VR – coral reefs

As one of the 1st of 60 artists-in-residence with Google’s Tilt Brush, a portal of awesome opened up for me! Immersed in a dark space, magical colorful dream world comes to life before your headset-wearing eyes with your movements. The “brushes” are a mix of markers, paint brushes, physical-feeling extruded light, audio-activated pulsating colors…it was such a great residency.

Playing with materials without any outcome in mind is so important to my well-being. Even with an idea in mind, letting the tools illuminate the way is a candy-colored high of inspiration.

Since the residency, I’ve been invited to create work as an impromptu, live performer for various events. Most of the time I’m in the flow of making something that is projected onto a large monitor in real time so the audience can see what I see. It’s a fabulous job and I hope to do more soon! One event was Virtual Tomorrow in landlocked Columbus, Ohio. How great to be able to create reefy scenes and talk with attendees and local tech team about corals and Living Sea Sculptures while so far from the ocean.

On the other side of the discussion, some people express anxiety about Virtual Reality. Clearly, VR has its distressing arenas, as with all tech innovation that leads to roads unknown. So, use it as a tool to highlight what matters to you. For me, that’s the coral reefs, marine world, surreal nature, and healing the environment that we all share through imagination, collaboration, and action. Being able to move in space and wave wands to create 3D worlds is magic.

 

Back in Cozumel, Sergeant Major

On Saturday while representing Zoe and Living Sea Sculpture at a Marine Science Fair all about corals in Playa Del Carmen’s SAYAB Planetarium, I caught this Sergeant Major whizzing by with my iphone.

I love the shot, yet not the calcium deposits on the protective globe around the webcam, or the blurring. I just arrived in Cozumel today by ferry. Some rolling currents and “cold” grey weather for the next few days, but as soon as it clears, I’ll be diving and working with fabulous volunteer, Lemuel Vega, to get rid of the remaining build ups, collect homeless corals to plant, and take videos and photos with my GoPro.

The camera may be trying to focus on the distance and the calcium on the glass at the same time, causing the miragey appearance. (it’s a new word). It has been 6 months since I was here, and we’re going to work on advancing our system of monitoring and maintenance. There are things that need regular attention, like changing the cleansweep wiper and keeping the glass free of biofouling, testing all the cable anchors and changing out any corroded bolts, and capturing video and images to see the growth close-up, that we need to have committed team members signed on for as we go.

Please stay tuned. If you want to make a visit, check in with me!!!

And if in Playa Del Carmen this month, check out the SAYAB Planetarium. Their theme of the month is the Coral Reef.

Exhibit this Saturday

If in Santa Cruz, come by! I just made a little something for the show yesterday. It’s truly a fab place. Jordan Layman, who runs the Idea Fab Labs, along with the rest of his team, do a great job in creating a welcoming atmosphere and are very helpful if interested in becoming a member.

The whole Wrigley Building will be having a holiday bizarre with opportunity to see all the creative design and things going on. Maybe some unique gifts and cheer (maybe beer) will warm you too.

A snapshot of the laser engraved, acrylic piece, “Swivulets.” It reflects like a swirly mirror.  11.5″ x 9″ x .25.”   It’s resting on the pavement in this photo. I might add a glossy paint, blue, to the grey shadows so there is some contrast and color.

Below you see the stages of peeling the protective paper from the surface.

 

A female fantasma in this last one.

I’d like to try changing this, or something similar in pattern, to a vector file so some of the swirlies are completely removed, rather than carved relief. Seeing  cut away areas will help imagine and model underwater projects.

Hope to see you at the show this Saturday!

Heating up – Front lines of Climate Change

With Jason Scorse, Director of Center for Blue Economy. photo by Colleen Flanigan
A chance to hear Bill McKibben of 350.org popped up. No one wanted to sit in the front row, but I DID! To think, if only oil companies and governments had invested in renewable energy 25 years ago…He quoted scientists from a couple years ago saying, “Our oceans will be hot, sour, and breathless,” in regards to the rate we are pumping carbon into the sea. We’re already at 403ppm. We have no time to waste.

BUT, in the shadow of that gravity, it was completely motivating and inspiring, the way he delivers his vital message. Seeing all the powerful images of people in places like Haiti, the Maldives, the Marshall Islands, China, and India using mass scale public art and other creative ways to stake their claim to “350” parts per million as our limit to carbon emissions against the backdrop of the stern reality was moving. I have cried the biggest shame about the US (the government, not the people) pulling out of the Paris Agreement. It’s a crime against the planet – humanity and all life.

And still, I didn’t walk out feeling depressed, as I easily could. Bill called upon people to get their solar panels up, divest of fossil fuels, and get arrested if you’re retired! Don’t leave it all to the next generations. We have to keep fighting the pipelines and violence against Earth and each other. He’s a true hero and leader. And he offered to connect me with some renewable people for the coral cause. With corals being so temperature sensitive and slow to adapt, I feel the heat.

 

New Year Cycles

Happy New Year! Politics aside, 2017 is off to a good start.

DCIM100GOPRO
A bit further out from Zoe are some patches of corals

The last days of 2016 and the first week of 2017 were filled with special endings and beginnings, just the way solstice likes it as we consider longer days. I know, I’m in Mexico with more sun than most, but I still love to take this time of year to be grateful, let go and make space for what’s to grow in spring. We had a beautiful intimate ceremony to honor Zoe Anderson with corals at the sculpture. Happened to be the BUSIEST day of the year at the dive shop, but the guests of honor were true grace and acceptance de la vida loca. We created a circle of memory holding hands in the sea and placing some new corals with great intentions for life. Beautiful meaningful moments together.

Here you can see a few of the corals added, burgundy algae, and some sponges taking residence.

On New Year’s Eve some more magic happened. My Air BnB guest invited me to join her with a few friends who just so happen to work with National Geographic and were heading to Cozumel to celebrate birthdays and vacation. Nice. We had a super time diving at Zoe and another reef thanks to Sand Dollar Sports Dive Shop. They’re excited to see how they can help support more coral restoration efforts and the Zoe project through explorer programs, so stay tuned! From eating chips and guacamole to talking about Emerging Explorers made for a fortuitous New Year’s Eve.

To add more to the mix, Shaan Hurley of Autodesk came down with his drone and joined our diving adventure, too. Can’t wait to see his underwater and aerial shots. He was here in 2014 training university students (UNAM) and government scientists in photogrammetry.

And here you have a little cockpit view from January 2nd when our #OpenROV, Patito, made its maiden voyage into the sea. Fun! Our Expedition is here.

Thanks again for being on this adventure and making it happen! With love and hope into the new year.

This post was the latest update for our current razoo campaign. Please check it out to learn more about our goals and how you can join in.

Also, if you are a scientist and want to work on some of our Zoe research, including lab tests, in the field, equipment, longterm and short term,…reach out to misssnailpail@gmail.com. From water quality to biodiversity counts to coral skeleton porosity, electromagnetic fields, photo documentation, there are lots of things to discover!

