New Year Cycles

Happy New Year! Politics aside, 2017 is off to a good start.

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A bit further out from Zoe are some patches of corals

The last days of 2016 and the first week of 2017 were filled with special endings and beginnings, just the way solstice likes it as we consider longer days. I know, I’m in Mexico with more sun than most, but I still love to take this time of year to be grateful, let go and make space for what’s to grow in spring. We had a beautiful intimate ceremony to honor Zoe Anderson with corals at the sculpture. Happened to be the BUSIEST day of the year at the dive shop, but the guests of honor were true grace and acceptance de la vida loca. We created a circle of memory holding hands in the sea and placing some new corals with great intentions for life. Beautiful meaningful moments together.

Here you can see a few of the corals added, burgundy algae, and some sponges taking residence.

On New Year’s Eve some more magic happened. My Air BnB guest invited me to join her with a few friends who just so happen to work with National Geographic and were heading to Cozumel to celebrate birthdays and vacation. Nice. We had a super time diving at Zoe and another reef thanks to Sand Dollar Sports Dive Shop. They’re excited to see how they can help support more coral restoration efforts and the Zoe project through explorer programs, so stay tuned! From eating chips and guacamole to talking about Emerging Explorers made for a fortuitous New Year’s Eve.

To add more to the mix, Shaan Hurley of Autodesk came down with his drone and joined our diving adventure, too. Can’t wait to see his underwater and aerial shots. He was here in 2014 training university students (UNAM) and government scientists in photogrammetry.

And here you have a little cockpit view from January 2nd when our #OpenROV, Patito, made its maiden voyage into the sea. Fun! Our Expedition is here.

Thanks again for being on this adventure and making it happen! With love and hope into the new year.

This post was the latest update for our current razoo campaign. Please check it out to learn more about our goals and how you can join in.

Also, if you are a scientist and want to work on some of our Zoe research, including lab tests, in the field, equipment, longterm and short term,…reach out to misssnailpail@gmail.com. From water quality to biodiversity counts to coral skeleton porosity, electromagnetic fields, photo documentation, there are lots of things to discover!

 

Transplanting Coral

Please grow here Porites polyps!
Please grow here Porites polyps!

I published my first Instructable!! I was wanting to, meaning to, and finally, DID IT! I enjoyed it, and even more, I feel so happy to finally be finding my way to share more through the one-to-many approach. One-to-one is slow going when you are dealing with process, such as art, science, and tech to rehabilitate corals and experiment with new transformational innovation. Online tutorials and communities are obviously an organic, inspiring way to build the movement and momentum, to reach people ready and open to join in from wherever they may be.

Are you familiar with Adafruit?  When I heard Limor Fried speak on a panel at an entrepreneur conference in NY 2013, she touched a harmonic cord. At first she may have tried to focus on “her projects,” but she had to go with the flow and let go of trying to control the river, the ocean. Ladyada is contributing so much to culture, innovation, art, technology and creativity. Her specific goal is not welfare of wildlife and the environment, but with her products and open source, we can make leaps.

When people ask me to help them with mineral accretion projects, I hesitate about the voltage and set up because in my experiments, I don’t yet feel like I have a “kit” or component, open source element that will be the needed baseline for people to run with seawater electrolysis. This year with Zoe finally in the sea, I can devote more time towards building the global community and constructing new unique reefs that unite aesthetics and function customized for their location.

It would be a dream to work with the likes of Healthy Reefs and Coral Reef Alliance in Honduras to regenerate devastated coral reefs using state of the art design and generative tools, equipment, coral science, and bright impulses of imagination. We need MORE CREATIVITY FLOWING through ingenious teams who like to play and share their wide knowledge to impact the next generation of coral cultivators and ocean healers.

I just applied for my dream art residency to push these goals forward. I really want to tell you who offers this amazing residency, yet I don’t want to jinks it! I’ll let you know what happens.

Last preparations before installing Zoe in the sea
Last preparations before installing Zoe in the sea

ONWARD! #givingtuesday #razoogivingtuesday16

Swimming past the livestreaming webcam
Swimming past the livestreaming webcam                                                        photo Colleen Flanigan

With the US presidential election making rough and freaky waves through the world of environmental and human rights, and everything else, I had to do something to lighten my heart and mind NOW. Usually that means I have to throw myself into work and focus. The sinking feeling and clawing at my eyeballs through the tears gets tiring.

I started this campaign today! Zoe – A Living Sea Sculpture is part of the #givingtuesday annual event which builds momentum and funds for causes at the end of the year.

Zoe within the 1st month
Zoe within the 1st month                                                                                   photo Colleen Flanigan

It feels wonderful to share the completion of our installation phase and the vision for monitoring, maintaining, and developing this project for the region and beyond.

