works; lots of variables and keeps me engaged with what I am so passionate about while the permit dance has been ongoing for ZOE.
…Something about being in Mexico has made me shy away from blogging. I don’t know why. I have been learning Spanish and wanting to stay in the moment with being here. And there is a lot of heat… yet, none of that explains why I shy. There is no excuse, so back to TEDxCancún! I hope you will visit their site in a month to see the talks.
The sunrise at the top of the page is my view on September 18th thanks to TEDxCancún and Secrets of the Vine. What a HUGE gift to have room service and such care while I was stressing and needing the love. It made all the difference to be well-fed and pampered by the friendly hotel staff. And again, all the TEDx volunteers who treated us speakers with glowing respect and joy, handholding and soothing. I was embraced by their presence. I can’t thank them enough!
I’m studying Spanish while here in Mexico, and had the fortune to meet Dr. ‘West’ Marrin in class last week. Through our raw Spanish conversation, we realized we had a mutual fascination with the ocean, not only in the macro sense, but in the micro, sonic, geometric, and chemical. We got lazy (or real) and spoke in English to discover we had a number of mutual friends and colleagues in common back in the US, and that Art and Science are core to our work.
As I’m developing new design ideas for Living Sea Sculpture reefs, sound waves of music permeate. Music is the ultimate art form in its temporal nature yet eternal ability to effect us on a cellular and emotional level. We can always turn to a piece of music and be transported, moved, energized, saddened, hyped…the waves of sound are powerful, and of course, the ocean waves can take you under, take you somewhere far away, or lull you to sleep. How are sound waves of music and waves of water related, both the physical movement, the structural components and geometries, and the concept of rhythms and cycles.
West Marrin was a guest contributor to SciArt in America last June with this article, Functional Art and Water Science p.34 (scroll to p.18 in the pdf at the link). As a proponent of the genre, Art as Ecology, I am invested in raising the bar for functionality of art forms to the place where (once again) art is considered of equal value to math and science by world leaders and in the classroom because someone at the top realizes that without the ability to perceive your surroundings, discern the world with all of your senses, and imagine myriad juxtapositions and connections with your self as the common denominator, the common identifier that makes meaning to be offered to the world, then we as a civilization will erode powerful sensitivities and problem solving abilities within our species needed to evolve.
So back to the music idea before I rant about how much time, money, and resources are spent to produce a violent society rather than a creative and farsighted one.
“I envision combining a piece of music’s sound-waves with ocean sound-waves into a large sculptural coral reef. La Cumparsita, the last piece played at every milonga (tango party), is symbolic to me because dance is a well-known metaphor for life, and the idea of coming to the end of a fabulous time again and again and again at the end of each party, while we are facing the 6th mass extinction, there is something poetic, hopeful, and morbid united. Is it too far of a stretch to link the end of a dance to the end of a species? A dance that will happen again, but never the same. I want to embed that idea of the dance of life in a non-literal way, and music and sound epitomize that concept. Something transcendent or essential…Breaking down this narrative of cycles into sonic visual patterns for the purpose of regenerating endangered coral reefs and biodiversity through art and science investigation gives me a ground and rhythm to engage with such complex abstractions and information.”
That was part of my email to West today, to which he replied, “…As far as the rhythms of tango and the cycles of nature, they have a common source that is inherent in everything from the regeneration of coral reefs to the birthing of galaxies. All are based on the same fundamental geometry of nature that is expressed spatially as patterns and temporally as rhythms.”
And so, I’ll keep recording live music with my iphone. I like to watch the sound waves while envisioning a living reef composed of musical algorithms with the help of Autodesk software and scientific consultations into a score tuned for the sea.
Scouting installation site in Punta Nizuc. photo courtesy of Ray Santisteban
I arrived here in Quintana Roo on December 28th. I wanted to experience my first Mexican New Year’s Eve, an advance celebration of ZOE installation into el mar. Date still to be determined, but as director, manager, producer, artist, my job is to find eternal internal resources to keep saying, “We aim to install __________ .” (put upcoming month in the blank.)