 

Transplanting Coral

Please grow here Porites polyps!
Please grow here Porites polyps!

I published my first Instructable!! I was wanting to, meaning to, and finally, DID IT! I enjoyed it, and even more, I feel so happy to finally be finding my way to share more through the one-to-many approach. One-to-one is slow going when you are dealing with process, such as art, science, and tech to rehabilitate corals and experiment with new transformational innovation. Online tutorials and communities are obviously an organic, inspiring way to build the movement and momentum, to reach people ready and open to join in from wherever they may be.

Are you familiar with Adafruit?  When I heard Limor Fried speak on a panel at an entrepreneur conference in NY 2013, she touched a harmonic cord. At first she may have tried to focus on “her projects,” but she had to go with the flow and let go of trying to control the river, the ocean. Ladyada is contributing so much to culture, innovation, art, technology and creativity. Her specific goal is not welfare of wildlife and the environment, but with her products and open source, we can make leaps.

When people ask me to help them with mineral accretion projects, I hesitate about the voltage and set up because in my experiments, I don’t yet feel like I have a “kit” or component, open source element that will be the needed baseline for people to run with seawater electrolysis. This year with Zoe finally in the sea, I can devote more time towards building the global community and constructing new unique reefs that unite aesthetics and function customized for their location.

It would be a dream to work with the likes of Healthy Reefs and Coral Reef Alliance in Honduras to regenerate devastated coral reefs using state of the art design and generative tools, equipment, coral science, and bright impulses of imagination. We need MORE CREATIVITY FLOWING through ingenious teams who like to play and share their wide knowledge to impact the next generation of coral cultivators and ocean healers.

I just applied for my dream art residency to push these goals forward. I really want to tell you who offers this amazing residency, yet I don’t want to jinks it! I’ll let you know what happens.

Last preparations before installing Zoe in the sea
Last preparations before installing Zoe in the sea

Snowflakes : COP13 Blue Economy

Over 200 countries are represented
Over 200 countries are representing at COP13 at Moon Palace in December 2016

Do you know about COP13? It’s going on now in Cancún. Lots of great friends are there now, as I write this, working to inspire policy shifts and governmental support for important environmental initiatives, including many for water, carbon, wildlife, and sustainable development all under the big umbrella of biodiversity.

One friend happened to be in just the perfect place at the right time to hand her Healthy Reefs for Healthy People report card for 2015 to President Nieto himself. He stopped to look through it and listen to her 30 seconds of whatever brilliance naturally rolled from her mouth. That’s it, can’t beat face to face. Very proud of all those deep in the sea of it making things matter up the food chain!

I had hoped to participate somehow. What a big honor to be invited by MAR Fund  to present coral restoration work alongside 3 other women coral scientists in Mexico and Belize at this special event about securing well-being in the Mesoamerican Reef through a Blue Economy.

The program chock full of inspirational work
The program chock full of inspirational work

It was this Monday, December 5th at the Cancún Convention Center.

I made sure to be early enough, catching the public transport van (colectivo) from Puerto Morelos to Moon Palace where the COP13 main events are held. Arriving at 3:05, plenty of time to hitch a ride to the resort by 3:30. Soon a construction truck driver with supplies stops. I check it with myself. Feels like a fine situation. I talk about the work with corals to ensure we were all on base about the amazing ocean and reef life here…He has to drop me off at the main entry so they can grill me on where is my badge? Great question. I’m here for a side event.

Soon another ride takes me to the campo de golf to catch a golf cart to the registration so I can get my badge and make it to my 3:30 event.

Arrive with the “Creative Cancún” truck (party planner doer) to the golf carts. Next comes nice long windblown ride through the palm-lined paths to the tent to register.

What?! The Convention Center is in CANCÚN! Nice, it does say Cancún in this email invitation I now see and agree. I’m in the wrong place and it’s now 3:30. Uff. Completely missed that detail on the invitation since I let my assumption that it was at Moon Palace rule the day.

Someone from registration kindly introduces me to resort staff to help me think about how to get a taxi downtown at the far end of the Hotel Zone for a reasonable rate, not an easy thing. At that very moment a friend and Saving Our Sharks collaborator on our ROVing the Mesoamerican Barrier Reef OpenROV expedition walks by. I give him a hug of relief and find out he made the same mistake. Excellent! We can talk politics while heading back in the golf cart to his car.

Driving to the Blue Economy event, we catch up on projects, where our collaboration is at, and future steps. Again, nothing like face to face. All those group whatsapp messages and emails sometimes congeal like snow flurries into a slushy ball and only when you are together can you pluck out the unique water crystals needing individual attention before they melt and we forget that the water could even have ever looked as magical as that singular water flake…It’s like that.

Snowflake captured by Russian photographer Alexey Kljatov
Snowflake captured by Russian photographer Alexey Kljatov

This image was found in this piece by Huffington Post about macrophotography of snowflakes by a singular artist, Alexey Kljatov.

Corals and snowflakes – the tropical and not-tropical forever linked by water and dynamic patterns reminding us that everything changes. We know so little from looking at the surface of things. As an artist, I peer through my imagination and intuition at every mystery that drifts by…and guess what? I just heard a lot of action going on outside this coffee shop where I’m getting some wifi. I’m facing the wall in my own bubble, and turns out there is a big Christmas Snow Bear event RIGHT behind me in this Cancún mall. Surprise. Frosty snowflakes and humid tropical coral-lined peninsulas connect in Plaza Las Americas.

 

 

ONWARD! #givingtuesday #razoogivingtuesday16

Swimming past the livestreaming webcam
Swimming past the livestreaming webcam                                                        photo Colleen Flanigan

With the US presidential election making rough and freaky waves through the world of environmental and human rights, and everything else, I had to do something to lighten my heart and mind NOW. Usually that means I have to throw myself into work and focus. The sinking feeling and clawing at my eyeballs through the tears gets tiring.

I started this campaign today! Zoe – A Living Sea Sculpture is part of the #givingtuesday annual event which builds momentum and funds for causes at the end of the year.

Zoe within the 1st month
Zoe within the 1st month                                                                                   photo Colleen Flanigan

It feels wonderful to share the completion of our installation phase and the vision for monitoring, maintaining, and developing this project for the region and beyond.

Through this international collaboration, we want to help transform the destructive tourism practices locally in Cozumel and bring new creative energy for regeneration and biodiversity cultivation. Already the Sand Dollar Sports Dive Shop and others are moving that forward. Please check out our progress and plans here.

UPDATE : we only need to raise an additional $9450 by year end to receive our $12,500 matching grant from The Mexican Fund for the Conservation of Nature. That will bring us to our $25000 goal!

 

Zoe is in the SEA!!!

After 5 days of electrolysis
After 5 days of electrolysis

On Sept 8, 2016, we received our final signature from the government to install Zoe in an incredible home. Zoe touched the seafloor in Cozumel, Mexico on September 23, 2016.

Plans to be part of MUSA in Cancún were blocked due to challenges with our electrical and internet needs. Unlike the cement sculptures, Zoe requires more infrastructure.