Through this international collaboration, we want to help transform the destructive tourism practices locally in Cozumel and bring new creative energy for regeneration and biodiversity cultivation. Already the Sand Dollar Sports Dive Shop and others are moving that forward. Please check out our progress and plans here.

UPDATE : we only need to raise an additional $9450 by year end to receive our $12,500 matching grant from The Mexican Fund for the Conservation of Nature. That will bring us to our $25000 goal!

 

Zoe is in the SEA!!!

After 5 days of electrolysis
After 5 days of electrolysis

On Sept 8, 2016, we received our final signature from the government to install Zoe in an incredible home. Zoe touched the seafloor in Cozumel, Mexico on September 23, 2016.

Plans to be part of MUSA in Cancún were blocked due to challenges with our electrical and internet needs. Unlike the cement sculptures, Zoe requires more infrastructure.

Huge thanks to Ingmar Gonzalez Krotzsch for introducing me to Cozumel and uniting an incredible team! He envisioned exactly where it would go and – voilá! Isabel Caamaño Ricken, our brilliant coral biologist, applied for the final permit, along with her inventor brother, Pancho (Francisco) who together have a manifestation to place sculptures into this unique coral restoration lab and underwater art museum, Musubo. This Underwater Golden Diver Museum is a featured attraction of the annual Scuba Fest, organized by Gilda Sigie, who warmly invited Zoe to come to life in this special place.

Coral reef restoration installed in Cozumel
Zoe is in there!

Zoe is now in good company with bronze busts of Sylvia Earle, Jacques Cousteau, Ramón Bravo, and numerous Fractal Artificial Reefs and Reef Balls. Since 2006, the site aims to increase biodiversity and investigate coral regeneration after devastation from hurricanes and pollution. Sand Dollar Sports Dive Shop owner and project internet+electricity sponsor, John Flynn, and his dive guides want to reduce negative tourism impact on the natural reefs through rehabilitation and ecological recreation programs. You’ll see corals colonizing Zoe soon!

Qualti Innovaciones Marinas did a fabulous job installing with their hurricane-proof patented anchors. It was an underwater performance watching Laura and Pancho work skillfully in silent tandem. Thomas Sarkisian, electrical engineer from Global Coral Reef Alliance, has been awaiting over 5 years to turn on the electricity. Right after the switch was flipped on September 29th, the minerals began to deposit and fish started to arrive to eat the algae. YEA!!!

First two fish visiting coral reef restoration project
Our first two visitors

The marinero and capitán were key with the placement of Zoe and the camera into the sea. Here you see Pancho and Thomas preparing the Tilt Pan Zoom View into the Blue Camera to begin livestreaming. Trevor Mendelow has been configuring remotely with Danirel Alvarez Junco of Sand Dollar and the dedicated crew of Soluciones Xtreme Net who laid and wired our cables…a big production!

Blue Camera being installed in Cozumel coral reef restoration project
Blue Camera live stream being installed

My great great thanks to ALL OF YOU, my dear backers for being with me since the very beginning in 2011, and to the hundreds, thousands of others I’ve met along the journey that made this possible! Your contributions kept us going and the sheer number of you was constant motivation!!!!

new installation bio-rock coral reef restoration project Cozumel
October 4th, I took so many photos 🙂

You must come to the island to snorkel or dive. Only a 40 minute ferry ride from Playa Del Carmen (close to Cancún). Zoe is about 4m deep and open to the public. Very calm water and an ideal place to get certified in diving if thinking about it? Snorkeling is fine!

The water is crystal clear and fabulous for viewing our livestream. Content is underway for Zoecoral.com site built by amazing TED Fellow, longtime tech consultant and Zoe collaborator, Jen Indovina!

Many special thanks to my loving family, Luis Bourillón, Marisol Rueda Flores, José Luis Funes, Pedro Joaquin Coldwell, Serguei Rico, María Antonia Gonzalez, Lorenzo Rosenzweig Pasquel (FMCN), Lyn Ohala, TEDxCancún, Soluciones Xtreme Net, Staff of Sand Dollar Sports Dive Shop and Sunset Restaurant, Andrés Uscanga, Yibrán Aragón, Marenter, Todo Inoxidable, Infectango, SupporTED, Autodesk, Shaan Hurley, INapesca, UNAM, Cable Cozumel, the black bunny that just hopped by, and every friend, collaborator, acquaintance, coach not listed here who offered help, kindness, direction, mentoring, introductions, dancing, food, fun!!!

ALL of YOU are the reason. Logramos! Next phase, monitoring and colonizing ~~~

With love and fishes, Colleen and Living Sea Sculpture

Scrawled File Fish visiting Zoe coral reef restoration Cozumel

To follow on Facebook; twitter @livingseasculpt

Here to contribute to the monitoring, sensors, and maintenance

Luz Verde for Zoe

It’s happening! I’m sitting outside using some wifi in Puerto Morelos while all the puzzle pieces are Tetrising (verb) into place to install Zoe in Cozumel sea by month’s end. So exciting to be working with such an incredible crew. Here are just a few from Qualti Innovaciones Marinas who worked on the authorization with the government and will be responsible for installation with the rest of the US and Swedish team coming in on Wednesday.

