TEDxCancún

Sunrise in Cancún

Sunrise in Cancún photo Colleen Flanigan

September 18th, 2015 was the first ever TEDxCancún. It took Mónica Alba and her team 4 years to get the license because there was some doubt at the top that Cancun is a “real city,” not just a Spring Break party destination. It definitely is a developing place deserving of critical thinking and ideas worth spreading. From the cenotes to the sea, to birth, communities, entrepeneurs, tech, there is a lot of growth and desire for intelligent change.

I was honored to be among the speakers (my talk is live now). It gave me such a warm sense of belonging, especially since I had a flicker of a thought about having a TEDxCancún back in 2011 when I was here making the Living Sea Sculpture, now titled, ZOE. How sweet to participate in this amazing event while still awaiting permits to install ZOE into MUSA, the underwater museum (ok, we did get permits on August 21st, yea! but are now awaiting copies of permits..like fractals it goes on). It is nice to be seen for what you are working on even while in process of the process towards the perceived goal – coral refuge in the water with live-stream webcams. This specific project has taught me that growth is not a straight line, and I have had to forgive myself and others for missing deadlines that evaporate like steam.

TEDxCancún was Incredibly well organized, so many super volunteers, workshops for us speakers, celebrations…I was moved to tears at the end by how hearty it all was because of the passion, generosity and commitment of the leaders and dreamers who made it happen. Initially, I went to the first planning meeting with Mélina Soto, Elisa Lopez Garcia, and Mónica Alba. I was excited to gather information from other organizers so they could prepare their speakers and volunteers. Lots of good energy builds up around these events, and you want to dive in. What a happy surprise when they asked me to speak! Grateful to be acknowledged and have the opportunity to tell my story about the “Symbiosis of Corals and Tango.” I tangoed in with Mario Oswaldo of InfecTANGO. Tango dancing was my metaphor for coral restoration, partnerships, and the journey of ZOE as an art and science collaboration. Over the top nervous this time, I wanted to practice and be truly present on stage so that I could enjoy, improvise a bit, and connect with the audience if possible. I had all the support in the world writing my words, rehearsing, and when I got on stage, there was calm and spaciousness inside. I could see all my words coming from the script while still able to think and react without losing track or being blinded by some adrenaline shock of white light. What a dream to feel solid and ease after so much inner struggle.

photo María González

photo María González

I am still in Mexico, here in quiet Puerto Morelos. Have been here with some trips away since late December. We have mineral accretion tank experiments going on since May to bring more of the coral scientists into the process. I love learning about the corals and how the electrolysis works; lots of variables and keeps me engaged with what I am so passionate about while the permit dance has been ongoing for ZOE.

…Something about being in Mexico has made me shy away from blogging. I don’t know why. I have been learning Spanish and wanting to stay in the moment with being here. And there is a lot of heat… yet, none of that explains why I shy. There is no excuse, so back to TEDxCancún! I hope you will visit their site in a month to see the talks.

The sunrise at the top of the page is my view on September 18th thanks to TEDxCancún and Secrets of the Vine. What a HUGE gift to have room service and such care while I was stressing and needing the love. It made all the difference to be well-fed and pampered by the friendly hotel staff. And again, all the TEDx volunteers who treated us speakers with glowing respect and joy, handholding and soothing. I was embraced by their presence. I can’t thank them enough!

Men of Sanitation NYC – TrashTara Knights

These guys made my night!

Perfect timing for TrashTara

I was walking back to THE IMC LAB + GALLERY now with a box of smashed grey tinted glass I just swept up off the street (my dog, Plum found it) thinking,”I still need ‘sand’ for the art show this week.” Shredded paper was my earlier thought, and there it was – 4 bags of thinly julienned paper. Exactly at that moment, these guys drove up to take it away as I was working out how to carry 2 bags, come back for 2, leave 2..
Me: Can I leave 2 and come back?
Guy : Sure, but you have to come back or I’ll get in trouble.
Me: Ok,..no, I only need 2..
He’s about to put bags into the truck.
Me: Wait! I might need all 4…
One guy: where are you going?
Me: 6th…2 avenues.
Guy: I tell you what, I just need to go around one more block and I’ll meet you on the corner of 22nd and 6th.

photo by Colleen Flanigan

And they even took my heavy box of glass. When they turned the corner at 22nd, it was like, I don’t know, getting picked up at the airport by old friends (with a garbage truck).

