Zoe is in the SEA!!!

After 5 days of electrolysis

After 5 days of electrolysis

On Sept 8, 2016, we received our final signature from the government to install Zoe in an incredible home. Zoe touched the seafloor in Cozumel, Mexico on September 23, 2016.

Pancho Ricken and Laura Espejel of Qualti Innovaciones Marinas installing
Pancho Ricken and Laura Espejel of Qualti Innovaciones Marinas installing

Plans to be part of MUSA in Cancún were blocked due to challenges with our electrical and internet needs. Unlike the cement sculptures, Zoe requires more infrastructure.

Huge thanks to Ingmar Gonzalez Krotzsch for introducing me to Cozumel and uniting an incredible team! He envisioned exactly where it would go and – voilá! Isabel Caamaño Ricken, our brilliant coral biologist, applied for the final permit, along with her inventor brother, Pancho (Francisco) who together have a manifestation to place sculptures into this unique coral restoration lab and underwater art museum, Musubo. This Underwater Golden Diver Museum is a featured attraction of the annual Scuba Fest, organized by Gilda Sigie, who warmly invited Zoe to come to life in this special place.

She's in there
She’s in there

Zoe is now in good company with bronze busts of Sylvia Earle, Jacques Cousteau, Ramón Bravo, and numerous Fractal Artificial Reefs and Reef Balls. Since 2006, the site aims to increase biodiversity and investigate coral regeneration after devastation from hurricanes and pollution. Sand Dollar Sports Dive Shop owner and project internet+electricity sponsor, John Flynn, and his dive guides want to reduce negative tourism impact on the natural reefs through rehabilitation and ecological recreation programs. You’ll see corals colonizing Zoe soon!

Qualti Innovaciones Marinas did a fabulous job installing with their hurricane-proof patented anchors. It was an underwater performance watching Laura and Pancho work skillfully in silent tandem. Thomas Sarkisian, electrical engineer from Global Coral Reef Alliance, has been awaiting over 5 years to turn on the electricity. Right after the switch was flipped on September 29th, the minerals began to deposit and fish started to arrive to eat the algae. YEA!!!

First 2 visitors
First 2 visitors

The marinero and capitán were key with the placement of Zoe and the camera into the sea. Here you see Pancho and Thomas preparing the Tilt Pan Zoom View into the Blue Camera to begin livestreaming. Trevor Mendelow has been configuring remotely with Danirel Alvarez Junco of Sand Dollar and the dedicated crew of Soluciones Xtreme Net who laid and wired our cables…a big production!

View into the Blue Camera about to be installed
View into the Blue Camera about to be installed

My great great thanks to ALL OF YOU, my dear backers for being with me since the very beginning in 2011, and to the hundreds, thousands of others I’ve met along the journey that made this possible! Your contributions kept us going and the sheer number of you was constant motivation!!!!

October 4th I took so many photos :)
October 4th I took so many photos :)

You must come to the island to snorkel or dive. Only a 40 minute ferry ride from Playa Del Carmen (close to Cancún). Zoe is about 4m deep and open to the public. Very calm water and an ideal place to get certified in diving if thinking about it? Snorkeling is fine!

The water is crystal clear and fabulous for viewing our livestream. Content is underway for Zoecoral.com site built by amazing TED Fellow, longtime tech consultant and Zoe collaborator, Jen Indovina!

Many special thanks to my loving family, Luis Bourillón, Marisol Rueda Flores, José Luis Funes, Pedro Joaquin Coldwell, Serguei Rico, María Antonia Gonzalez, Lorenzo Rosenzweig Pasquel (FMCN), Lyn Ohala, TEDxCancún, Soluciones Xtreme Net, Staff of Sand Dollar Sports Dive Shop and Sunset Restaurant, Andrés Uscanga, Yibrán Aragón, Marenter, Todo Inoxidable, Infectango, SupporTED, Autodesk, Shaan Hurley, INapesca, UNAM, Cable Cozumel, the black bunny that just hopped by, and every friend, collaborator, acquaintance, coach not listed here who offered help, kindness, direction, mentoring, introductions, dancing, food, fun!!!