Qualti Innovaciones Marinas

Last Wednesday was a quiet moment of joy relief happy peace to watch Zoe be moved for the first time since 2011 from her waiting place in Punta Sam, Cancún back to Todo Inoxidable (steel factory) where we built her in 2011.

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Tomorrow we’ll make some quick fixes and changes so we can ferry her over to Cozumel end of week. Yea!

I’m being eaten by mosquitoes, so will be brief! (A couple friends have Zika, not good). It has taken an incredible amount of people to get this far, and my gratitude is running over.

Very happy that after more than 5 years, we have a super location and home for this Living Sea Sculpture. And you will be able to view it and interact from the livestreaming webcam!

Fundación Aitana Connects with Corals

FundacioAitana6webGustavo Navarrette and I arrived at Fundación Aitana in Cancún on March 19th to give our Zoe Reef reFORMed art and science workshop to the fabulous children, their nurturing families, and generous volunteers. As always, my favorite part is being drawn into the unknown and the surprising results. It is like watching something bloom in real time as we feel and see our way forward in each emergent moment.

FundacionAitana3web
Making Papier-mâché corals

Everyone semi-consciously feeds each others’ curiosity to try different approaches to painting and creating. And the speed! Working in groups like this builds beautiful fluid momentum so that by the end of 2 or 3 hours, wow, so many corals and fish!

FundacionAitana17webConversations and laughter, it was really fun and inspiring to work with these kids who are cancer patients and survivors. Not once did it seem like anyone was ill, but they are at high risk and need local care facilities. Fundación Aitana is working to bring pediatric oncology to Cancún because they don’t have it. The families have to go hours to Merida, Cozumel, and beyond. This leads to huge expenses and deaths that could be avoided. Right now as I wrote that sentence I see a parallel with the corals, how they have diseases and need urgent care too. It is nice to have times where fun activities help us to enjoy and heal ourselves and other species in some way.  There is wonderful comforting connection in that.

FundacionAitana4web

 

 

 

International Women’s Day

FullSizeRender
Future Woman – Making a Fish

For this day, March 8th, I posted this update to kickstarter about ZOE and some other life events. It’s a day to celebrate and honor the creativity and powerful motivations that well up within the women all over the world. May great things may be born.

ZOE Reef reFORMed in Mexico in progress
ZOE Reef reFORMed in Mexico in progress

 

ArtCOP21 ZOE Reef reFORMed

Before I arrived in Mexico late December 2014, I was already anticipating COP21. I had marched with the Climate March in New York in September, and am in the wave of humanity doing something to address and reduce our carbon crisis.

My initial aim was to work with interactive technologists to projection map ZOE, our Living Sea Sculpture in Cancun, onto a unique building in Paris during this important Climate Change event. With a live-streaming webcam from View Into the Blue, not only would people online be able to tilt, pan, and zoom to observe and interact with our underwater project, we would interpret the visuals and the data, incorporate animation and effects, bringing this DNA-inspired coral reef ecosystem into the conference to reflect our dynamic ocean-human interface in dire need of attention and direct action.

When the Monterey Bay Aquarium invited me to be part of their Art and Climate Change campaign leading up to the conference, I was thinking it would be great if our plans to install ZOE in the sea the week of December 7th-11th would go through, synchronizing our coral regeneration work here with the mass global intention rippling across the planet. Working with Karla Munguia, a documentary filmmaker with years on Animal Planet, gave us some comraderie around conservation as we made this short video.

Corals here in Mexico have been feeling the heat this year. Bleaching is happening all through the region. I had a good talk with one of my collaborators at INAPESCA about what they are discovering recently. With so many variables, including an intense influx of sargassum seaweed since May, the usual onslaught of improperly treated sewage, and other contaminants from development, and the added heat this year, they see rises in algae and bacteria that severely affect the immunity and health of the corals, large and small. It is a big mix of damaging ingredients, and yet, resilient corals stay strong and are dominating communities where less hardy strains are deteriorating.

I’ve been designing the layout for planting 10 native coral species we would like to populate onto ZOE once it’s installed in the ocean. It’s exciting to envision how they might grow, and how other organisms and fish will come to animate the habitat. Just as I was getting ready to make a photoshop depiction, Somyaku found me through Instagram. He’s a kindred spirit, passionate to create beautiful and functional coral habitats with a reverence for closeness with nature and a desire to express our creativity in harmony with living beings. Here’s one of his renderings of ZOE with corals
. ZOE was made in 2011. This is an actual photo of the completed sculpture (on land) taken by Mike Gerzevitz and now being immersed digitally for us to imagine.

