Swimming past the livestreaming webcam photo Colleen Flanigan
With the US presidential election making rough and freaky waves through the world of environmental and human rights, and everything else, I had to do something to lighten my heart and mind NOW. Usually that means I have to throw myself into work and focus. The sinking feeling and clawing at my eyeballs through the tears gets tiring.
I started this campaign today! Zoe – A Living Sea Sculpture is part of the #givingtuesday annual event which builds momentum and funds for causes at the end of the year.
Zoe within the 1st month photo Colleen Flanigan
It feels wonderful to share the completion of our installation phase and the vision for monitoring, maintaining, and developing this project for the region and beyond.
Through this international collaboration, we want to help transform the destructive tourism practices locally in Cozumel and bring new creative energy for regeneration and biodiversity cultivation. Already the Sand Dollar Sports Dive Shop and others are moving that forward. Please check out our progress and plans here.
It’s happening! I’m sitting outside using some wifi in Puerto Morelos while all the puzzle pieces are Tetrising (verb) into place to install Zoe in Cozumel sea by month’s end. So exciting to be working with such an incredible crew. Here are just a few from Qualti Innovaciones Marinas who worked on the authorization with the government and will be responsible for installation with the rest of the US and Swedish team coming in on Wednesday.
Last Wednesday was a quiet moment of joy relief happy peace to watch Zoe be moved for the first time since 2011 from her waiting place in Punta Sam, Cancún back to Todo Inoxidable (steel factory) where we built her in 2011.
Tomorrow we’ll make some quick fixes and changes so we can ferry her over to Cozumel end of week. Yea!
I’m being eaten by mosquitoes, so will be brief! (A couple friends have Zika, not good). It has taken an incredible amount of people to get this far, and my gratitude is running over.
Very happy that after more than 5 years, we have a super location and home for this Living Sea Sculpture. And you will be able to view it and interact from the livestreaming webcam!
Before I arrived in Mexico late December 2014, I was already anticipating COP21. I had marched with the Climate March in New York in September, and am in the wave of humanity doing something to address and reduce our carbon crisis.
My initial aim was to work with interactive technologists to projection mapZOE, our Living Sea Sculpture in Cancun, onto a unique building in Paris during this important Climate Change event. With a live-streaming webcam from View Into the Blue, not only would people online be able to tilt, pan, and zoom to observe and interact with our underwater project, we would interpret the visuals and the data, incorporate animation and effects, bringing this DNA-inspired coral reef ecosystem into the conference to reflect our dynamic ocean-human interface in dire need of attention and direct action.
When the Monterey Bay Aquarium invited me to be part of their Art and Climate Change campaign leading up to the conference, I was thinking it would be great if our plans to install ZOE in the sea the week of December 7th-11th would go through, synchronizing our coral regeneration work here with the mass global intention rippling across the planet. Working with Karla Munguia, a documentary filmmaker with years on Animal Planet, gave us some comraderie around conservation as we made this short video.
Corals here in Mexico have been feeling the heat this year. Bleaching is happening all through the region. I had a good talk with one of my collaborators at INAPESCA about what they are discovering recently. With so many variables, including an intense influx of sargassum seaweed since May, the usual onslaught of improperly treated sewage, and other contaminants from development, and the added heat this year, they see rises in algae and bacteria that severely affect the immunity and health of the corals, large and small. It is a big mix of damaging ingredients, and yet, resilient corals stay strong and are dominating communities where less hardy strains are deteriorating.
I’ve been designing the layout for planting 10 native coral species we would like to populate onto ZOE once it’s installed in the ocean. It’s exciting to envision how they might grow, and how other organisms and fish will come to animate the habitat. Just as I was getting ready to make a photoshop depiction, Somyaku found me through Instagram. He’s a kindred spirit, passionate to create beautiful and functional coral habitats with a reverence for closeness with nature and a desire to express our creativity in harmony with living beings. Here’s one of his renderings of ZOE with corals . ZOE was made in 2011. This is an actual photo of the completed sculpture (on land) taken by Mike Gerzevitz and now being immersed digitally for us to imagine.
Somyaku’s background in Ikebana ties with lots of concepts I’m having lately about my Bauhaus Design training at UCLA – this layering of schools of thought and practice that are our heritage and how they all intersect in the field of Art as Ecology. I’ll share more about that fusion in another post. Back to COP21…!
We joined #ArtCOP21 through their online events all the way from Mexico. People everywhere are making art and statements, fueling the tide for renewable energy and a healthier world based on awareness of finite resources, cycles, and our dependence on Earth. Our ZOE Reef reFORMed project (you can see us if you zoom in over Cuba on their map) came together really quickly with the most amazing people. Truly grateful to Miranda Oriz at Centro Bek for spearheading the “coalition” to help us create art and educate kids about the science in time for COP2. Our inaugural workshop on December 10th was successful. Kids and their parents were invited through this collaborative project into longterm solutions for healing coral reefs, to participate in protecting and rebuilding our vital connection with them and all Life.