ALL of YOU are the reason. Logramos! Next phase, monitoring and colonizing ~~~

With love and fishes, Colleen and Living Sea Sculpture

What's that?! A scrawled filefish they say
What’s that?! A scrawled filefish they say

To follow on Facebook; twitter @livingseasculpt

Here to contribute to the monitoring, sensors, and maintenance

OpenROV in Quintana Roo

Image

Just launched our expedition on Open Explorer. Hugely grateful to David Lang, Fellow TED Fellow and co-founder of OpenROV, for helping us to receive a grant to play with this new toy and tool.

Please follow along at ROVing the Mesoamerican Barrier Reef!

OpenROV 2.8 Mini Observation Class ROV

OpenROV 2.8 Mini Observation Class ROV

We’ll be ROVing in the state of Quintana Roo, Mexico, starting in June. Very excited about this new Caribbean adventure with so many incredibly fun, caring, and brilliant people. Lots of complex ecosystems and biodiversity at stake, so we want to build momentum to protect and nurture our interdependence and learn from the past, present, and daily future.

I was just asked, so here you go~ ROV means remotely operated vehicle. Part of the Robotics glossary: An underwater remotely operated vehicle (ROV) is a mobile robot designed for aquatic work environments. Remote control is usually carried out through copper or fiber optic cables.
We should be receiving our ROV kit by end of month with hope to go out on first run to celebrate a birthday. Building an ROV and observing underwater life with loving friends – super way to begin a new year!!!

 

 

 

Fundación Aitana Connects with Corals

FundacioAitana6webGustavo Navarrette and I arrived at Fundación Aitana in Cancún on March 19th to give our Zoe Reef reFORMed art and science workshop to the fabulous children, their nurturing families, and generous volunteers. As always, my favorite part is being drawn into the unknown and the surprising results. It is like watching something bloom in real time as we feel and see our way forward in each emergent moment.

FundacionAitana3web

Making Papier-mâché corals

Everyone semi-consciously feeds each others’ curiosity to try different approaches to painting and creating. And the speed! Working in groups like this builds beautiful fluid momentum so that by the end of 2 or 3 hours, wow, so many corals and fish!

FundacionAitana17webConversations and laughter, it was really fun and inspiring to work with these kids who are cancer patients and survivors. Not once did it seem like anyone was ill, but they are at high risk and need local care facilities. Fundación Aitana is working to bring pediatric oncology to Cancún because they don’t have it. The families have to go hours to Merida, Cozumel, and beyond. This leads to huge expenses and deaths that could be avoided. Right now as I wrote that sentence I see a parallel with the corals, how they have diseases and need urgent care too. It is nice to have times where fun activities help us to enjoy and heal ourselves and other species in some way.  There is wonderful comforting connection in that.

FundacionAitana4web

 

 

 

On Our Radar

Respire – The Coral Corollary is acknowledged by Creative Capital’s On Our Radar through September 30th, 2015. Another highly competitive grant for artists, Creative Capital generously represents some 400 artist projects who made it to the 2nd or 3rd round of their selection process through their searchable database.

IMC respire1 from Colleen Flanigan on Vimeo.

This raw video I took one night while interactive technologist, James Tunick of The IMC LAB + GALLERY, and I were co-creating the 1st phase prototype of Respire gives a peek into our process for integrating sensor driven kinetic sculpture, audio, and video in an immersive installation. Also in this clip you can see the EKG-like screen which shows tidal data that drives the vertical movement of resin-covered plastic objects and bags found in waterways hanging in the background which were created by James Baker for his IMC show, Ebb and Flow.

My handheld shaky walk takes you to the small Biorock accretion tank with experimental mesh forms being electrified through seawater to precipitate mineral deposits.

photo colleen flanigan

The audio includes movie soundbites, something James Tunick explored. I had not thought about bringing voices into the project, so it was interesting to observe in myself and others how human voices and sci-fi memories stimulate a broad range of responses. I was also intrigued by his addition of morphing climate change and global graphics as surrounding projections. That is one of the best parts of collaborating, of course, trialing and riffing off of each other with curiosity as we dive into our imaginations, areas of expertise, and the unknown. Play and surprise is key.