ZOE-Fi_edit-FULL_TRUE-wm_2MB(1)-1Somyaku’s background in Ikebana ties with lots of concepts I’m having lately about my Bauhaus Design training at UCLA – this layering of schools of thought and practice that are our heritage and how they all intersect in the field of Art as Ecology. I’ll share more about that fusion in another post. Back to COP21…!

We joined #ArtCOP21 through their online events all the way from Mexico. People everywhere are making art and statements, fueling the tide for renewable energy and a healthier world based on awareness of finite resources, cycles, and our dependence on Earth. Our ZOE Reef reFORMed project (you can see us if you zoom in over Cuba on their map) came together really quickly with the most amazing people. Truly grateful to Miranda Oriz at Centro Bek for spearheading the “coalition” to help us create art and educate kids about the science in time for COP2. Our inaugural workshop on December 10th was successful. Kids and their parents were invited through this collaborative project into longterm solutions for healing coral reefs, to participate in protecting and rebuilding our vital connection with them and all Life.

TEDxCancún

Sunrise in Cancún
Sunrise in Cancún photo Colleen Flanigan

September 18th, 2015 was the first ever TEDxCancún. It took Mónica Alba and her team 4 years to get the license because there was some doubt at the top that Cancun is a “real city,” not just a Spring Break party destination. It definitely is a developing place deserving of critical thinking and ideas worth spreading. From the cenotes to the sea, to birth, communities, entrepeneurs, tech, there is a lot of growth and desire for intelligent change.

I was honored to be among the speakers (my talk is live now). It gave me such a warm sense of belonging, especially since I had a flicker of a thought about having a TEDxCancún back in 2011 when I was here making the Living Sea Sculpture, now titled, ZOE. How sweet to participate in this amazing event while still awaiting permits to install ZOE into MUSA, the underwater museum (ok, we did get permits on August 21st, yea! but are now awaiting copies of permits..like fractals it goes on). It is nice to be seen for what you are working on even while in process of the process towards the perceived goal – coral refuge in the water with live-stream webcams. This specific project has taught me that growth is not a straight line, and I have had to forgive myself and others for missing deadlines that evaporate like steam.

TEDxCancún was Incredibly well organized, so many super volunteers, workshops for us speakers, celebrations…I was moved to tears at the end by how hearty it all was because of the passion, generosity and commitment of the leaders and dreamers who made it happen. Initially, I went to the first planning meeting with Mélina Soto, Elisa Lopez Garcia, and Mónica Alba. I was excited to gather information from other organizers so they could prepare their speakers and volunteers. Lots of good energy builds up around these events, and you want to dive in. What a happy surprise when they asked me to speak! Grateful to be acknowledged and have the opportunity to tell my story about the “Symbiosis of Corals and Tango.” I tangoed in with Mario Oswaldo of InfecTANGO. Tango dancing was my metaphor for coral restoration, partnerships, and the journey of ZOE as an art and science collaboration. Over the top nervous this time, I wanted to practice and be truly present on stage so that I could enjoy, improvise a bit, and connect with the audience if possible. I had all the support in the world writing my words, rehearsing, and when I got on stage, there was calm and spaciousness inside. I could see all my words coming from the script while still able to think and react without losing track or being blinded by some adrenaline shock of white light. What a dream to feel solid and ease after so much inner struggle.

photo María González
photo María González

I am still in Mexico, here in quiet Puerto Morelos. Have been here with some trips away since late December. We have mineral accretion tank experiments going on since May to bring more of the coral scientists into the process. I love learning about the corals and how the electrolysis works; lots of variables and keeps me engaged with what I am so passionate about while the permit dance has been ongoing for ZOE.

…Something about being in Mexico has made me shy away from blogging. I don’t know why. I have been learning Spanish and wanting to stay in the moment with being here. And there is a lot of heat… yet, none of that explains why I shy. There is no excuse, so back to TEDxCancún! I hope you will visit their site in a month to see the talks.

The sunrise at the top of the page is my view on September 18th thanks to TEDxCancún and Secrets of the Vine. What a HUGE gift to have room service and such care while I was stressing and needing the love. It made all the difference to be well-fed and pampered by the friendly hotel staff. And again, all the TEDx volunteers who treated us speakers with glowing respect and joy, handholding and soothing. I was embraced by their presence. I can’t thank them enough!

Scouting el Sitio

Hola!

Scouting installation site in Punta Nizuc. photo courtesy of Ray Santisteban

I arrived here in Quintana Roo on December 28th. I wanted to experience my first Mexican New Year’s Eve, an advance celebration of ZOE installation into el mar. Date still to be determined, but as director, manager, producer, artist, my job is to find eternal internal resources to keep saying, “We aim to install __________ .” (put upcoming month in the blank.)