Huge thanks to Ingmar Gonzalez Krotzsch for introducing me to Cozumel and uniting an incredible team! He envisioned exactly where it would go and – voilá! Isabel Caamaño Ricken, our brilliant coral biologist, applied for the final permit, along with her inventor brother, Pancho (Francisco) who together have a manifestation to place sculptures into this unique coral restoration lab and underwater art museum, Musubo. This Underwater Golden Diver Museum is a featured attraction of the annual Scuba Fest, organized by Gilda Sigie, who warmly invited Zoe to come to life in this special place.

Coral reef restoration installed in Cozumel
Zoe is in there!

Zoe is now in good company with bronze busts of Sylvia Earle, Jacques Cousteau, Ramón Bravo, and numerous Fractal Artificial Reefs and Reef Balls. Since 2006, the site aims to increase biodiversity and investigate coral regeneration after devastation from hurricanes and pollution. Sand Dollar Sports Dive Shop owner and project internet+electricity sponsor, John Flynn, and his dive guides want to reduce negative tourism impact on the natural reefs through rehabilitation and ecological recreation programs. You’ll see corals colonizing Zoe soon!

Qualti Innovaciones Marinas did a fabulous job installing with their hurricane-proof patented anchors. It was an underwater performance watching Laura and Pancho work skillfully in silent tandem. Thomas Sarkisian, electrical engineer from Global Coral Reef Alliance, has been awaiting over 5 years to turn on the electricity. Right after the switch was flipped on September 29th, the minerals began to deposit and fish started to arrive to eat the algae. YEA!!!

First two fish visiting coral reef restoration project
Our first two visitors

The marinero and capitán were key with the placement of Zoe and the camera into the sea. Here you see Pancho and Thomas preparing the Tilt Pan Zoom View into the Blue Camera to begin livestreaming. Trevor Mendelow has been configuring remotely with Danirel Alvarez Junco of Sand Dollar and the dedicated crew of Soluciones Xtreme Net who laid and wired our cables…a big production!

Blue Camera being installed in Cozumel coral reef restoration project
Blue Camera live stream being installed

My great great thanks to ALL OF YOU, my dear backers for being with me since the very beginning in 2011, and to the hundreds, thousands of others I’ve met along the journey that made this possible! Your contributions kept us going and the sheer number of you was constant motivation!!!!

new installation bio-rock coral reef restoration project Cozumel
October 4th, I took so many photos 🙂

You must come to the island to snorkel or dive. Only a 40 minute ferry ride from Playa Del Carmen (close to Cancún). Zoe is about 4m deep and open to the public. Very calm water and an ideal place to get certified in diving if thinking about it? Snorkeling is fine!

The water is crystal clear and fabulous for viewing our livestream. Content is underway for Zoecoral.com site built by amazing TED Fellow, longtime tech consultant and Zoe collaborator, Jen Indovina!

Many special thanks to my loving family, Luis Bourillón, Marisol Rueda Flores, José Luis Funes, Pedro Joaquin Coldwell, Serguei Rico, María Antonia Gonzalez, Lorenzo Rosenzweig Pasquel (FMCN), Lyn Ohala, TEDxCancún, Soluciones Xtreme Net, Staff of Sand Dollar Sports Dive Shop and Sunset Restaurant, Andrés Uscanga, Yibrán Aragón, Marenter, Todo Inoxidable, Infectango, SupporTED, Autodesk, Shaan Hurley, INapesca, UNAM, Cable Cozumel, the black bunny that just hopped by, and every friend, collaborator, acquaintance, coach not listed here who offered help, kindness, direction, mentoring, introductions, dancing, food, fun!!!

ALL of YOU are the reason. Logramos! Next phase, monitoring and colonizing ~~~

With love and fishes, Colleen and Living Sea Sculpture

Scrawled File Fish visiting Zoe coral reef restoration Cozumel

To follow on Facebook; twitter @livingseasculpt

Here to contribute to the monitoring, sensors, and maintenance

Luz Verde for Zoe

It’s happening! I’m sitting outside using some wifi in Puerto Morelos while all the puzzle pieces are Tetrising (verb) into place to install Zoe in Cozumel sea by month’s end. So exciting to be working with such an incredible crew. Here are just a few from Qualti Innovaciones Marinas who worked on the authorization with the government and will be responsible for installation with the rest of the US and Swedish team coming in on Wednesday.

Qualti Innovaciones Marinas

Last Wednesday was a quiet moment of joy relief happy peace to watch Zoe be moved for the first time since 2011 from her waiting place in Punta Sam, Cancún back to Todo Inoxidable (steel factory) where we built her in 2011.

IMG_3007 (1)

Tomorrow we’ll make some quick fixes and changes so we can ferry her over to Cozumel end of week. Yea!

I’m being eaten by mosquitoes, so will be brief! (A couple friends have Zika, not good). It has taken an incredible amount of people to get this far, and my gratitude is running over.

Very happy that after more than 5 years, we have a super location and home for this Living Sea Sculpture. And you will be able to view it and interact from the livestreaming webcam!

OpenROV in Quintana Roo

Just launched our expedition on Open Explorer. Hugely grateful to David Lang, Fellow TED Fellow and co-founder of OpenROV, for helping us to receive a grant to play with this new toy and tool.

Please follow along at ROVing the Mesoamerican Barrier Reef!

OpenROV 2.8 Mini Observation Class ROV
OpenROV 2.8 Mini Observation Class ROV

We’ll be ROVing in the state of Quintana Roo, Mexico, starting in June. Very excited about this new Caribbean adventure with so many incredibly fun, caring, and brilliant people. Lots of complex ecosystems and biodiversity at stake, so we want to build momentum to protect and nurture our interdependence and learn from the past, present, and daily future.

I was just asked, so here you go~ ROV means remotely operated vehicle. Part of the Robotics glossary: An underwater remotely operated vehicle (ROV) is a mobile robot designed for aquatic work environments. Remote control is usually carried out through copper or fiber optic cables.
We should be receiving our ROV kit by end of month with hope to go out on first run to celebrate a birthday. Building an ROV and observing underwater life with loving friends – super way to begin a new year!!!

 

 

 

Fundación Aitana Connects with Corals

FundacioAitana6webGustavo Navarrette and I arrived at Fundación Aitana in Cancún on March 19th to give our Zoe Reef reFORMed art and science workshop to the fabulous children, their nurturing families, and generous volunteers. As always, my favorite part is being drawn into the unknown and the surprising results. It is like watching something bloom in real time as we feel and see our way forward in each emergent moment.

FundacionAitana3web
Making Papier-mâché corals

Everyone semi-consciously feeds each others’ curiosity to try different approaches to painting and creating. And the speed! Working in groups like this builds beautiful fluid momentum so that by the end of 2 or 3 hours, wow, so many corals and fish!