It’s a huge country, so I won’t generalize my New Year’s Eve on the beach and roaming through streets of Playa Del Carmen with new local friends as representative of Mexico, but it was a special moment to release the floating fire-lit balloon into the sky with Grecia Goretty, Ricardo Rubio, and Gerar Orozko Astigarraga envisioning what I hope the new year holds. Looking up to the stars into the past present future with wonder and soft sand between my toes, I watched my wishes dissolve into the dark sky. About six hours later, I welcomed the first red rays glazing the sea.
Yesterday I went with Raymundo Santisteban of The Stills to measure distances for the underwater installation of ZOE and to take photos and video of the area for our team and supporters. The location for the sculpture will be about 100 meters from the dock at Nizuc Resort and Spa.
The water was really clear for us to see the natural reef close to the installation site. This is part of the Mesoamerican Barrier Reef, the 2nd largest barrier reef after the Great Barrier Reef in Australia.
These native corals represent species we’ll be transplanting onto the coral refuge. It’s a pretty subdued palette, think conservative, fashionable interior decor, including some porites porites, gorgonians, staghorn and elkhorn, among others. The fish spending their time here will come swim by our habitat, too. Not only is ZOE for coral, it will attract many species of marine life looking for new homes where coral reefs have been disappearing. Reefs provide habitat for 25%-30% of marine species, so providing life support for them and reducing deadly environmental stressors, like pollution, is essential to the health of the entire ocean.
From the opening reception of the exhibit, TrashTara: It Starts with an Inhale on November 6th, until the closing reception on December 2nd, the Co-Create residency with James Tunick at THE IMC LAB + GALLERY continued in the backdrop. Unlike conventional gallery spaces, the 6th floor venue is a mixed-use morphing environment for artists and a few other small businesses to share. The Respire prototype and immersive installation truly gained a life of its own as James added interactive audio and visuals of data and living reefs projected onto the wall, ceiling, and kinetic sculpture.
Fellow artist-in-residence, Dan Baker’s, hanging art pieces made of retrieved plastic from local waterways were synced with data streams from an Alaskan tidal buoy in preparation for his upcoming exhibit, Ebb and Flow. A monitor showing the tides looked like an EKG. Though conceived separately, they added naturally to the concept and sensory media exploration. I brought over a small mineral accretion experiment I was working on at NYU in Natalie Jeremijenko’s XClinic to directly link coral health and innovation elements visually and physically to participants.
Motion tracking was triggering the inhales and exhales of the Respire sculpture. The electricity to the biorock mineral accretion tank was on the same outlet, so anyone moving in the space activated or deactivated the electricity; it was like watching life support go on and off. When the sculpture was idle, black and white images from iron lung artificial respiration projected onto the sculpture representing the bleached state of coral and the need for human action to restore vitality and prevent increased mortality. James and I will continue R&D to evolve the project, tying interactivity and effects more intimately with climate change, coral restoration and life support, and interdependent interspecies health.
And what about TrashTara? I had proposed to produce video and photos from my excursions to receive an LMCC grant. My first experience editing with final cut pro, it was a sweet feeling to observe the raw results, far from pro but close to my heart. Colby Cannon, Rob Bregman, and Dan Baker all gave me some quick tutorials. I grabbed poignant GoPro clips from my street outings together with some footage of me collecting butts day and night. Watching my selected snips of documentation linked together randomly led to a meaningful string of spontaneous interactions I had with people throughout Manhattan. I knew people would be receptive to cigarette butt recycling and pollution conversations if they were first uplifted by someone in a costume embodying a compassionate artwork. The face to face experience and kind moments were proof that impressions and attitude, perceptions and expectations are always operating consciously and subconsciously. Everything about the experience was socially enlightening for me and others, and hardly anyone I met knew that they could recycle butts in New Jersey at TerraCycle.
The photo I used is from Scotland a few years ago when I was intrigued with arty butt shots before I was thinking about how that tiny remnant could harm marine life. NOTE: I WANT $1 (or more!) to go towards coral restoration, but it is an ideal not yet real. Something to work towards.
I was walking in the East Village with my dog, stopping for him to pee and for me to take a photo of a cigarette butt flattened in a crack in the sidewalk, when it struck me – are these recyclable? They’re everywhere. Beyond grabbing my attention for arty butt shots, they really shouldn’t be everywhere I look. Turns out, yes, they are recyclable. And that was it. I finally knew WHAT TrashTara would be collecting in her Catch-All…
Since late April, I’ve been a Co-Create Artist in Residence at The IMC LAB + GALLERY, owned by James Tunick and Carrie Elston-Tunick. Loving it! While here, I’ve created my latest alter ego, TrashTara, and been out on the streets of Manhattan. She/me has been hand-collecting those butts, the most littered object in the world, while talking to people and gathering footage with a GoPro.