It’s a huge country, so I won’t generalize my New Year’s Eve on the beach and roaming through streets of Playa Del Carmen with new local friends as representative of Mexico, but it was a special moment to release the floating fire-lit balloon into the sky with Grecia Goretty, Ricardo Rubio, and Gerar Orozko Astigarraga envisioning what I hope the new year holds. Looking up to the stars into the past present future with wonder and soft sand between my toes, I watched my wishes dissolve into the dark sky.  About six hours later, I welcomed the first red rays glazing the sea.

New Year’s Dawn. photo Colleen Flanigan

Yesterday I went with Raymundo Santisteban of The Stills to measure distances for the underwater installation of ZOE and to take photos and video of the area for our team and supporters. The location for the sculpture will be about 100 meters from the dock at Nizuc Resort and Spa.

Looking towards the resort. photo Colleen Flanigan

The water was really clear for us to see the natural reef close to the installation site. This is part of the Mesoamerican Barrier Reef, the 2nd largest barrier reef after the Great Barrier Reef in Australia.

Coral Reef at Nizuc Resort and Spa. photo Colleen Flanigan

These native corals represent species we’ll be transplanting onto the coral refuge. It’s a pretty subdued palette, think conservative, fashionable interior decor, including some porites porites, gorgonians, staghorn and elkhorn, among others. The fish spending their time here will come swim by our habitat, too. Not only is ZOE for coral, it will attract many species of marine life looking for new homes where coral reefs have been disappearing. Reefs provide habitat for 25%-30% of marine species, so providing life support for them and reducing deadly environmental stressors, like pollution, is essential to the health of the entire ocean.

ZOE will attract these and other fish. photo Colleen Flanigan

 

 

 

ZOE looks ahead in the midst of spawning and pollution

Aerial view of Gulf of Mexico

I opened my window just as we were flying over Punta Nizuc where we plan to install ZOE. There is a lot of ocean in the photo, but I was so focused on Punta Nizuc, it was a great surprise to see the reefs and aqua clear waters where we plan to put our coral refuge. Without Google-Earthing, I could get an idea of the broader seascape of the area. We plan to locate ZOE near the resort in shallow waters.  There are species of corals that like being very close to the surface.  Actually, while snorkeling in the area, the healthiest coral reefs seemed to be in the shallows.

Not far out from the dock is the site where we will anchor the sculpture.  The rest of my August visit entailed meetings with the Director of the Marine Park and the MUSA directors, as well as scientists at Universidad Nacional Autonoma de México (UNAM) in Puerto Morelos to develop our proposal for a scientific research collaboration between Comisión Nacional de Áreas Naturales Protegidas (CONANP) and UNAM.  Growth monitoring is our main focus, as well as observing differences between neighboring natural corals and those on the Biorock® mineral accretion reef.

Autodesk has generously offered to come to Mexico to train us in their latest photogrammetry process, the cutting edge in 3D digital modelling.  They’ll train me, my team, including a group of university students, in how to capture the photos of our coral transplants and neighboring corals.

Coral scientist, Serguei Rico of UNAM, is working with me on our proposal to ensure ZOE is a conservation experimental project of the National Marine Park as well as a tourism attraction for MUSA.  He was telling me that another PhD student wants to start experimenting with taking photos to digitally model corals for monitoring coral growth as his thesis. As he was describing it, I couldn’t help but jump in and tell him that part of the project was to offer free training for just that! Perfecto.

Serguei has been following how corals have been effected by nitrogen run-off and other pollutants since the emergence of mega-tourism. Sewage from all those hotels along the Hotel Zone in Cancun and down the Riviera Maya is deep injected. It seeps into the aquifers and ocean causing corals to suffer new diseases.  There were only 3 inhabitants on Isla Cancún in 1970. Now there are over 722,000. With no treatment plants, you can see how this is an epic problem with all that untreated shit running into the sea. Corals are much more sensitive to the bacteria in sewage than humans, and the parts per million are well-beyond their standards.

While I was in Mexico this trip, I witnessed baby turtles being released on a full moon. (next post.) I wish I could’ve joined the small group of scientists watching corals spawn at night, but they want to protect the animals while they are making babies from too many intrusive people. I understand needing more privacy, and wanting to avoid the potential for humans to get crowded and bump into the reefs.

Sunset before spawning
Spawning gives a smokey milky appearance. Acropora Palmata aka Elkhorn Coral.
Endangered corals spawning in August, 2014

Spawning photos are from PN Costa Occidental de Isla Mujeres, Punta Cancún y Punta Nizuc.

The dream to plant some corals onto ZOE is getting closer to being realized.  Working with the scientists, meeting the resort manager, connecting with other artists who want to be part of the local team to install and create future works…It was a wonderful process and we took many steps forward.

