As one of the 1st of 60 artists-in-residence with Google’s Tilt Brush, a portal of awesome opened up for me! Immersed in a dark space, magical colorful dream world comes to life before your headset-wearing eyes with your movements. The “brushes” are a mix of markers, paint brushes, physical-feeling extruded light, audio-activated pulsating colors…it was such a great residency.
Playing with materials without any outcome in mind is so important to my well-being. Even with an idea in mind, letting the tools illuminate the way is a candy-colored high of inspiration.
Since the residency, I’ve been invited to create work as an impromptu, live performer for various events. Most of the time I’m in the flow of making something that is projected onto a large monitor in real time so the audience can see what I see. It’s a fabulous job and I hope to do more soon! One event was Virtual Tomorrow in landlocked Columbus, Ohio. How great to be able to create reefy scenes and talk with attendees and local tech team about corals and Living Sea Sculptures while so far from the ocean.
On the other side of the discussion, some people express anxiety about Virtual Reality. Clearly, VR has its distressing arenas, as with all tech innovation that leads to roads unknown. So, use it as a tool to highlight what matters to you. For me, that’s the coral reefs, marine world, surreal nature, and healing the environment that we all share through imagination, collaboration, and action. Being able to move in space and wave wands to create 3D worlds is magic.
September 18th, 2015 was the first ever TEDxCancún. It took Mónica Alba and her team 4 years to get the license because there was some doubt at the top that Cancun is a “real city,” not just a Spring Break party destination. It definitely is a developing place deserving of critical thinking and ideas worth spreading. From the cenotes to the sea, to birth, communities, entrepeneurs, tech, there is a lot of growth and desire for intelligent change.
I was honored to be among the speakers (my talk is live now). It gave me such a warm sense of belonging, especially since I had a flicker of a thought about having a TEDxCancún back in 2011 when I was here making the Living Sea Sculpture, now titled, ZOE. How sweet to participate in this amazing event while still awaiting permits to install ZOE into MUSA, the underwater museum (ok, we did get permits on August 21st, yea! but are now awaiting copies of permits..like fractals it goes on). It is nice to be seen for what you are working on even while in process of the process towards the perceived goal – coral refuge in the water with live-stream webcams. This specific project has taught me that growth is not a straight line, and I have had to forgive myself and others for missing deadlines that evaporate like steam.
TEDxCancún was Incredibly well organized, so many super volunteers, workshops for us speakers, celebrations…I was moved to tears at the end by how hearty it all was because of the passion, generosity and commitment of the leaders and dreamers who made it happen. Initially, I went to the first planning meeting with Mélina Soto, Elisa Lopez Garcia, and Mónica Alba. I was excited to gather information from other organizers so they could prepare their speakers and volunteers. Lots of good energy builds up around these events, and you want to dive in. What a happy surprise when they asked me to speak! Grateful to be acknowledged and have the opportunity to tell my story about the “Symbiosis of Corals and Tango.” I tangoed in with Mario Oswaldo of InfecTANGO. Tango dancing was my metaphor for coral restoration, partnerships, and the journey of ZOE as an art and science collaboration. Over the top nervous this time, I wanted to practice and be truly present on stage so that I could enjoy, improvise a bit, and connect with the audience if possible. I had all the support in the world writing my words, rehearsing, and when I got on stage, there was calm and spaciousness inside. I could see all my words coming from the script while still able to think and react without losing track or being blinded by some adrenaline shock of white light. What a dream to feel solid and ease after so much inner struggle.
photo María González
I am still in Mexico, here in quiet Puerto Morelos. Have been here with some trips away since late December. We have mineral accretion tank experiments going on since May to bring more of the coral scientists into the process. I love learning about the corals and how the electrolysis works; lots of variables and keeps me engaged with what I am so passionate about while the permit dance has been ongoing for ZOE.
…Something about being in Mexico has made me shy away from blogging. I don’t know why. I have been learning Spanish and wanting to stay in the moment with being here. And there is a lot of heat… yet, none of that explains why I shy. There is no excuse, so back to TEDxCancún! I hope you will visit their site in a month to see the talks.
The sunrise at the top of the page is my view on September 18th thanks to TEDxCancún and Secrets of the Vine. What a HUGE gift to have room service and such care while I was stressing and needing the love. It made all the difference to be well-fed and pampered by the friendly hotel staff. And again, all the TEDx volunteers who treated us speakers with glowing respect and joy, handholding and soothing. I was embraced by their presence. I can’t thank them enough!
From the opening reception of the exhibit, TrashTara: It Starts with an Inhale on November 6th, until the closing reception on December 2nd, the Co-Create residency with James Tunick at THE IMC LAB + GALLERY continued in the backdrop. Unlike conventional gallery spaces, the 6th floor venue is a mixed-use morphing environment for artists and a few other small businesses to share. The Respire prototype and immersive installation truly gained a life of its own as James added interactive audio and visuals of data and living reefs projected onto the wall, ceiling, and kinetic sculpture.
Fellow artist-in-residence, Dan Baker’s, hanging art pieces made of retrieved plastic from local waterways were synced with data streams from an Alaskan tidal buoy in preparation for his upcoming exhibit, Ebb and Flow. A monitor showing the tides looked like an EKG. Though conceived separately, they added naturally to the concept and sensory media exploration. I brought over a small mineral accretion experiment I was working on at NYU in Natalie Jeremijenko’s XClinic to directly link coral health and innovation elements visually and physically to participants.