FundacionAitana17webConversations and laughter, it was really fun and inspiring to work with these kids who are cancer patients and survivors. Not once did it seem like anyone was ill, but they are at high risk and need local care facilities. Fundación Aitana is working to bring pediatric oncology to Cancún because they don’t have it. The families have to go hours to Merida, Cozumel, and beyond. This leads to huge expenses and deaths that could be avoided. Right now as I wrote that sentence I see a parallel with the corals, how they have diseases and need urgent care too. It is nice to have times where fun activities help us to enjoy and heal ourselves and other species in some way.  There is wonderful comforting connection in that.

FundacionAitana4web

 

 

 

International Women’s Day

FullSizeRender
Future Woman – Making a Fish

For this day, March 8th, I posted this update to kickstarter about ZOE and some other life events. It’s a day to celebrate and honor the creativity and powerful motivations that well up within the women all over the world. May great things may be born.

ZOE Reef reFORMed in Mexico in progress
ZOE Reef reFORMed in Mexico in progress

 

ArtCOP21 ZOE Reef reFORMed

Before I arrived in Mexico late December 2014, I was already anticipating COP21. I had marched with the Climate March in New York in September, and am in the wave of humanity doing something to address and reduce our carbon crisis.

My initial aim was to work with interactive technologists to projection map ZOE, our Living Sea Sculpture in Cancun, onto a unique building in Paris during this important Climate Change event. With a live-streaming webcam from View Into the Blue, not only would people online be able to tilt, pan, and zoom to observe and interact with our underwater project, we would interpret the visuals and the data, incorporate animation and effects, bringing this DNA-inspired coral reef ecosystem into the conference to reflect our dynamic ocean-human interface in dire need of attention and direct action.

When the Monterey Bay Aquarium invited me to be part of their Art and Climate Change campaign leading up to the conference, I was thinking it would be great if our plans to install ZOE in the sea the week of December 7th-11th would go through, synchronizing our coral regeneration work here with the mass global intention rippling across the planet. Working with Karla Munguia, a documentary filmmaker with years on Animal Planet, gave us some comraderie around conservation as we made this short video.

Corals here in Mexico have been feeling the heat this year. Bleaching is happening all through the region. I had a good talk with one of my collaborators at INAPESCA about what they are discovering recently. With so many variables, including an intense influx of sargassum seaweed since May, the usual onslaught of improperly treated sewage, and other contaminants from development, and the added heat this year, they see rises in algae and bacteria that severely affect the immunity and health of the corals, large and small. It is a big mix of damaging ingredients, and yet, resilient corals stay strong and are dominating communities where less hardy strains are deteriorating.

I’ve been designing the layout for planting 10 native coral species we would like to populate onto ZOE once it’s installed in the ocean. It’s exciting to envision how they might grow, and how other organisms and fish will come to animate the habitat. Just as I was getting ready to make a photoshop depiction, Somyaku found me through Instagram. He’s a kindred spirit, passionate to create beautiful and functional coral habitats with a reverence for closeness with nature and a desire to express our creativity in harmony with living beings. Here’s one of his renderings of ZOE with corals
. ZOE was made in 2011. This is an actual photo of the completed sculpture (on land) taken by Mike Gerzevitz and now being immersed digitally for us to imagine.

ZOE-Fi_edit-FULL_TRUE-wm_2MB(1)-1Somyaku’s background in Ikebana ties with lots of concepts I’m having lately about my Bauhaus Design training at UCLA – this layering of schools of thought and practice that are our heritage and how they all intersect in the field of Art as Ecology. I’ll share more about that fusion in another post. Back to COP21…!

We joined #ArtCOP21 through their online events all the way from Mexico. People everywhere are making art and statements, fueling the tide for renewable energy and a healthier world based on awareness of finite resources, cycles, and our dependence on Earth. Our ZOE Reef reFORMed project (you can see us if you zoom in over Cuba on their map) came together really quickly with the most amazing people. Truly grateful to Miranda Oriz at Centro Bek for spearheading the “coalition” to help us create art and educate kids about the science in time for COP2. Our inaugural workshop on December 10th was successful. Kids and their parents were invited through this collaborative project into longterm solutions for healing coral reefs, to participate in protecting and rebuilding our vital connection with them and all Life.

TEDxCancún

Sunrise in Cancún
Sunrise in Cancún photo Colleen Flanigan

September 18th, 2015 was the first ever TEDxCancún. It took Mónica Alba and her team 4 years to get the license because there was some doubt at the top that Cancun is a “real city,” not just a Spring Break party destination. It definitely is a developing place deserving of critical thinking and ideas worth spreading. From the cenotes to the sea, to birth, communities, entrepeneurs, tech, there is a lot of growth and desire for intelligent change.

I was honored to be among the speakers (my talk is live now). It gave me such a warm sense of belonging, especially since I had a flicker of a thought about having a TEDxCancún back in 2011 when I was here making the Living Sea Sculpture, now titled, ZOE. How sweet to participate in this amazing event while still awaiting permits to install ZOE into MUSA, the underwater museum (ok, we did get permits on August 21st, yea! but are now awaiting copies of permits..like fractals it goes on). It is nice to be seen for what you are working on even while in process of the process towards the perceived goal – coral refuge in the water with live-stream webcams. This specific project has taught me that growth is not a straight line, and I have had to forgive myself and others for missing deadlines that evaporate like steam.

TEDxCancún was Incredibly well organized, so many super volunteers, workshops for us speakers, celebrations…I was moved to tears at the end by how hearty it all was because of the passion, generosity and commitment of the leaders and dreamers who made it happen. Initially, I went to the first planning meeting with Mélina Soto, Elisa Lopez Garcia, and Mónica Alba. I was excited to gather information from other organizers so they could prepare their speakers and volunteers. Lots of good energy builds up around these events, and you want to dive in. What a happy surprise when they asked me to speak! Grateful to be acknowledged and have the opportunity to tell my story about the “Symbiosis of Corals and Tango.” I tangoed in with Mario Oswaldo of InfecTANGO. Tango dancing was my metaphor for coral restoration, partnerships, and the journey of ZOE as an art and science collaboration. Over the top nervous this time, I wanted to practice and be truly present on stage so that I could enjoy, improvise a bit, and connect with the audience if possible. I had all the support in the world writing my words, rehearsing, and when I got on stage, there was calm and spaciousness inside. I could see all my words coming from the script while still able to think and react without losing track or being blinded by some adrenaline shock of white light. What a dream to feel solid and ease after so much inner struggle.

photo María González
photo María González

I am still in Mexico, here in quiet Puerto Morelos. Have been here with some trips away since late December. We have mineral accretion tank experiments going on since May to bring more of the coral scientists into the process. I love learning about the corals and how the electrolysis works; lots of variables and keeps me engaged with what I am so passionate about while the permit dance has been ongoing for ZOE.

…Something about being in Mexico has made me shy away from blogging. I don’t know why. I have been learning Spanish and wanting to stay in the moment with being here. And there is a lot of heat… yet, none of that explains why I shy. There is no excuse, so back to TEDxCancún! I hope you will visit their site in a month to see the talks.