Look closely and you can see where we plan to install as soon as we do.

 

 

 

 

Made it to Cancun

Made it to Cancun! Room 2509 on the playa at Celuisma Dos Playas while they fix a water explosion thingy problem in my room on lagoon side for couple days. Variety. love that…the stolen/lost credit card hardly noticeable. No kidding, the Hotel Zone has swaddled me in its humid party of all-inclusivo-except-for-this-but-look-we’re-gonna-give-you-THIS! adventure already. Tomorrow is big meeting at 10AM. Feeling GOOD!! and so happy when I realized the little white car that wouldn’t open with my keys was the other little white car next to mine.

This was first time flying standby in maybe 20 years? Very exciting to have to keep hopping from gate to gate working with the airlines in New York to try and ensure I would catch one of only 2 flights to Cancun from either Philadelphia, PA, or Charlotte, NC.  Luckily, I was able to find the right navigators with US Airways to complete travels in 13 hours.  And it really didn’t seem that long, thanks to all the little hits of adrenaline and willful concentration.  Off to find ZOE’s ocean home and the many people that will be working with me in Mexico.

 

 

 

we have moved next door!

Heading to Cancun Thursday. Time to mark the spot for ZOE’s ocean home at Nizuc Resort and Spa. Here’s one visitor’s view.

From DNA-Dividing at Club Med to ZOE at Nizuc Resort and Spa, transformation is on.  To get you up to speed – see the Living Sea Sculpture cover photo above? That is ZOE awaiting installation in Punta Nizuc from 2011. We were going to install off the beach of Club Med. Since Nizuc Resort and Spa only opened in 2013, they were not an option back in 2011. Timing!!

Roberto Diaz of both MUSA and Aquaworld (he’s a major doer) has been making things happen, and the government is being towed along with approving grace.  Cheers to Roberto!

And big thanks to María Antonia Gonzáles Valeria who I met here in NY at a Genspace event. She went back to Mexico City to see how she could help through her university, Universidad Nacional Autónoma de México (UNAM).  She introduced me to a recent marine biology graduate focusing on corals in Pueto Morelos, Serguei Rico, who is ready to meet and see how we can work to appropriately appropriate enough coral transplants for installation with his department.  This is a big deal in Mexico – making sure we have the approvals since it is in a National Park protected area; corals are only available for projects after hurricanes, damage by boats, and through lab propagation.  I look forward to working with Serguei and Jaime, Director of the Marine Park, to ensure ZOE becomes a Living Sea Sculpture with endangered corals colonizing.

Steps!! More soon!

Fire! Fire! Corals are Feeling the Heat!

Fire escape on 6th and Ave A

I wanted to make an art installation on 6th street here in New York’s East Village.  Using the Gossamer community crocheted and needle-felted reef, I would attach the textile corals and fish to the white undulating fire escapes, like Biorock sculptures, and project video of underwater coral reefs onto the building.  Live music would play.  Perhaps the instrumentalists would be on different levels of the fire escapes immersed in their steel boats adrift like such unusual organisms populating the sea.

So many ideas and projects run through me all the time related to corals and how to convey their beauty and their endangerment, their need for life support and healthy habitat, and of course, OUR need for them.  When my dog walks me down a new street, it often seems as if he’s guiding me to a place or a thing to spark my imagination that unites urban life with nature’s presence, such as the idea I just described for Fire! Fire! Corals are Feeling the Heat!

What about an app that responds to your geolocations, where it appears that fire escapes, bridges, and other inspiring architectural forms are accreting with minerals, colonizing with corals or oysters, and marine life?  I really want to put my energy into creating the living sculptural reefs and nurseries in the ocean, but while I’m in the city, I can’t turn off my inner vision of all this aquatic fluid atmosphere that permeates my mind.  And once we get the webcams onto the sculpture, ZOE, in Cancun, the resulting projections and live feeds will tie in positively to this evolving land and sea revival experience that will hopefully lead us away from this grim end as described by scientist, Charlie Veron, in Iain McCalman’s new book – The Reef:  A Passionate History (reviewed by Rob Nixon in the NY Sunday Times)

Without an abrupt decline in greenhouse gas emissions, “there is no hope of reefs surviving to even midcentury in any form that we now recognize. If, and when, they go, they will take with them about one-third of the world’s marine biodiversity.” Bearing witness to this gradual annihilation, Veron concludes, is “like seeing a house on fire in slow motion.”

A consuming conflagration metaphor.  I can’t have Veron’s prediction take hold in my mind or it throws me off center and off my positive focused trajectory, but perhaps politicians, businesses, big corporations, and anyone unaware of the true bottom line, will start to listen and begin cleaning up dirty industry if a renowned scientist points this gun, already smoking, to their heads, threatening their homes with this horrifying image.