Most people don’t know that cigarette butts are such a huge problem for the environment or that they can be recycled. After the last relaxing drag, there’s satisfaction in flicking them to the ground to roll their way into cracks, storm drains, and gutters.
It needs to seep into the mainstream knowledge that cigarettes have non-biodegradable plastic filters, and that nicotine is a very toxic pesticide. Each butt could spend 10 years tossing around in the ocean and water supply killing wildlife and polluting ourselves. One cigarette butt can kill fish in a liter of water. TerraCycle has initiated placing receptacles in cities around the world, and inviting people to join their butt brigades to send in cigarette butts. I’d like to set up a TrashTara Butt Brigade so that every pound of butts collected by those collaborating with me will result in $1 towards Living Sea Sculpture coral reef habitat.
The tar-filled filters can be cleaned and transformed into plastic pallets, anti-corrosives for steel, and textiles. If we can get the 4.5 trillion of them off the ground and into the up-cycling circuit – I heard SF spends $11 million each year on cigarette collection alone – we can save lots of lives and money.
When TrashTara is out at night, her headdress, or as synthetic biologist, Oliver Medvedik, co-founder of GenSpace calls it, her “GMO Tiara,” has fluorescing proteins that come from corals and jellies. With the addition of Ultra Violet LEDs, the GFP and RFP glow. I wanted to avoid plastic resins, and am fascinated with bioluminescence and fluorescence in nature, so we collaborated to create a potentially controversial object. Synthetic biology is complex; the layers of ethics, philosophy, politics, and science involved in genetic research are many and divisive, so I’m grateful I had the opportunity to experiment with proteins as paints to get closer to the reality of how vast this field is and how the concept of “GMO” is completely unknown to most of us in a hands-on way.
Also for the upcoming show, James Tunick and I have been developing the first prototypes for Respire – The Coral Corollary, an interactive, multimedia immersive exhibit correlating coral health with human health incorporating data, kinetic sculpture, audio and video so that through their senses and emotions, participants feel connected to corals, the living, breathing animals and plants that share our world with us and take care of us in so many ways. They need us to redesign how we perceive and intersect with their habitat if they are to survive. James is programming micro-controllers that sense human participant and ocean data to trigger responsive movement, lighting, and effects in the sculptures and space.
I hope you can come to the show! TrashTara will be at the opening.
I opened my window just as we were flying over Punta Nizuc where we plan to install ZOE. There is a lot of ocean in the photo, but I was so focused on Punta Nizuc, it was a great surprise to see the reefs and aqua clear waters where we plan to put our coral refuge. Without Google-Earthing, I could get an idea of the broader seascape of the area. We plan to locate ZOE near the resort in shallow waters. There are species of corals that like being very close to the surface. Actually, while snorkeling in the area, the healthiest coral reefs seemed to be in the shallows.
Not far out from the dock is the site where we will anchor the sculpture. The rest of my August visit entailed meetings with the Director of the Marine Park and the MUSA directors, as well as scientists at Universidad Nacional Autonoma de México (UNAM) in Puerto Morelos to develop our proposal for a scientific research collaboration between Comisión Nacional de Áreas Naturales Protegidas (CONANP) and UNAM. Growth monitoring is our main focus, as well as observing differences between neighboring natural corals and those on the Biorock® mineral accretion reef.
Autodesk has generously offered to come to Mexico to train us in their latest photogrammetry process, the cutting edge in 3D digital modelling. They’ll train me, my team, including a group of university students, in how to capture the photos of our coral transplants and neighboring corals.
Coral scientist, Serguei Rico of UNAM, is working with me on our proposal to ensure ZOE is a conservation experimental project of the National Marine Park as well as a tourism attraction for MUSA. He was telling me that another PhD student wants to start experimenting with taking photos to digitally model corals for monitoring coral growth as his thesis. As he was describing it, I couldn’t help but jump in and tell him that part of the project was to offer free training for just that! Perfecto.