The sunrise at the top of the page is my view on September 18th thanks to TEDxCancún and Secrets of the Vine. What a HUGE gift to have room service and such care while I was stressing and needing the love. It made all the difference to be well-fed and pampered by the friendly hotel staff. And again, all the TEDx volunteers who treated us speakers with glowing respect and joy, handholding and soothing. I was embraced by their presence. I can’t thank them enough!

On Our Radar

Respire – The Coral Corollary is acknowledged by Creative Capital’s On Our Radar through September 30th, 2015. Another highly competitive grant for artists, Creative Capital generously represents some 400 artist projects who made it to the 2nd or 3rd round of their selection process through their searchable database.

IMC respire1 from Colleen Flanigan on Vimeo.

This raw video I took one night while interactive technologist, James Tunick of The IMC LAB + GALLERY, and I were co-creating the 1st phase prototype of Respire gives a peek into our process for integrating sensor driven kinetic sculpture, audio, and video in an immersive installation. Also in this clip you can see the EKG-like screen which shows tidal data that drives the vertical movement of resin-covered plastic objects and bags found in waterways hanging in the background which were created by James Baker for his IMC show, Ebb and Flow.

My handheld shaky walk takes you to the small Biorock accretion tank with experimental mesh forms being electrified through seawater to precipitate mineral deposits.

photo colleen flanigan

The audio includes movie soundbites, something James Tunick explored. I had not thought about bringing voices into the project, so it was interesting to observe in myself and others how human voices and sci-fi memories stimulate a broad range of responses. I was also intrigued by his addition of morphing climate change and global graphics as surrounding projections. That is one of the best parts of collaborating, of course, trialing and riffing off of each other with curiosity as we dive into our imaginations, areas of expertise, and the unknown. Play and surprise is key.

Black/white video from actual iron lung footage in the 1940’s and 1950’s is spliced with vital coral imagery projected onto the “breathing coral” made with plastic bags sewn together over a steel sculpture to portray contrasts of vitality, mortality, and medical intervention. Breathing and movement of participants in the space, as well as ocean data, will continue to be the life force activating the exhibit.

In the next iteration, I imagine creating a very different feel and experience with the addition of an iron lung I purchased off ebay in 2012 so that the touring exhibit can more directly correlate to life support, concepts of technological advancement and cures for ailing coral reefs worldwide. Use of the ceiling has always been in the plan, and being in Mexico these past few months snorkeling and diving has shown me ocean illuminations that inspire how to bring a person in the land space to feel like they are in the sea, a sensory metaphor to being the coral. Whether you’re lying in the iron lung looking up after a “nurse” helps you inside, or you’re another observer interactor, I want to transport you, connect you with the non-verbal, fluid water animal that you are, breathing and reflecting, pulsing with a mysterious underwater corollary.

Geometries Patterns Music

Like Swirling Marbles, wind and current on the clear water distort the coral fragments below                                                                                                                                   photo Colleen Flanigan

I’m studying Spanish while here in Mexico, and had the fortune to meet Dr. ‘West’ Marrin in class last week. Through our raw Spanish conversation, we realized we had a mutual fascination with the ocean, not only in the macro sense, but in the micro, sonic, geometric, and chemical. We got lazy (or real) and spoke in English to discover we had a number of mutual friends and colleagues in common back in the US, and that Art and Science are core to our work.

As I’m developing new design ideas for Living Sea Sculpture reefs, sound waves of music  permeate. Music is the ultimate art form in its temporal nature yet eternal ability to effect us on a cellular and emotional level. We can always turn to a piece of music and be transported, moved, energized, saddened, hyped…the waves of sound are powerful, and of course, the ocean waves can take you under, take you somewhere far away, or lull you to sleep. How are sound waves of music and waves of water related, both the physical movement, the structural components and geometries, and the concept of rhythms and cycles.

West Marrin was a guest contributor to SciArt in America last June with this article, Functional Art and Water Science p.34 (scroll to p.18 in the pdf at the link). As a proponent of the genre, Art as Ecology, I am invested in raising the bar for functionality of art forms to the place where (once again) art is considered of equal value to math and science by world leaders and in the classroom because someone at the top realizes that without the ability to perceive your surroundings, discern the world with all of your senses, and imagine myriad juxtapositions and connections with your self as the common denominator, the common identifier that makes meaning to be offered to the world, then we as a civilization will erode powerful sensitivities and problem solving abilities within our species needed to evolve.

So back to the music idea before I rant about how much time, money, and resources are spent to produce a violent society rather than a creative and farsighted one.

“I envision combining a piece of music’s sound-waves with ocean sound-waves into a large sculptural coral reef. La Cumparsita, the last piece played at every milonga (tango party), is symbolic to me because dance is a well-known metaphor for life, and the idea of coming to the end of a fabulous time again and again and again at the end of each party, while we are facing the 6th mass extinction, there is something poetic, hopeful, and morbid united. Is it too far of a stretch to link the end of a dance to the end of a species? A dance that will happen again, but never the same. I want to embed that idea of the dance of life in a non-literal way, and music and sound epitomize that concept. Something transcendent or essential…Breaking down this narrative of cycles into sonic visual patterns for the purpose of regenerating endangered coral reefs and biodiversity through art and science investigation gives me a ground and rhythm to engage with such complex abstractions and information.”
That was part of my email to West today, to which he replied, “…As far as the rhythms of tango and the cycles of nature, they have a common source that is inherent in everything from the regeneration of coral reefs to the birthing of galaxies. All are based on the same fundamental geometry of nature that is expressed spatially as patterns and temporally as rhythms.”
And so, I’ll keep recording live music with my iphone. I like to watch the sound waves while envisioning a living reef composed of musical algorithms with the help of Autodesk software and scientific consultations into a score tuned for the sea.

Prototypes for Coral Housing

Form is part of the formula for creating coastal community housing. Here we’re trialing  project housing (not necessarily low cost to produce, but readily available for marginalized coral communities) on small-scale so we can ramp up to meet the growing needs of the globe using a simple math equation:

~!^!~  + **^V^** + /\/\/\#<><>#/\/\/\ = <{*}(>>>)<

(form + volume + comfort = housing)

I arrived in Mexico with some steel screen that stirs my imagination for mineral accretion potential. I knew somehow I’d meet the place to play with it to make bumps on the flat mesh. Walking home the other day, I saw this place.

Carpenter shop in Vilas Morelos 1, Puerto Morelos

“I bet that’s the place,” I was thinking, as I almost walked in, but then, no, I kept walking. Next day I was walking past again just as a dumping rain began. I ran from the other side of the street to a tree, because you know how a tree will keep you dry when the rain is bucketing down. A young guy came out of the shop (I didn’t quite realize my perfect timing yet with the storm and my tree canopy attempt), and waved me to come inside.

And there I was. Inside. Martin, the carpenter who owns the shop (sorry I don’t know his last name) nodded for me to bring my metal and we could figure it out. Rain passed and soon I returned. Because neither of us are fluent in each other’s spoken language, I found it comforting to find materials and tools to try things and share the process of figuring things out more manually and with wordless ahas. The first attempt to carve domes was labor intensive and not successful.