If the message stating that all is already lost gets louder than the message inviting you to think of how to get involved, what effect does that have on you?  What combination of lightness with darkness motivates shifts in behavior and values?  I can’t tell you how many times I meet someone who assumes corals are doomed based on hearing snips about bleaching and acidification. They smile and share personal stories or offer strategy when I tell them that from pollution to restoration, there are things that CAN be done. It isn’t time to pretend the house is already burnt to the ground and just stand there drinking beer on the sidelines like you might be doing this month watching the World Cup.  (What a finish for Portugal last night tying in the last seconds!)

Seriously, Veron does say “slow motion,” and that’s an opening for optimism in the midst of despair.  If that somehow gives the endangered animals more time to adapt and people more time to develop new energy, rescue activities, and to stop injecting sewage, fertilizer, and carbon into the sea, it remains to be seen what 2050 holds.  My concept of the fire escapes with the corals growing over was to symbolize both the urgency and the potential to escape the heating oceans caused by climate change.  To find a way out of the burning building into the air to survive the disaster.

Reef Madness

Additional note for perspective, I recently read the book, Reef Madness: Charles Darwin, Alexander Agassiz, and the Meaning of Coral.  The “coral reef problem” illuminated how recently we had no idea about how coral reefs are formed, and it intimately illustrates just how controversial and political scientific theories and quests can be, then and now.  How egos take the stage and discoveries are intertwined with layered cultural and societal beliefs and systems.  Some philosophies and styles are in the process of dying off; it’s like new species of understanding, expressing, and technology emerge with evolution and that directly impacts our ability to see and discern our reality. Even though corals create bone-like stone, our ideas and assertions about them are much less solid.  There’s space in the world to explore working together to escape the “fires of hell” and create cooler, collaborative coral conservatories that will teach us much more than we know now.

 

Birthday wishes

It’s my birthday.  Not Living Sea Sculpture’s birthday, Colleen Flanigan’s.  What did I wish for?  I wished that I would continue to only pay attention to signs of love and stay wide open to all the good around, and that the Living Sea Sculpture in Mexico would be installed.

First wish is totally happening! Second wish is on its way.  I’ve been communicating with individuals and people in organizations every day as I intuit and research who to reach out to next to clear the path into the sea for ZOE (previously titled DNA Dividing).  MUSA has a new executive director who has offered some assistance, and the founders of the underwater museum were supposed to be meeting last week to add “more efforts.”  The Mexican Consulate in New York, the Tourism Board, people who know people in Akumal and Cancun, Oceanus in Chetumal, The Nature Conservancy, The World Bank,…I am reaching out to complete this exciting chapter for coral colonies that has been filled with politics and slow steps towards economic, social, and ecological transformation.

Which makes me jump to yesterday.  I went on a birthday art outing with a friend to see Kara Walker’s, “a Subtlety,” or “The Marvelous Sugar Baby,” made of sugar at the soon to be demolished Domino Sugar Factory in Williamsburg, Brooklyn.

"a Subtlety" by Kara Walker. Presented by Creative Time at the Domino Sugar Factory.

This political, visual homage to mistreated humans is poignant to our present day humanitarian desire to create healthier relationships with other species and our living environment.  It might seem like a stretch, but for me and many others who want to restore dying ecosystems and think big picture long term, abuse and disrespect of a group of people in many ways is similar to abuse and disrespect of other species and natural resources; both are perpetuated by the greed and pervasive ignorance of “authority.”

Kara Walker's installation at the Domino Sugar Factory

At this free exhibit, open through July 6th on Fridays and weekends, thousands are flocking to see the sculptural sugar interpretations of people who were repressed and treated as commodities by others lording over them with calculating, callous power.  This large-scale public work would have been impossible to imagine as something to be accepted, let alone publicly and culturally honored, 40 years ago.  Change happens fast.  Change happens slowly.

Kara describes the work:

“An homage to the unpaid and overworked artisans who have refined our sweet tastes from the cane fields to the kitchens of the new world on the occasion of the demolition of the Domino Sugar Refining Plant.”

For the sake of metaphor, we can insert other species into context as the “artisans”: those who are not being seen for their worth.  With so much red tape and destructive human forces killing without conscience or logic, when in the 21st century will society reach critical momentum to recognize ourselves in other living beings, and then take it a step further, and make decisions with their well-being in mind?  Steps forward and steps back, all along the winding path there are those who operate from places of love, trust, and ambitious equality.

Many artists fall into that lump. Art emerges from imagination linking concepts, emotions, skills, and materials. It is largely underestimated and undervalued in all its forms, even though it is the medium that can reveal multitudes of meaning and guidance because its essence is sensing, “seeing,” and expressing with impact.