Serguei has been following how corals have been effected by nitrogen run-off and other pollutants since the emergence of mega-tourism. Sewage from all those hotels along the Hotel Zone in Cancun and down the Riviera Maya is deep injected. It seeps into the aquifers and ocean causing corals to suffer new diseases. There were only 3 inhabitants on Isla Cancún in 1970. Now there are over 722,000. With no treatment plants, you can see how this is an epic problem with all that untreated shit running into the sea. Corals are much more sensitive to the bacteria in sewage than humans, and the parts per million are well-beyond their standards.
While I was in Mexico this trip, I witnessed baby turtles being released on a full moon. (next post.) I wish I could’ve joined the small group of scientists watching corals spawn at night, but they want to protect the animals while they are making babies from too many intrusive people. I understand needing more privacy, and wanting to avoid the potential for humans to get crowded and bump into the reefs.
The dream to plant some corals onto ZOE is getting closer to being realized. Working with the scientists, meeting the resort manager, connecting with other artists who want to be part of the local team to install and create future works…It was a wonderful process and we took many steps forward.
Look closely and you can see where we plan to install as soon as we do.
Putting our heads together to solve the latest puzzle: Nizuc Resort and Spa is ready to house ZOE. Yea!! They want to celebrate it, publicize, make it quite happy with simple swank elegant parties for people of taste. Any issues with guests having to wear weird shaming bracelets to snorkel a few meters can be worked out with the government.
Cool! this is easy and delightful somehow, I’m thinking. And feels pretty loving, reminiscent of the blissful dream I had just before waking in which Roberto Diaz (pictured), Pres. of MUSA/manager of Aquaworld, was wearing a robe from the same fabric as a dress I got for this trip. We had our heads together in the dream and the feeling was that we were in love. Not IN LOVE like hot-I-want-YOU love, but that comfort that our hearts and minds, souls and hopes were wanting things to happen for the better of culture and conservation however that plays out. Somehow we were “wearing” our synergy.Cut to snorkeling – wow, this is damn shallow. Let’s just walk around on the sandy seafloor a bit figuring how to make the sculpture shrink or the sea level rise a bit faster. Not quite that shallow, but not much higher than the 2M of ZOE. How can we make this deeper? Clearly that IS the problem with this place. Gena Bezanilla, Executive Director of MUSA, was on the boat with us imagining how ZOE would look if it was half-size. Possible?
OK, let’s all swim around the other sculptures in MUSA, look at all pros and cons of this resort, and put Colleen in a BOB tomorrow to see if that area of Punta Cancun where there are already approved plans for a 3rd exhibition gallery for MUSA might be perfect for ZOE. It’s 18′ deep, aqua blue waters, snorkeling and diving, and the Park wants to regenerate corals in the area that was hit hard by Hurricane Wilma. (Apparently a 400 ton sunken ship was torn in half and thrown 100M. Serious Act of God.)
Roberto told me so much about his adventures since starting MUSA with Jaime and Jason in 2009. The moral of this very longass FB post: do it because you love it, Colleen. There is no glory, often no thanks, and who wants to be a quitter? Roberto is also a sculptor with a piece in the museum. I’m grateful for his sensitive, generous far-seeing soul. (She says before getting on an underwater scooter with a bubble on her head. I’ll let you know if I feel so warm fuzzy tomorrow.)
Made it to Cancun! Room 2509 on the playa at Celuisma Dos Playas while they fix a water explosion thingy problem in my room on lagoon side for couple days. Variety. love that…the stolen/lost credit card hardly noticeable. No kidding, the Hotel Zone has swaddled me in its humid party of all-inclusivo-except-for-this-but-look-we’re-gonna-give-you-THIS! adventure already. Tomorrow is big meeting at 10AM. Feeling GOOD!! and so happy when I realized the little white car that wouldn’t open with my keys was the other little white car next to mine.
This was first time flying standby in maybe 20 years? Very exciting to have to keep hopping from gate to gate working with the airlines in New York to try and ensure I would catch one of only 2 flights to Cancun from either Philadelphia, PA, or Charlotte, NC. Luckily, I was able to find the right navigators with US Airways to complete travels in 13 hours. And it really didn’t seem that long, thanks to all the little hits of adrenaline and willful concentration. Off to find ZOE’s ocean home and the many people that will be working with me in Mexico.