Matryoshka Principle. Steel, plastic, glass, paper, sand. 2014

The paper and the glass were used in this installation piece in the Manhattan show, TrashTara: It Starts with an Inhale.

Art and FILCO

Fire! Fire! Corals are Feeling the Heat!

Fire escape on 6th and Ave A

I wanted to make an art installation on 6th street here in New York’s East Village.  Using the Gossamer community crocheted and needle-felted reef, I would attach the textile corals and fish to the white undulating fire escapes, like Biorock sculptures, and project video of underwater coral reefs onto the building.  Live music would play.  Perhaps the instrumentalists would be on different levels of the fire escapes immersed in their steel boats adrift like such unusual organisms populating the sea.

So many ideas and projects run through me all the time related to corals and how to convey their beauty and their endangerment, their need for life support and healthy habitat, and of course, OUR need for them.  When my dog walks me down a new street, it often seems as if he’s guiding me to a place or a thing to spark my imagination that unites urban life with nature’s presence, such as the idea I just described for Fire! Fire! Corals are Feeling the Heat!

What about an app that responds to your geolocations, where it appears that fire escapes, bridges, and other inspiring architectural forms are accreting with minerals, colonizing with corals or oysters, and marine life?  I really want to put my energy into creating the living sculptural reefs and nurseries in the ocean, but while I’m in the city, I can’t turn off my inner vision of all this aquatic fluid atmosphere that permeates my mind.  And once we get the webcams onto the sculpture, ZOE, in Cancun, the resulting projections and live feeds will tie in positively to this evolving land and sea revival experience that will hopefully lead us away from this grim end as described by scientist, Charlie Veron, in Iain McCalman’s new book – The Reef:  A Passionate History (reviewed by Rob Nixon in the NY Sunday Times)

Without an abrupt decline in greenhouse gas emissions, “there is no hope of reefs surviving to even midcentury in any form that we now recognize. If, and when, they go, they will take with them about one-third of the world’s marine biodiversity.” Bearing witness to this gradual annihilation, Veron concludes, is “like seeing a house on fire in slow motion.”

A consuming conflagration metaphor.  I can’t have Veron’s prediction take hold in my mind or it throws me off center and off my positive focused trajectory, but perhaps politicians, businesses, big corporations, and anyone unaware of the true bottom line, will start to listen and begin cleaning up dirty industry if a renowned scientist points this gun, already smoking, to their heads, threatening their homes with this horrifying image.

If the message stating that all is already lost gets louder than the message inviting you to think of how to get involved, what effect does that have on you?  What combination of lightness with darkness motivates shifts in behavior and values?  I can’t tell you how many times I meet someone who assumes corals are doomed based on hearing snips about bleaching and acidification. They smile and share personal stories or offer strategy when I tell them that from pollution to restoration, there are things that CAN be done. It isn’t time to pretend the house is already burnt to the ground and just stand there drinking beer on the sidelines like you might be doing this month watching the World Cup.  (What a finish for Portugal last night tying in the last seconds!)

Seriously, Veron does say “slow motion,” and that’s an opening for optimism in the midst of despair.  If that somehow gives the endangered animals more time to adapt and people more time to develop new energy, rescue activities, and to stop injecting sewage, fertilizer, and carbon into the sea, it remains to be seen what 2050 holds.  My concept of the fire escapes with the corals growing over was to symbolize both the urgency and the potential to escape the heating oceans caused by climate change.  To find a way out of the burning building into the air to survive the disaster.

Reef Madness

Additional note for perspective, I recently read the book, Reef Madness: Charles Darwin, Alexander Agassiz, and the Meaning of Coral.  The “coral reef problem” illuminated how recently we had no idea about how coral reefs are formed, and it intimately illustrates just how controversial and political scientific theories and quests can be, then and now.  How egos take the stage and discoveries are intertwined with layered cultural and societal beliefs and systems.  Some philosophies and styles are in the process of dying off; it’s like new species of understanding, expressing, and technology emerge with evolution and that directly impacts our ability to see and discern our reality. Even though corals create bone-like stone, our ideas and assertions about them are much less solid.  There’s space in the world to explore working together to escape the “fires of hell” and create cooler, collaborative coral conservatories that will teach us much more than we know now.

 

Bimetals and Nature’s Survival Tactics

You know how your brain gets attuned to looking for whatever you’re interested in, focusing on, paying attention to at the time.  I’ve been collecting awareness about artists who are creating objects, materials, buildings, and facades that defy a static existence.  The Stone Age is long gone.  I might belong to The Bronze Age, since I feel more ease with metals than micro-controllers at this point, but it’s too staunchly stationary and solid for me without the inclusion of elements suggesting life, if not actually alive.