Luckily we found holes! At the ends of tubes, on tools, everywhere and all sizes.

Pressing the screen into a tube hole to make bumps

In a dream recently, I used a hydraulic press to make the bumps, so it was a relief to discover that all we needed was our hands. Now we have a prototype with this material. Small or large-scale, finer screens and meshes have so much to offer the realm of building artistic and functional mineral accretion coral housing, breakwaters, and sculptures.

Form and texture for Biorock tank experiment

Imagine on a large scale, how will the corals and other organisms settle onto the bumps and valleys? How could we make really large forms with a hydraulic press or other machine? Or from multiple small forms all welded or woven together?

Who will settle on the inside of a tubular form? Which surfaces will gather more minerals?

Soon I hope to start an experiment with these prototypes at the government coral nursery in Puerto Morelos. Working with biologists, we can observe and cross-pollinate. They have systems for cultivating corals and are open to investigating new ways to offer best chances of survival. They want to see if corals do grow faster and how it effects their density. I’m excited to be working with the actual species that will be planted onto ZOE, a Living Sea Sculpture in Cancun, with the actual team of scientists that cultivate those species.

As an artist, I feel fortunate to be coming from a position of curiosity and freedom to research, express, and interpret. I am learning a lot about humans too, and the constructs we have built around our disciplines. Scientists tell me how dangerous it is to associate with the wrong scientists. How their reputations and theories are so carefully protected and boxed-in by the steely rules of SCIENCE. Peer-review and rigorous controls have their purpose, and their pain. I believe artistic investigators need to be part of scientific discourse so that new, sensory perspectives flow in and loosen some of the clamps of entrenched “reason.” Art and science collaborations heighten our intuition and create dialogue around the beauty and mystery seducing us to begin with…

Back to Martin – his daughter is in Ensenada, Mexico, the other side of the country, researching marine algae for cancer cures. His son is recovering from dengue fever. Through his craft and his children, we bonded for oceans and cures.

Scouting el Sitio

Hola!

Scouting installation site in Punta Nizuc. photo courtesy of Ray Santisteban

I arrived here in Quintana Roo on December 28th. I wanted to experience my first Mexican New Year’s Eve, an advance celebration of ZOE installation into el mar. Date still to be determined, but as director, manager, producer, artist, my job is to find eternal internal resources to keep saying, “We aim to install __________ .” (put upcoming month in the blank.)

It’s a huge country, so I won’t generalize my New Year’s Eve on the beach and roaming through streets of Playa Del Carmen with new local friends as representative of Mexico, but it was a special moment to release the floating fire-lit balloon into the sky with Grecia Goretty, Ricardo Rubio, and Gerar Orozko Astigarraga envisioning what I hope the new year holds. Looking up to the stars into the past present future with wonder and soft sand between my toes, I watched my wishes dissolve into the dark sky.  About six hours later, I welcomed the first red rays glazing the sea.

New Year’s Dawn. photo Colleen Flanigan

Yesterday I went with Raymundo Santisteban of The Stills to measure distances for the underwater installation of ZOE and to take photos and video of the area for our team and supporters. The location for the sculpture will be about 100 meters from the dock at Nizuc Resort and Spa.

Looking towards the resort. photo Colleen Flanigan

The water was really clear for us to see the natural reef close to the installation site. This is part of the Mesoamerican Barrier Reef, the 2nd largest barrier reef after the Great Barrier Reef in Australia.

Coral Reef at Nizuc Resort and Spa. photo Colleen Flanigan

These native corals represent species we’ll be transplanting onto the coral refuge. It’s a pretty subdued palette, think conservative, fashionable interior decor, including some porites porites, gorgonians, staghorn and elkhorn, among others. The fish spending their time here will come swim by our habitat, too. Not only is ZOE for coral, it will attract many species of marine life looking for new homes where coral reefs have been disappearing. Reefs provide habitat for 25%-30% of marine species, so providing life support for them and reducing deadly environmental stressors, like pollution, is essential to the health of the entire ocean.

ZOE will attract these and other fish. photo Colleen Flanigan

 

 

 

Mexico Mexitel

Since arriving in Mexico to finalize and install ZOE, things are moving smoothly. Every part of me knows it was the right thing to put my stuff in storage and come here free of strict time constraints. I’ve met people every day, from photographers, to musicians, dancers, artists, veterinarians, scientists, taxi drivers, bus drivers, conservationists, travelers…people who are so open, flowing into my life with a gentle supportive tide. My transition to being here is made easy by having a local phone.

While traveling, it’s important to me to be able to text and call people locally to coordinate. All of my successful meetings and adventures so far, and most of my taxi rides, are thanks to my super handy phone sponsored by Mexitel Cellular North America. That link has all the FAQ’s you need to know before you rent one of their phones on ebay. I have used their phones on my last 3 trips here as well. I turn off all data with my US phone, reserving it for wifi hotspots to surf internet and occasional imessaging.

Donna and Rick with the company have been responsive to all my questions and concerns via email or phone every time I’ve rented. It seems like my minutes never run out. Telcel has a reward program which adds minutes to your phone, so this isn’t a situation where you’re constantly running to the store to buy more minutes. My social and business life are greatly enhanced by these phones, and you can get a blackberry or regular phone. Without the phone, my friends and colleagues here would never connect with me, well a few via facebook, but my life would definitely miss out on our constantly communicating cross-cultures.

About using the Mexitel phone for international calls, it costs only $1 to call US for 15 minutes, and you can receive calls from anywhere for free any time.

Check it out!!

 

 

 


 

IMC exhibit

Respire 1.0 our first prototype
Respire 1.0 our first prototype

From the opening reception of the exhibit, TrashTara: It Starts with an Inhale on November 6th, until the closing reception on December 2nd, the Co-Create residency with James Tunick at THE IMC LAB + GALLERY continued in the backdrop. Unlike conventional gallery spaces, the 6th floor venue is a mixed-use morphing environment for artists and a few other small businesses to share. The Respire prototype and immersive installation truly gained a life of its own as James added interactive audio and visuals of data and living reefs projected onto the wall, ceiling, and kinetic sculpture.

Fellow artist-in-residence, Dan Baker’s, hanging art pieces made of retrieved plastic from local waterways were synced with data streams from an Alaskan tidal buoy in preparation for his upcoming exhibit, Ebb and Flow. A monitor showing the tides looked like an EKG. Though conceived separately, they added naturally to the concept and sensory media exploration. I brought over a small mineral accretion experiment I was working on at NYU in Natalie Jeremijenko’s XClinic to directly link coral health and innovation elements visually and physically to participants.

5 Gallon mineral accretion tank at IMC

Motion tracking was triggering the inhales and exhales of the Respire sculpture. The  electricity to the biorock mineral accretion tank was on the same outlet, so anyone moving in the space activated or deactivated the electricity; it was like watching life support go on and off. When the sculpture was idle, black and white images from iron lung artificial respiration projected onto the sculpture representing the bleached state of coral and the need for human action to restore vitality and prevent increased mortality. James and I will continue R&D to evolve the project, tying interactivity and effects more intimately with climate change, coral restoration and life support, and interdependent interspecies health.