Black/white video from actual iron lung footage in the 1940’s and 1950’s is spliced with vital coral imagery projected onto the “breathing coral” made with plastic bags sewn together over a steel sculpture to portray contrasts of vitality, mortality, and medical intervention. Breathing and movement of participants in the space, as well as ocean data, will continue to be the life force activating the exhibit.

In the next iteration, I imagine creating a very different feel and experience with the addition of an iron lung I purchased off ebay in 2012 so that the touring exhibit can more directly correlate to life support, concepts of technological advancement and cures for ailing coral reefs worldwide. Use of the ceiling has always been in the plan, and being in Mexico these past few months snorkeling and diving has shown me ocean illuminations that inspire how to bring a person in the land space to feel like they are in the sea, a sensory metaphor to being the coral. Whether you’re lying in the iron lung looking up after a “nurse” helps you inside, or you’re another observer interactor, I want to transport you, connect you with the non-verbal, fluid water animal that you are, breathing and reflecting, pulsing with a mysterious underwater corollary.

IMC exhibit

Respire 1.0 our first prototype

Respire 1.0 our first prototype

From the opening reception of the exhibit, TrashTara: It Starts with an Inhale on November 6th, until the closing reception on December 2nd, the Co-Create residency with James Tunick at THE IMC LAB + GALLERY continued in the backdrop. Unlike conventional gallery spaces, the 6th floor venue is a mixed-use morphing environment for artists and a few other small businesses to share. The Respire prototype and immersive installation truly gained a life of its own as James added interactive audio and visuals of data and living reefs projected onto the wall, ceiling, and kinetic sculpture.

Fellow artist-in-residence, Dan Baker’s, hanging art pieces made of retrieved plastic from local waterways were synced with data streams from an Alaskan tidal buoy in preparation for his upcoming exhibit, Ebb and Flow. A monitor showing the tides looked like an EKG. Though conceived separately, they added naturally to the concept and sensory media exploration. I brought over a small mineral accretion experiment I was working on at NYU in Natalie Jeremijenko’s XClinic to directly link coral health and innovation elements visually and physically to participants.

5 Gallon mineral accretion tank at IMC

Motion tracking was triggering the inhales and exhales of the Respire sculpture. The  electricity to the biorock mineral accretion tank was on the same outlet, so anyone moving in the space activated or deactivated the electricity; it was like watching life support go on and off. When the sculpture was idle, black and white images from iron lung artificial respiration projected onto the sculpture representing the bleached state of coral and the need for human action to restore vitality and prevent increased mortality. James and I will continue R&D to evolve the project, tying interactivity and effects more intimately with climate change, coral restoration and life support, and interdependent interspecies health.

And what about TrashTara? I had proposed to produce video and photos from my excursions to receive an LMCC grant. My first experience editing with final cut pro, it was a sweet feeling to observe the raw results, far from pro but close to my heart. Colby Cannon, Rob Bregman, and Dan Baker all gave me some quick tutorials. I grabbed poignant GoPro clips from my street outings together with some footage of me collecting butts day and night. Watching my selected snips of documentation linked together randomly led to a meaningful string of spontaneous interactions I had with people throughout Manhattan. I knew people would be receptive to cigarette butt recycling and pollution conversations if they were first uplifted by someone in a costume embodying a compassionate artwork. The face to face experience and kind moments were proof that impressions and attitude, perceptions and expectations are always operating consciously and subconsciously. Everything about the experience was socially enlightening for me and others, and hardly anyone I met knew that they could recycle butts in New Jersey at TerraCycle.

From EVGrieve blog post by Andrew (no last name)

TrashTara’s Butt Brigade Poster made in collaboration with Colby Cannon

The photo I used is from Scotland a few years ago when I was intrigued with arty butt shots before I was thinking about how that tiny remnant could harm marine life. NOTE:  I WANT $1 (or more!) to go towards coral restoration, but it is an ideal not yet real. Something to work towards.