Respire – The Coral Corollary is acknowledged by Creative Capital’s On Our Radar through September 30th, 2015. Another highly competitive grant for artists, Creative Capital generously represents some 400 artist projects who made it to the 2nd or 3rd round of their selection process through their searchable database.
This raw video I took one night while interactive technologist, James Tunick of The IMC LAB + GALLERY, and I were co-creating the 1st phase prototype of Respire gives a peek into our process for integrating sensor driven kinetic sculpture, audio, and video in an immersive installation. Also in this clip you can see the EKG-like screen which shows tidal data that drives the vertical movement of resin-covered plastic objects and bags found in waterways hanging in the background which were created by James Baker for his IMC show, Ebb and Flow.
My handheld shaky walk takes you to the small Biorock accretion tank with experimental mesh forms being electrified through seawater to precipitate mineral deposits.
photo colleen flanigan
The audio includes movie soundbites, something James Tunick explored. I had not thought about bringing voices into the project, so it was interesting to observe in myself and others how human voices and sci-fi memories stimulate a broad range of responses. I was also intrigued by his addition of morphing climate change and global graphics as surrounding projections. That is one of the best parts of collaborating, of course, trialing and riffing off of each other with curiosity as we dive into our imaginations, areas of expertise, and the unknown. Play and surprise is key.
Black/white video from actual iron lung footage in the 1940’s and 1950’s is spliced with vital coral imagery projected onto the “breathing coral” made with plastic bags sewn together over a steel sculpture to portray contrasts of vitality, mortality, and medical intervention. Breathing and movement of participants in the space, as well as ocean data, will continue to be the life force activating the exhibit.
In the next iteration, I imagine creating a very different feel and experience with the addition of an iron lung I purchased off ebay in 2012 so that the touring exhibit can more directly correlate to life support, concepts of technological advancement and cures for ailing coral reefs worldwide. Use of the ceiling has always been in the plan, and being in Mexico these past few months snorkeling and diving has shown me ocean illuminations that inspire how to bring a person in the land space to feel like they are in the sea, a sensory metaphor to being the coral. Whether you’re lying in the iron lung looking up after a “nurse” helps you inside, or you’re another observer interactor, I want to transport you, connect you with the non-verbal, fluid water animal that you are, breathing and reflecting, pulsing with a mysterious underwater corollary.
From the opening reception of the exhibit, TrashTara: It Starts with an Inhale on November 6th, until the closing reception on December 2nd, the Co-Create residency with James Tunick at THE IMC LAB + GALLERY continued in the backdrop. Unlike conventional gallery spaces, the 6th floor venue is a mixed-use morphing environment for artists and a few other small businesses to share. The Respire prototype and immersive installation truly gained a life of its own as James added interactive audio and visuals of data and living reefs projected onto the wall, ceiling, and kinetic sculpture.
Fellow artist-in-residence, Dan Baker’s, hanging art pieces made of retrieved plastic from local waterways were synced with data streams from an Alaskan tidal buoy in preparation for his upcoming exhibit, Ebb and Flow. A monitor showing the tides looked like an EKG. Though conceived separately, they added naturally to the concept and sensory media exploration. I brought over a small mineral accretion experiment I was working on at NYU in Natalie Jeremijenko’s XClinic to directly link coral health and innovation elements visually and physically to participants.
5 Gallon mineral accretion tank at IMC
Motion tracking was triggering the inhales and exhales of the Respire sculpture. The electricity to the biorock mineral accretion tank was on the same outlet, so anyone moving in the space activated or deactivated the electricity; it was like watching life support go on and off. When the sculpture was idle, black and white images from iron lung artificial respiration projected onto the sculpture representing the bleached state of coral and the need for human action to restore vitality and prevent increased mortality. James and I will continue R&D to evolve the project, tying interactivity and effects more intimately with climate change, coral restoration and life support, and interdependent interspecies health.
And what about TrashTara? I had proposed to produce video and photos from my excursions to receive an LMCC grant. My first experience editing with final cut pro, it was a sweet feeling to observe the raw results, far from pro but close to my heart. Colby Cannon, Rob Bregman, and Dan Baker all gave me some quick tutorials. I grabbed poignant GoPro clips from my street outings together with some footage of me collecting butts day and night. Watching my selected snips of documentation linked together randomly led to a meaningful string of spontaneous interactions I had with people throughout Manhattan. I knew people would be receptive to cigarette butt recycling and pollution conversations if they were first uplifted by someone in a costume embodying a compassionate artwork. The face to face experience and kind moments were proof that impressions and attitude, perceptions and expectations are always operating consciously and subconsciously. Everything about the experience was socially enlightening for me and others, and hardly anyone I met knew that they could recycle butts in New Jersey at TerraCycle.
From EVGrieve blog post by Andrew (no last name)
TrashTara’s Butt Brigade Poster made in collaboration with Colby Cannon
The photo I used is from Scotland a few years ago when I was intrigued with arty butt shots before I was thinking about how that tiny remnant could harm marine life. NOTE: I WANT $1 (or more!) to go towards coral restoration, but it is an ideal not yet real. Something to work towards.