As one of the 1st of 60 artists-in-residence with Google’s Tilt Brush, a portal of awesome opened up for me! Immersed in a dark space, magical colorful dream world comes to life before your headset-wearing eyes with your movements. The “brushes” are a mix of markers, paint brushes, physical-feeling extruded light, audio-activated pulsating colors…it was such a great residency.
Playing with materials without any outcome in mind is so important to my well-being. Even with an idea in mind, letting the tools illuminate the way is a candy-colored high of inspiration.
Since the residency, I’ve been invited to create work as an impromptu, live performer for various events. Most of the time I’m in the flow of making something that is projected onto a large monitor in real time so the audience can see what I see. It’s a fabulous job and I hope to do more soon! One event was Virtual Tomorrow in landlocked Columbus, Ohio. How great to be able to create reefy scenes and talk with attendees and local tech team about corals and Living Sea Sculptures while so far from the ocean.
On the other side of the discussion, some people express anxiety about Virtual Reality. Clearly, VR has its distressing arenas, as with all tech innovation that leads to roads unknown. So, use it as a tool to highlight what matters to you. For me, that’s the coral reefs, marine world, surreal nature, and healing the environment that we all share through imagination, collaboration, and action. Being able to move in space and wave wands to create 3D worlds is magic.
Gustavo Navarrette and I arrived at Fundación Aitana in Cancún on March 19th to give our Zoe Reef reFORMed art and science workshop to the fabulous children, their nurturing families, and generous volunteers. As always, my favorite part is being drawn into the unknown and the surprising results. It is like watching something bloom in real time as we feel and see our way forward in each emergent moment.
Making Papier-mâché corals
Everyone semi-consciously feeds each others’ curiosity to try different approaches to painting and creating. And the speed! Working in groups like this builds beautiful fluid momentum so that by the end of 2 or 3 hours, wow, so many corals and fish!
Conversations and laughter, it was really fun and inspiring to work with these kids who are cancer patients and survivors. Not once did it seem like anyone was ill, but they are at high risk and need local care facilities. Fundación Aitana is working to bring pediatric oncology to Cancún because they don’t have it. The families have to go hours to Merida, Cozumel, and beyond. This leads to huge expenses and deaths that could be avoided. Right now as I wrote that sentence I see a parallel with the corals, how they have diseases and need urgent care too. It is nice to have times where fun activities help us to enjoy and heal ourselves and other species in some way. There is wonderful comforting connection in that.
For this day, March 8th, I posted this update to kickstarter about ZOE and some other life events. It’s a day to celebrate and honor the creativity and powerful motivations that well up within the women all over the world. May great things may be born.
Made it to Cancun! Room 2509 on the playa at Celuisma Dos Playas while they fix a water explosion thingy problem in my room on lagoon side for couple days. Variety. love that…the stolen/lost credit card hardly noticeable. No kidding, the Hotel Zone has swaddled me in its humid party of all-inclusivo-except-for-this-but-look-we’re-gonna-give-you-THIS! adventure already. Tomorrow is big meeting at 10AM. Feeling GOOD!! and so happy when I realized the little white car that wouldn’t open with my keys was the other little white car next to mine.
This was first time flying standby in maybe 20 years? Very exciting to have to keep hopping from gate to gate working with the airlines in New York to try and ensure I would catch one of only 2 flights to Cancun from either Philadelphia, PA, or Charlotte, NC. Luckily, I was able to find the right navigators with US Airways to complete travels in 13 hours. And it really didn’t seem that long, thanks to all the little hits of adrenaline and willful concentration. Off to find ZOE’s ocean home and the many people that will be working with me in Mexico.
I wanted to make an art installation on 6th street here in New York’s East Village. Using the Gossamer community crocheted and needle-felted reef, I would attach the textile corals and fish to the white undulating fire escapes, like Biorock sculptures, and project video of underwater coral reefs onto the building. Live music would play. Perhaps the instrumentalists would be on different levels of the fire escapes immersed in their steel boats adrift like such unusual organisms populating the sea.
So many ideas and projects run through me all the time related to corals and how to convey their beauty and their endangerment, their need for life support and healthy habitat, and of course, OUR need for them. When my dog walks me down a new street, it often seems as if he’s guiding me to a place or a thing to spark my imagination that unites urban life with nature’s presence, such as the idea I just described for Fire! Fire! Corals are Feeling the Heat!
What about an app that responds to your geolocations, where it appears that fire escapes, bridges, and other inspiring architectural forms are accreting with minerals, colonizing with corals or oysters, and marine life? I really want to put my energy into creating the living sculptural reefs and nurseries in the ocean, but while I’m in the city, I can’t turn off my inner vision of all this aquatic fluid atmosphere that permeates my mind. And once we get the webcams onto the sculpture, ZOE, in Cancun, the resulting projections and live feeds will tie in positively to this evolving land and sea revival experience that will hopefully lead us away from this grim end as described by scientist, Charlie Veron, in Iain McCalman’s new book – The Reef: A Passionate History (reviewed by Rob Nixon in the NY Sunday Times)
Without an abrupt decline in greenhouse gas emissions, “there is no hope of reefs surviving to even midcentury in any form that we now recognize. If, and when, they go, they will take with them about one-third of the world’s marine biodiversity.” Bearing witness to this gradual annihilation, Veron concludes, is “like seeing a house on fire in slow motion.”
A consuming conflagration metaphor. I can’t have Veron’s prediction take hold in my mind or it throws me off center and off my positive focused trajectory, but perhaps politicians, businesses, big corporations, and anyone unaware of the true bottom line, will start to listen and begin cleaning up dirty industry if a renowned scientist points this gun, already smoking, to their heads, threatening their homes with this horrifying image.
If the message stating that all is already lost gets louder than the message inviting you to think of how to get involved, what effect does that have on you? What combination of lightness with darkness motivates shifts in behavior and values? I can’t tell you how many times I meet someone who assumes corals are doomed based on hearing snips about bleaching and acidification. They smile and share personal stories or offer strategy when I tell them that from pollution to restoration, there are things that CAN be done. It isn’t time to pretend the house is already burnt to the ground and just stand there drinking beer on the sidelines like you might be doing this month watching the World Cup. (What a finish for Portugal last night tying in the last seconds!)
Seriously, Veron does say “slow motion,” and that’s an opening for optimism in the midst of despair. If that somehow gives the endangered animals more time to adapt and people more time to develop new energy, rescue activities, and to stop injecting sewage, fertilizer, and carbon into the sea, it remains to be seen what 2050 holds. My concept of the fire escapes with the corals growing over was to symbolize both the urgency and the potential to escape the heating oceans caused by climate change. To find a way out of the burning building into the air to survive the disaster.
Additional note for perspective, I recently read the book, Reef Madness: Charles Darwin, Alexander Agassiz, and the Meaning of Coral. The “coral reef problem” illuminated how recently we had no idea about how coral reefs are formed, and it intimately illustrates just how controversial and political scientific theories and quests can be, then and now. How egos take the stage and discoveries are intertwined with layered cultural and societal beliefs and systems. Some philosophies and styles are in the process of dying off; it’s like new species of understanding, expressing, and technology emerge with evolution and that directly impacts our ability to see and discern our reality. Even though corals create bone-like stone, our ideas and assertions about them are much less solid. There’s space in the world to explore working together to escape the “fires of hell” and create cooler, collaborative coral conservatories that will teach us much more than we know now.