Heading to Cancun Thursday. Time to mark the spot for ZOE’s ocean home at Nizuc Resort and Spa. Here’s one visitor’s view.
From DNA-Dividing at Club Med to ZOE at Nizuc Resort and Spa, transformation is on. To get you up to speed – see the Living Sea Sculpture cover photo above? That is ZOE awaiting installation in Punta Nizuc from 2011. We were going to install off the beach of Club Med. Since Nizuc Resort and Spa only opened in 2013, they were not an option back in 2011. Timing!!
Roberto Diaz of both MUSA and Aquaworld (he’s a major doer) has been making things happen, and the government is being towed along with approving grace. Cheers to Roberto!
And big thanks to María Antonia Gonzáles Valeria who I met here in NY at a Genspace event. She went back to Mexico City to see how she could help through her university, Universidad Nacional Autónoma de México (UNAM). She introduced me to a recent marine biology graduate focusing on corals in Pueto Morelos, Serguei Rico, who is ready to meet and see how we can work to appropriately appropriate enough coral transplants for installation with his department. This is a big deal in Mexico – making sure we have the approvals since it is in a National Park protected area; corals are only available for projects after hurricanes, damage by boats, and through lab propagation. I look forward to working with Serguei and Jaime, Director of the Marine Park, to ensure ZOE becomes a Living Sea Sculpture with endangered corals colonizing.
“I’m grading student work and who do I see? @misssnailpail looking at me.” That was a welcome surprise tweet from @JessicaLeeGreen- University of Oregon professor, TED Senior Fellow, friend and colleague.
Restoring our Reefscape was posted by Shelby Adkisson. The Full Spectrum Biology blog is being created by students in the courses Population Ecology and Biological Diversity at the University of Oregon. It is one component of their work, and for each course will unfold throughout the term. +Jessica Green
Crafthaus curator, Greg Corman, created an online exhibit, Sculpture for Wildlife Habitat. It will be up from June 8 – July 8, and then the images will be in their archive. For the love of bees, birds, seas…very earthy. 1970’s meets the 2000’s.
This blog will be a curvilinear stream of consciousness. A stream between both hemispheres of my brain, and yours. Living Sea Sculpture is more than an object, it is an intricate web of life, philosophy, and process. Dot-to-dot drawings are predetermined,
but as we build our lives, we are lucky to have the freedom to connect whatever “dots” we choose or notice. I am happy to be starting this conversation, what I hope will become an ongoing international conversation, about all aspects of human interaction with our coastal cousins.
Over the years, I realize there’s not a place for people to talk freely about coral restoration and marine ecosystem solutions in a personal and informal way. Why? All the details and ins and outs of processes, people, organisms are tied together intimately.
Lots of blogs and articles (and me) have repeatedly relayed the information about Biorock reefs (…low volt direct current precipitates limestone minerals to deposit…alkaline buffer zone..grow faster, survive warming…). Other man-made reefs and coral nurseries have some glowing moments on green sites and in nature magazines also, yet the conclusion is the same: through a portrait of this man (fill in the blank) we can make the point that corals and other animals are endangered due to human activities and here is a sort of lone hero bucking the odds. The odds may be stacked, but that is the call to ACT.
Wherever you are with whatever you know, you know enough to enter this conversation and have incredible impact. We can build new projects and coral conservatories together if we find each other.
I just read an article that said waiting for government or big corporations to take the lead on this is not the way. Agreed. They will get involved, they are involved, and individuals from all backgrounds need inlets to get involved too. Being nimble is an asset. Coral restoration is not rocket science (although you can be a rocket scientist and do it); it is a practice and technology that grows out of a desire to cultivate healthier relationships with ourselves and our planet, to heal what is not well and find fun and adventure along the way.
Maybe you just have a fascination with playing with organic matter. Whether you approach it as a gardener who longs for beautiful form and colorful vitality, an engineer who “knows” there is a better way to electrify an artificial reef (talk to me), a fisherman who needs fish, a scientist who wants to study the effects of low volt current on Zooxanthellae within coral polyps, a homeowner who doesn’t want to be washed to sea, a resort owner who woos tourists, an artist that makes sculpture, a diver that breathes underwater…
I’m not sure why I took so long to start this. I have a lot to say and want to hear from you. If you are part of the Living Sea Sculpture diaspora waiting to find your homeland, Welcome!