5 Gallon mineral accretion tank at IMC
Motion tracking was triggering the inhales and exhales of the Respire sculpture. The electricity to the biorock mineral accretion tank was on the same outlet, so anyone moving in the space activated or deactivated the electricity; it was like watching life support go on and off. When the sculpture was idle, black and white images from iron lung artificial respiration projected onto the sculpture representing the bleached state of coral and the need for human action to restore vitality and prevent increased mortality. James and I will continue R&D to evolve the project, tying interactivity and effects more intimately with climate change, coral restoration and life support, and interdependent interspecies health.
And what about TrashTara? I had proposed to produce video and photos from my excursions to receive an LMCC grant. My first experience editing with final cut pro, it was a sweet feeling to observe the raw results, far from pro but close to my heart. Colby Cannon, Rob Bregman, and Dan Baker all gave me some quick tutorials. I grabbed poignant GoPro clips from my street outings together with some footage of me collecting butts day and night. Watching my selected snips of documentation linked together randomly led to a meaningful string of spontaneous interactions I had with people throughout Manhattan. I knew people would be receptive to cigarette butt recycling and pollution conversations if they were first uplifted by someone in a costume embodying a compassionate artwork. The face to face experience and kind moments were proof that impressions and attitude, perceptions and expectations are always operating consciously and subconsciously. Everything about the experience was socially enlightening for me and others, and hardly anyone I met knew that they could recycle butts in New Jersey at TerraCycle.
From EVGrieve blog post by Andrew (no last name)
TrashTara’s Butt Brigade Poster made in collaboration with Colby Cannon
The photo I used is from Scotland a few years ago when I was intrigued with arty butt shots before I was thinking about how that tiny remnant could harm marine life. NOTE: I WANT $1 (or more!) to go towards coral restoration, but it is an ideal not yet real. Something to work towards.
I was walking in the East Village with my dog, stopping for him to pee and for me to take a photo of a cigarette butt flattened in a crack in the sidewalk, when it struck me – are these recyclable? They’re everywhere. Beyond grabbing my attention for arty butt shots, they really shouldn’t be everywhere I look. Turns out, yes, they are recyclable. And that was it. I finally knew WHAT TrashTara would be collecting in her Catch-All…
Since late April, I’ve been a Co-Create Artist in Residence at The IMC LAB + GALLERY, owned by James Tunick and Carrie Elston-Tunick. Loving it! While here, I’ve created my latest alter ego, TrashTara, and been out on the streets of Manhattan. She/me has been hand-collecting those butts, the most littered object in the world, while talking to people and gathering footage with a GoPro.
TrashTara in Tompkins Square Park, East Village. Photo courtesy of Stanley Raffes.
Most people don’t know that cigarette butts are such a huge problem for the environment or that they can be recycled. After the last relaxing drag, there’s satisfaction in flicking them to the ground to roll their way into cracks, storm drains, and gutters.
Strom drain on Ave B in East Village
It needs to seep into the mainstream knowledge that cigarettes have non-biodegradable plastic filters, and that nicotine is a very toxic pesticide. Each butt could spend 10 years tossing around in the ocean and water supply killing wildlife and polluting ourselves. One cigarette butt can kill fish in a liter of water. TerraCycle has initiated placing receptacles in cities around the world, and inviting people to join their butt brigades to send in cigarette butts. I’d like to set up a TrashTara Butt Brigade so that every pound of butts collected by those collaborating with me will result in $1 towards Living Sea Sculpture coral reef habitat.
The tar-filled filters can be cleaned and transformed into plastic pallets, anti-corrosives for steel, and textiles. If we can get the 4.5 trillion of them off the ground and into the up-cycling circuit – I heard SF spends $11 million each year on cigarette collection alone – we can save lots of lives and money.
When TrashTara is out at night, her headdress, or as synthetic biologist, Oliver Medvedik, co-founder of GenSpace calls it, her “GMO Tiara,” has fluorescing proteins that come from corals and jellies. With the addition of Ultra Violet LEDs, the GFP and RFP glow. I wanted to avoid plastic resins, and am fascinated with bioluminescence and fluorescence in nature, so we collaborated to create a potentially controversial object. Synthetic biology is complex; the layers of ethics, philosophy, politics, and science involved in genetic research are many and divisive, so I’m grateful I had the opportunity to experiment with proteins as paints to get closer to the reality of how vast this field is and how the concept of “GMO” is completely unknown to most of us in a hands-on way.
TrashTara buttpicking in Gramercy
Also for the upcoming show, James Tunick and I have been developing the first prototypes for Respire – The Coral Corollary, an interactive, multimedia immersive exhibit correlating coral health with human health incorporating data, kinetic sculpture, audio and video so that through their senses and emotions, participants feel connected to corals, the living, breathing animals and plants that share our world with us and take care of us in so many ways. They need us to redesign how we perceive and intersect with their habitat if they are to survive. James is programming micro-controllers that sense human participant and ocean data to trigger responsive movement, lighting, and effects in the sculptures and space.
I hope you can come to the show! TrashTara will be at the opening.