Through this carefully planned, impressive construction, Kara Walker molded a story of a painful history of repression and offered a unique form of care and respect.  Witnessing the sugar – it was saying a lot in silence – I was not so subtly reminded of where we come from, and where we can go if we choose.  I felt levity in the space, possibly because so many of us never knew this specific era personally, and possibly because of all the white light and visitors. I was in awe at her monumental work built from our sweetener to shed light on a dark secret.

"a Subtlety" by Kara Walker at the Domino Sugar Factory, 2014

 

 

 

 

 

 

 

 

Turtles Tortugas in Akumal Bay

"ZOE" at Puerto Cancun 2011. Photo by Mike Gerzevitz.

I was recently in Mexico again. From Cancun to Akumal to Isla Mujeres, I was working on clearing our way to install the DNA-inspired sculpture into the ocean.  I brought a friend and technical adviser, Jennifer Indovina of Tenrehte, along to help me scout out the best locations for wifi and power sources since we are now going to be adding webcams to this coral, fish, and biodiversity refuge.  She is building a custom website so you will be able to watch the evolution of the coral reef ecosystem as a virtual aquarium.

I rented a camera to capture some of the underwater life and to document potential sites for this sculpture or possibly future ones.  We were swimming out from shore to look at the set up for the TurtleCams they have in Akumal Bay,

TurtleCams power supply - A View into the Blue and teens4Oceans project in collaboration with Centro Ecológico Akumal (CEA)

and that’s when green turtles began to appear right below us.  They were grazing on the sea grasses. I didn’t know what to expect of their behavior.  They had a very casual easygoing style.  From my short experience observing, I’d say they are calm, mildly curious, and like to socialize with their other grazing companions.  When they swam up to the surface for gulps of air, they glided like graceful, slow-flying birds.  They seem like gentle beasts that have become trusting from so many tourists, yet are not interested in interacting in any way.

Busy finding food under the butts of each other and saddled with scavenging fish on their backs and bellies, the turtles brought peaceful inspiration as I admired their beautiful shells and daily activities.

Swimming in Akumal Bay. Photo by Colleen Flanigan.

The area needs a new sewage treatment plant, which is one of the reasons the water gets so murky. If you visit the Yucatan Peninsula and stay at a hotel, ask the managers if they deep inject their sewage.  Long story, but water treatment is a huge issue in Mexico. Corals are much more sensitive to certain pollutants than humans. The movie, Angel Azul by Marcy Cravat, does a beautiful job sharing about the pollution through the intersection of art and science working for the environment in the underwater museum, MUSA.  She started with the story of artist, Jason deCaires Taylor, and like any good detective, she followed emerging clues, piecing together a puzzling and illuminating truth about our unsustainable systems and areas ripe for transformation.

It has been almost 3 years since we made the DNA sculpture in Cancun, so it was slightly bittersweet (chocolate) to see the steel sculpture making cameos in the background at Puerto Cancun as Jason’s and other cement sculptures were being deployed by boat. More sweet than bitter, actually, since I was so moved by the excellent filmmaking and knowing all the people and places in it.  It made things even more real. I’m committed to completing this project and to growing relationships in the region through this journey.  The sculpture is not in the water yet because of complications with land permits for the power source, but the ecosystem of diverse, caring people involved in this important ecological story is evolving, and so are our visions.  A few years isn’t that long in geological and bureaucratic time. BUT, since I’m a human trying to help save corals dying at rapid rates~  IN THE WATER IN 2014!

To the Future. Photo by Colleen Flanigan, 2014.

 

 

 

 

 

 

 

 

 

 

Reef reFORMed

Welcome the Year of the Horse!

A big year for travel. And all you Oxes working so hard in 2014, it will pay off.  Watch out, Rats, not to get under any hooves.   And as a Pig myself, I’m glad I didn’t know 2013 was supposed to be horrible for me because it was great in so many ways.

 

Here we see coral propagating like a Chinese New Year’s fireworks show. Watch it Grow on the 1″ scale model of a Living Sea Sculpture soon to be installed in Mexico.

January 28th was TEDxSpence, a youth event in Manhattan.  An inspiring day of talks and workshops with super girls at the school.  Below is the 3rd version of Reef reFORMed in New York.  I wanted to capture the improvisational sculptural installation, so tried low-tech time-lapse for the first time with iStopMotion on an iPad.  The 7-9th graders opted for 6 second intervals.  Here’s what happened in a couple hours~

 

Obstacles MELTING in Cancun

I just returned from a visit to Cancun to clear the way for installation of the DNA Dividing sculpture into Punta Nizuc asap.  It was a fabulous trip.  Cleansing and liberating to feel the weight of waiting, some sort of peripheral crunching burden, dissolving and leaving light water vapors in its wake.

To follow the story, please visit here for the beginning.  And here is today’s latest update on kickstarter.