And what about TrashTara? I had proposed to produce video and photos from my excursions to receive an LMCC grant. My first experience editing with final cut pro, it was a sweet feeling to observe the raw results, far from pro but close to my heart. Colby Cannon, Rob Bregman, and Dan Baker all gave me some quick tutorials. I grabbed poignant GoPro clips from my street outings together with some footage of me collecting butts day and night. Watching my selected snips of documentation linked together randomly led to a meaningful string of spontaneous interactions I had with people throughout Manhattan. I knew people would be receptive to cigarette butt recycling and pollution conversations if they were first uplifted by someone in a costume embodying a compassionate artwork. The face to face experience and kind moments were proof that impressions and attitude, perceptions and expectations are always operating consciously and subconsciously. Everything about the experience was socially enlightening for me and others, and hardly anyone I met knew that they could recycle butts in New Jersey at TerraCycle.

From EVGrieve blog post by Andrew (no last name)
TrashTara’s Butt Brigade Poster made in collaboration with Colby Cannon

The photo I used is from Scotland a few years ago when I was intrigued with arty butt shots before I was thinking about how that tiny remnant could harm marine life. NOTE:  I WANT $1 (or more!) to go towards coral restoration, but it is an ideal not yet real. Something to work towards.

Men of Sanitation NYC – TrashTara Knights

These guys made my night!

Perfect timing for TrashTara

I was walking back to THE IMC LAB + GALLERY now with a box of smashed grey tinted glass I just swept up off the street (my dog, Plum found it) thinking,”I still need ‘sand’ for the art show this week.” Shredded paper was my earlier thought, and there it was – 4 bags of thinly julienned paper. Exactly at that moment, these guys drove up to take it away as I was working out how to carry 2 bags, come back for 2, leave 2..
Me: Can I leave 2 and come back?
Guy : Sure, but you have to come back or I’ll get in trouble.
Me: Ok,..no, I only need 2..
He’s about to put bags into the truck.
Me: Wait! I might need all 4…
One guy: where are you going?
Me: 6th…2 avenues.
Guy: I tell you what, I just need to go around one more block and I’ll meet you on the corner of 22nd and 6th.

photo by Colleen Flanigan

And they even took my heavy box of glass. When they turned the corner at 22nd, it was like, I don’t know, getting picked up at the airport by old friends (with a garbage truck).

Matryoshka Principle. Steel, plastic, glass, paper, sand. 2014

The paper and the glass were used in this installation piece in the Manhattan show, TrashTara: It Starts with an Inhale.

Art and FILCO

TrashTara : It Starts with An Inhale

I was walking in the East Village with my dog, stopping for him to pee and for me to take a photo of a cigarette butt flattened in a crack in the sidewalk, when it struck me – are these recyclable? They’re everywhere. Beyond grabbing my attention for arty butt shots, they really shouldn’t be everywhere I look. Turns out, yes, they are recyclable. And that was it. I finally knew WHAT TrashTara would be collecting in her Catch-All…

Since late April, I’ve been a Co-Create Artist in Residence at The IMC LAB + GALLERY, owned by James Tunick and Carrie Elston-Tunick. Loving it! While here, I’ve created my latest alter ego, TrashTara, and been out on the streets of Manhattan. She/me has been hand-collecting those butts, the most littered object in the world, while talking to people and gathering footage with a GoPro.

TrashTara in Tompkins Square Park, East Village. Photo courtesy of Stanley Raffes.

Most people don’t know that cigarette butts are such a huge problem for the environment or that they can be recycled. After the last relaxing drag, there’s satisfaction in flicking them to the ground to roll their way into cracks, storm drains, and gutters.

Strom drain on Ave B in East Village

It needs to seep into the mainstream knowledge that cigarettes have non-biodegradable plastic filters, and that nicotine is a very toxic pesticide. Each butt could spend 10 years tossing around in the ocean and water supply killing wildlife and polluting ourselves. One cigarette butt can kill fish in a liter of water. TerraCycle has initiated placing receptacles in cities around the world, and inviting people to join their butt brigades to send in cigarette butts. I’d like to set up a TrashTara Butt Brigade so that every pound of butts collected by those collaborating with me will result in $1 towards Living Sea Sculpture coral reef habitat.

TrashTara’s Catch-All

The tar-filled filters can be cleaned and transformed into plastic pallets, anti-corrosives for steel, and textiles. If we can get the 4.5 trillion of them off the ground and into the up-cycling circuit – I heard SF spends $11 million each year on cigarette collection alone – we can save lots of lives and money.

When TrashTara is out at night, her headdress, or as synthetic biologist, Oliver Medvedik, co-founder of GenSpace calls it, her “GMO Tiara,” has fluorescing proteins that come from corals and jellies. With the addition of Ultra Violet LEDs, the GFP and RFP glow.  I wanted to avoid plastic resins, and am fascinated with bioluminescence and fluorescence in nature, so we collaborated to create a potentially controversial object. Synthetic biology is complex; the layers of ethics, philosophy, politics, and science involved in genetic research are many and divisive, so I’m grateful I had the opportunity to experiment with proteins as paints to get closer to the reality of how vast this field is and how the concept of “GMO” is completely unknown to most of us in a hands-on way.

TrashTara buttpicking in Gramercy

Also for the upcoming show, James Tunick and I have been developing the first prototypes for Respire – The Coral Corollary, an interactive, multimedia immersive exhibit correlating coral health with human health incorporating data, kinetic sculpture, audio and video so that through their senses and emotions, participants feel connected to corals, the living, breathing animals and plants that share our world with us and take care of us in so many ways. They need us to redesign how we perceive and intersect with their habitat if they are to survive. James is programming micro-controllers that sense human participant and ocean data to trigger responsive movement, lighting, and effects in the sculptures and space.

I hope you can come to the show! TrashTara will be at the opening.

photo by Colby Cannon

 

 

 

 

 

ZOE looks ahead in the midst of spawning and pollution

Aerial view of Gulf of Mexico

I opened my window just as we were flying over Punta Nizuc where we plan to install ZOE. There is a lot of ocean in the photo, but I was so focused on Punta Nizuc, it was a great surprise to see the reefs and aqua clear waters where we plan to put our coral refuge. Without Google-Earthing, I could get an idea of the broader seascape of the area. We plan to locate ZOE near the resort in shallow waters.  There are species of corals that like being very close to the surface.  Actually, while snorkeling in the area, the healthiest coral reefs seemed to be in the shallows.

Not far out from the dock is the site where we will anchor the sculpture.  The rest of my August visit entailed meetings with the Director of the Marine Park and the MUSA directors, as well as scientists at Universidad Nacional Autonoma de México (UNAM) in Puerto Morelos to develop our proposal for a scientific research collaboration between Comisión Nacional de Áreas Naturales Protegidas (CONANP) and UNAM.  Growth monitoring is our main focus, as well as observing differences between neighboring natural corals and those on the Biorock® mineral accretion reef.