Movement combines with responsive materials to redirect our present relationships with climate, energy, other species, and our own cultural humanity.

Doris Sung works with bimetals that react to temperature, thus appearing as though they are living leaves following the light. Her architectural piece, Bloom, aspires to redefine how our living spaces function in the age of “finite” resources and infinite ideas.

Elaine Ng Yan Ling’s latest series of smart textiles reflects the changing seasons. “As nature takes its course, Wooden Skin and Macro Wooden Velcro shift shape and color to create an organic responsive environment.  Layers of veneer are combined with fabric, reactive dyes and reflective surfaces to create objects that adapt to fluctuations in light, temperature and humidity. This new series, CLIMATOLOGY, is inspired by nature’s invisible energy and how materials can adapt to be more resilient and relevant.”

Jennifer Darmour of electricfoxy offers current trends in wearable technology and product design.  When I saw the little 3D printed wearable planters with tiny succulents, I paused because “aaw, cute,” and for awhile I was making escargrows out of shells from Helix Aspersa snails that I collected to eat from the garden.  The small calcified spirals were perfect for creating succulent planters, too.  And they were created by living 3D garden mollusks printing out earthy minerals over a number of years.

Which makes me think about 3D printing and how it’s a blind spot, or a stepping stone? in our technological trip to democratic making.  The usual plastics are not somehow becoming better for the environment just because the possibilities for incredible forms are seductive, yet there are 3D printers for cement, ceramics, biodegradable plastics, and whatever other living tissues for making bones, kidneys, and hearts, so hopefully the innovation is leading to something that collapses our love affair with circuit boards and non-biodegradables into a full circle, self-composting realized potential.

With 4D printing touting self-assembly, I imagine that I cannot imagine how the organic, synthetic, bio-mimetic engineered fusion will wrap around to chase it’s tail and channel this open loop of transformative creativity.

Will the positive and negative feedback of less labor is more better somehow find a sum greater than its parts? Will the sum be less than the mean average of what the world can contain to sustain?  These last questions don’t make any sense, but it FEELS like they mean something on our interconnected, technological space odyssey.

We live in the age of Smart Materials. I’m vividly curious about how we will continue to interface with data, programming, biology, and building to express the fibers of our mental, physical, and emotional galaxies.  How close are we to printing Living Sea Sculptures that self-assemble in seawater?

 

 

Underwater Cities – When?

Arup Biomimetics' Syph

I’m talking about humans. Obviously there are multitudes of living cities made up of marine organisms populating and migrating to dwell in the sea, but will humans begin to colonize the ocean? Is it a good thing? A necessary thing? How will this exploration protect itself from adding to the demise of ocean and Earth health? Why is it taking so long?…lots of questions to think about on this frontier.

Ocean Cities are definitely part of the pioneering future. Both Trendhunter and Ecofriend featured the Syph above, a concept design proposal for a competition envisioning Australia 40 years from now.

I feel inner conflict between a sense of invading wilderness and striving to live in harmony with other species as we continuously sway the balance on our curious and precarious, uncertain path to sustaining biological evolution.  The trillions of dollars spent to manufacture, engineer, and execute methods to kill people illustrate that the financial resources are there.  From governments to wealthy private patrons, the desire has not been great to develop architecture and human habitat in the ocean.

Experimental short-term stays for science and education, as well as hotels,  have been emerging for over 50 years.  These carefully controlled environments could become prototypes for off-shore housing in areas like the Maldives that are likely to be the first victims of sea level rise.

According to BBC Future, visionary ocean explorer, Ian Koblick, was ready to bring on underwater habitats in the 1970’s.  Now at 74, he admits that it is not likely in his lifetime to see his futurist vision realized.  He is the owner and co-developer (with Neil Monney) of the Jules Undersea Lodge, which used to be the La Chalupa Research Laboratory, also developed and operated by Koblick, to study the continental shelf off the coast of Puerto Rico.  From scientific investigation to contemporary tourism and mainstream ocean outreach, this habitat has served diverse populations of many species.  It is an example of what might be possible if more interest and demand for underwater cities grows.

The conservationist in me meets up with the visionary progressive and hopes for more conscious exploration and development for this still young field:  Pioneering not to conquer, but to cultivate new biomes in the ocean.   It is another provocative dance between technology and survival for so many species on this burgeoning planet.