Autodesk has generously offered to come to Mexico to train us in their latest photogrammetry process, the cutting edge in 3D digital modelling.  They’ll train me, my team, including a group of university students, in how to capture the photos of our coral transplants and neighboring corals.

Coral scientist, Serguei Rico of UNAM, is working with me on our proposal to ensure ZOE is a conservation experimental project of the National Marine Park as well as a tourism attraction for MUSA.  He was telling me that another PhD student wants to start experimenting with taking photos to digitally model corals for monitoring coral growth as his thesis. As he was describing it, I couldn’t help but jump in and tell him that part of the project was to offer free training for just that! Perfecto.

Serguei has been following how corals have been effected by nitrogen run-off and other pollutants since the emergence of mega-tourism. Sewage from all those hotels along the Hotel Zone in Cancun and down the Riviera Maya is deep injected. It seeps into the aquifers and ocean causing corals to suffer new diseases.  There were only 3 inhabitants on Isla Cancún in 1970. Now there are over 722,000. With no treatment plants, you can see how this is an epic problem with all that untreated shit running into the sea. Corals are much more sensitive to the bacteria in sewage than humans, and the parts per million are well-beyond their standards.

While I was in Mexico this trip, I witnessed baby turtles being released on a full moon. (next post.) I wish I could’ve joined the small group of scientists watching corals spawn at night, but they want to protect the animals while they are making babies from too many intrusive people. I understand needing more privacy, and wanting to avoid the potential for humans to get crowded and bump into the reefs.

Sunset before spawning
Spawning gives a smokey milky appearance. Acropora Palmata aka Elkhorn Coral.
Endangered corals spawning in August, 2014

Spawning photos are from PN Costa Occidental de Isla Mujeres, Punta Cancún y Punta Nizuc.

The dream to plant some corals onto ZOE is getting closer to being realized.  Working with the scientists, meeting the resort manager, connecting with other artists who want to be part of the local team to install and create future works…It was a wonderful process and we took many steps forward.

Look closely and you can see where we plan to install as soon as we do.

 

 

 

 

Too shallow? Can this be true?!

Putting our heads together to solve the latest puzzle: Nizuc Resort and Spa is ready to house ZOE. Yea!! They want to celebrate it, publicize, make it quite happy with simple swank elegant parties for people of taste. Any issues with guests having to wear weird shaming bracelets to snorkel a few meters can be worked out with the government.
Cool! this is easy and delightful somehow, I’m thinking. And feels pretty loving, reminiscent of the blissful dream I had just before waking in which Roberto Diaz (pictured), Pres. of MUSA/manager of Aquaworld, was wearing a robe from the same fabric as a dress I got for this trip. We had our heads together in the dream and the feeling was that we were in love. Not IN LOVE like hot-I-want-YOU love, but that comfort that our hearts and minds, souls and hopes were wanting things to happen for the better of culture and conservation however that plays out. Somehow we were “wearing” our synergy.Cut to snorkeling – wow, this is damn shallow. Let’s just walk around on the sandy seafloor a bit figuring how to make the sculpture shrink or the sea level rise a bit faster. Not quite that shallow, but not much higher than the 2M of ZOE. How can we make this deeper? Clearly that IS the problem with this place.  Gena Bezanilla, Executive Director of MUSA, was on the boat with us imagining how ZOE would look if it was half-size.  Possible?

OK, let’s all swim around the other sculptures in MUSA, look at all pros and cons of this resort, and put Colleen in a BOB tomorrow to see if that area of Punta Cancun where there are already approved plans for a 3rd exhibition gallery for MUSA might be perfect for ZOE. It’s 18′ deep, aqua blue waters, snorkeling and diving, and the Park wants to regenerate corals in the area that was hit hard by Hurricane Wilma. (Apparently a 400 ton sunken ship was torn in half and thrown 100M. Serious Act of God.)

Roberto told me so much about his adventures since starting MUSA with Jaime and Jason in 2009. The moral of this very longass FB post: do it because you love it, Colleen. There is no glory, often no thanks, and who wants to be a quitter? Roberto is also a sculptor with a piece in the museum. I’m grateful for his sensitive, generous far-seeing soul. (She says before getting on an underwater scooter with a bubble on her head. I’ll let you know if I feel so warm fuzzy tomorrow.)

BOB Aquaworld Adventures in Cancun

Made it to Cancun

Made it to Cancun! Room 2509 on the playa at Celuisma Dos Playas while they fix a water explosion thingy problem in my room on lagoon side for couple days. Variety. love that…the stolen/lost credit card hardly noticeable. No kidding, the Hotel Zone has swaddled me in its humid party of all-inclusivo-except-for-this-but-look-we’re-gonna-give-you-THIS! adventure already. Tomorrow is big meeting at 10AM. Feeling GOOD!! and so happy when I realized the little white car that wouldn’t open with my keys was the other little white car next to mine.

This was first time flying standby in maybe 20 years? Very exciting to have to keep hopping from gate to gate working with the airlines in New York to try and ensure I would catch one of only 2 flights to Cancun from either Philadelphia, PA, or Charlotte, NC.  Luckily, I was able to find the right navigators with US Airways to complete travels in 13 hours.  And it really didn’t seem that long, thanks to all the little hits of adrenaline and willful concentration.  Off to find ZOE’s ocean home and the many people that will be working with me in Mexico.

 

 

 

we have moved next door!

Heading to Cancun Thursday. Time to mark the spot for ZOE’s ocean home at Nizuc Resort and Spa. Here’s one visitor’s view.

From DNA-Dividing at Club Med to ZOE at Nizuc Resort and Spa, transformation is on.  To get you up to speed – see the Living Sea Sculpture cover photo above? That is ZOE awaiting installation in Punta Nizuc from 2011. We were going to install off the beach of Club Med. Since Nizuc Resort and Spa only opened in 2013, they were not an option back in 2011. Timing!!

Roberto Diaz of both MUSA and Aquaworld (he’s a major doer) has been making things happen, and the government is being towed along with approving grace.  Cheers to Roberto!

And big thanks to María Antonia Gonzáles Valeria who I met here in NY at a Genspace event. She went back to Mexico City to see how she could help through her university, Universidad Nacional Autónoma de México (UNAM).  She introduced me to a recent marine biology graduate focusing on corals in Pueto Morelos, Serguei Rico, who is ready to meet and see how we can work to appropriately appropriate enough coral transplants for installation with his department.  This is a big deal in Mexico – making sure we have the approvals since it is in a National Park protected area; corals are only available for projects after hurricanes, damage by boats, and through lab propagation.  I look forward to working with Serguei and Jaime, Director of the Marine Park, to ensure ZOE becomes a Living Sea Sculpture with endangered corals colonizing.

Steps!! More soon!

Pollution-less

Whenever you think of coral reefs dying, think of what types of pollution you are creating and you have a reverse recipe to really help. Just do that less.